Dreaming In French

“Alice Kaplan’s triple portrait of three iconic mid-century American women dazzles beyond our evergreen fascination with [their] wildly disparate lives.” —Patricia Hampl, New York Times Notable author A year in Paris . . . since World War II, countless American students have been lured by that vision—and been transformed by their sojourn in the City of Light. Dreaming in French tells three stories of that experience, and how it changed the lives of three extraordinary American women. All three women would go on to become icons, key figures in American cultural, intellectual, and political life, but when they embarked for France, they were young, little-known, uncertain about their future, and drawn to the culture, sophistication, and drama that only Paris could offer. Yet their backgrounds and their dreams couldn’t have been more different. Jacqueline Bouvier was a twenty-year-old debutante, a Catholic girl from a wealthy East Coast family. Susan Sontag was twenty-four, a precocious Jewish intellectual from a North Hollywood family of modest means, and Paris was a refuge from motherhood, a failing marriage, and graduate work in philosophy at Oxford. Angela Davis, a French major at Brandeis from a prominent African American family in Birmingham, Alabama, found herself the only black student in her year abroad program—in a summer when all the news from Birmingham was of unprecedented racial violence. Kaplan takes readers into the lives, hopes, and ambitions of these young women, tracing their paths to Paris and tracking the discoveries, intellectual adventures, friendships, and loves that they found there—experiences that would continue to influence them for the rest of their lives. “An elegant and entertaining work.” —Minneapolis Star-Tribune

Which of us...has not dreamed of the miracle of a poetic prose, musical, without rhyme...supple...rugged...?--Baudelaire

“[A] cultural odyssey, a brave attempt to articulate the compulsions that drove [Kaplan] to embrace foreignness in order to become truly herself.” —The Washington Post Book World Brilliantly uniting the personal and the critical, French Lessons is a powerful autobiographical experiment. It tells the story of an American woman escaping into the French language and of a scholar and teacher coming to grips with her history of learning. In spare, midwestern prose, by turns intimate and wry, Kaplan describes how, as a student in a Swiss boarding school and later in a junior year abroad in Bordeaux, she passionately sought the French “r,” attentively honed her accent, and learned the idioms of her French lover. When, as a graduate student, her passion for French culture turned to the elegance and sophistication of its intellectual life, she found herself drawn to the language and style of the novelist Louis-Ferdinand Celine. At the same time, she was repulsed by his anti-Semitism. At Yale in the late 70s, during the heyday of deconstruction she chose to transgress its apolitical purity and work on a subject “that made history impossible to ignore”: French fascist intellectuals. Kaplan’s discussion of the “de Man affair” —the discovery that her brilliant and charismatic Yale professor had written compromising articles for the pro-Nazi Belgian press—and her personal account of the paradoxes of deconstruction are among the most compelling available on this subject. French Lessons belongs in the company of Sartre’s Words and the memoirs of Nathalie Sarraute, Annie Ernaux, and Eva Hoffman. No book so engrossingly conveys both the excitement of learning and the moral dilemmas of the intellectual life.

CHARLOTTE SANDERS, a precocious American girl growing up in Paris in the late 1970s, leads a charmed life. But her idyllic childhood is turned upside down when her mother, Astrid, has an affair and the family is shattered. Leaving her sister in Paris, Charlotte follows Astrid to New York. There, in the shadow of her glamorous and erratic mother, Charlotte has to negotiate her path to womanhood, eventually living through her own unhappy love affair and returning to a Europe that has been reshaped by the downfall of Communism. At once a coming-of-age story and meditation on cultural identity, Dreaming in French is an enchanting portrayal of the challenges of adolescence and an honest account of one girl’s discovery that where we come from makes us who we are.

Originally published in hardcover in 2012.

Escape to hills high above the French Riviera with international bestseller Jennifer Bohnet. After tragically losing her husband, Nicola Jacques and her teenage son Oliver relocate to his father’s family's olive farm in the hills above the French Riviera. Due to a family feud, Oliver has never known his father's side of the family but Grandpapa Henri is intent that Oliver will take over the reins of the ancestral farm and his rightful inheritance. Determined to keep her independence from a rather controlling Grandpapa, Nicola buys a run-down cottage on the edge of the family's Olive Farm and sets to work renovating their new home and providing an income by cultivating the small holding that came with the Cottage. As the summer months roll by, Nicola and Oliver begin to settle happily into their new way of life with the help of Aunts Josephine and Odette, Henri’s twin sisters and local property developer Gilles Bongars. But the arrival of some unexpected news and guests at the farm, force Nicole and Aunt Josephine to assess what and where their futures lie. This book was previously published as The French Legacy.

Jennifer McCaffrey has been working hard on her art for years and is thrilled when she is accepted to a prestigious art school. The school is everything she always thought it would be, mostly. There is one group of kids who seem to resent her and say she only got in because of her skin color. Jen, who loves to create new pieces of artwork that incorporate her Indigenous heritage, finds herself a target when the group tells her to stop being “so Indian”. The night before the big art show at school, Jen’s beading art project is defaced. Jen has to find a way not to let the haters win.