Drawing In The Dust

Scorned for agreeing to help an Arab couple excavate allegedly haunted grounds under their house, archaeologist Page Brookstone finds what may be the tomb of the prophet Jeremiah, as well as the remains of a woman, and intriguing scrolls documenting their relationship.

UNFORGETTABLE DEBUT NOVEL IS A RICHLY EVOCATIVE AND BOUNDLESS LOVE STORY THAT REVERBERATES FROM BIBLICAL TIMES TO THE MODERN WORLD. Brilliant archaeologist Page Brookstone has toiled at Israel’s storied battlegrounds of Megiddo for twelve years, yet none of the ancient remnants she has unearthed deliver the life-altering message she craves. Which is why she risks her professional reputation when a young Arab couple begs her to excavate beneath their home. Ibrahim and Naima Barakat claim the spirits of two lovers overwhelm everyone who enters with love and desire. As Page digs, she makes a miraculous discovery—the bones of the deeply troubled prophet Jeremiah locked in an eternal embrace with a mysterious woman. Buried with the entwined skeletons is a collection of scrolls that challenge centuries-old interpretations of the prophet’s story and create a worldwide fervor. Caught in a forbidden romance of her own, and under siege from religious zealots and relentless critics, Page endangers her life to share the lovers’ story with the world. But in doing so, she discovers she must let go of her own painful past. Called a “zesty debut” by Kirkus Reviews, Zoë Klein’s historically rich novel is a lyrical and unexpected journey as poignant and thought-provoking as the beloved bestsellers The Red Tent and People of the Book.

Pastor Jamin Goggin and theology professor Kyle Strobel provide a path to abiding with God. We were formed from the dust, but we were made for life with God. We often accept less. We make promises and set goals to try and grow, but holiness seems impossible. But the Christian life is not about looking or feeling like a Christian. It’s about abiding in God. If communion with God is your goal, self-help strategies and personal resolutions will fail you. But Jesus Christ will not. Drawing deeply from Scripture and narrating their own experiences, Pastor Jamin Goggin and theology professor Kyle Strobel wrote this book to be a companion for your journey with Jesus in the truth of yourself – as his beloved dust. This is not weighing tasks and rewards, but is a process of patience, prayer, and openheartedness. Prayerfully read this book. Prepare your heart for the gifts God has for you. Beloved Dust invites readers to discover the fundamental simplicity and radical transformation of being with God. "Beloved Dust is an intelligent vision for life with God through prayer, and many of its rich images have stayed with me long after I put down the pages." - Shauna Niequist, author of Bread & Wine “In BELOVED DUST, Kyle and Jamin tell us the truth about who we are and why we're here in a way that will draw you closer to God. Here is great wisdom on spiritual growth and friendship with God; written by two people whose friendship for each is evident—and who will become your friends before the end of the book.” - John Ortberg, author of Soul Keeping "This is a important look at the most important aspect of life—what a genuine relationship with God really looks like. Jamin Goggin and Kyle Strobel address our expectations and frustrations about spiritual growth in a hopeful, empowering way. Beloved Dust strikes the rare balance of being rich and deep while remaining practical and engaging. This book delivers on what it means, and doesn’t mean, to grow in a relationship with God.” - Jud Wilhite, author of Pursued, sr. pastor of Central Christian Church In a culture of pop Christianity that serves a fast food gospel for consumers wanting drive-by spirituality, Goggin and Strobel defy expectations. Their book leads the reader on a slow, inward journey to discover the deeper hunger in their souls--a hunger for God himself. It is a beautiful and gracious exploration of prayer that everyone seeking a truer, deeper, and more authentic life with Christ should read. This book will draw you into a richer communion with God as it did for me, and that is the highest compliment I can possibly offer. -Skye Jethani, author of WITH and FUTUREVILLE. "This book in your hands will remind you to stop, to revel in God’s fatherly presence, and to just be. That God is God and you are you, and that you are his, and that our dustiness is a beautiful thing. I am thankful for Jamin and Kyle’s gift to us within these pages." -Tsh Oxenreider, author of Notes From a Blue Bike: The Art of Living Intentionally in a Chaotic World

The recipient of six starred reviews and the APALA Asian/Pacific American Award for Literature! Named a Best Book of 2018 by the Wall Street Journal, NPR, Smithsonian, Kirkus Reviews, School Library Journal, Booklist, the Bulletin of the Center for Children's Books, BookRiot, the New York Public Library, the Chicago Public Library-and many more! When a young boy visits his grandfather, their lack of a common language leads to confusion, frustration, and silence. But as they sit down to draw together, something magical happens-with a shared love of art and storytelling, the two form a bond that goes beyond words. With spare, direct text by Minh Lê and luminous illustrations by Caldecott Medalist Dan Santat, this stirring picturebook about reaching across barriers will be cherished for years to come. A Junior Library Guild selection!

In this witty, engaging, and challenging book, Carolyn Steedman has produced an originaland sometimes irreverentinvestigation into how modern historiography has developed. Dust: The Archive and Cultural History considers our stubborn set of beliefs about an objective material worldinherited from the nineteenth centurywith which modern history writing and its lack of such a belief, attempts to grapple. Drawing on her own published and unpublished writing, Carolyn Steedman has produced a sustained argument about the way in which history writing belongs to the currents of thought shaping the modern world. Steedman begins by asserting that in recent years much attention has been paid to the archive by those working in the humanities and social sciences; she calls this practice "archivization." By definition, the archive is the repository of "that which will not go away," and the book goes on to suggest that, just like dust, the "matter of history" can never go away or be erased. This unique work will be welcomed by all historians who want to think about what it is they do.

The works in The Drawing Book, by artists, architects, sculptors, scientists, filmmakers and thinkers of all descriptions, attest to the versatility and immediacy of drawing. From first thoughts to finely wrought, elaborate artworks, from the lightest sketch in pencil to bold, gallery-wall installations, the medium is shown as an essential vehicle for creativity. The recent prominence of artists such as Louise Bourgeois, Eva Hesse, Chris Ofili, Rachel Whiteread, Ellen Gallagher, and a host of others who use drawing as a final means of expression, is addressed in both the works shown and essays by curators Kate Macfarlane and Katharine Stout, and art historian Charles Darwent. The Drawing Book takes us on a journey through five themes -- measurement, nature, the city, dreams, and the body. Each is richly illustrated with a diverse range of images, from the old masters -- Leonardo da Vinci, Botticelli, Dürer -- through great Modernist pieces by Rodin, Picasso, Matisse, and on to the contemporary artists who are reviving drawing today. A new and unique approach to an age old medium.

The children were disappearing. And the worst thing about it? No one noticed A rainmaker brings rain to a drought-stricken town. The stranger amazes the townspeople with magic mirrors and bewitches the children with his beautiful butterfly. First, one child vanishes. Then another. And another. Only one young man sees through the lies and decides to act. You'll love this dark, mysterious young adult novel. Winner of the Governor General's Award. Get it now.

This is a limited edition artist's book. It documents a giant temporary charcoal wall drawing created in 2011 and destroyed in 2012. It features photo documentary with commentary and essays.