Dreams And Dream Stories Anna Bonus Kingsford

A passage from the book... The chronicles which I am about to present to the reader are not the result of any conscious effort of the imagination. They are, as the title-page indicates, records of dreams, occurring at intervals during the last ten years, and transcribed, pretty nearly in the order of their occurrence, from my Diary. Written down as soon as possible after awaking from the slumber during which they presented themselves, these narratives, necessarily unstudied in style and wanting in elegance of diction, have at least the merit of fresh and vivid color, for they were committed to paper at a moment when the effect and impress of each successive vision were strong and forceful in the mind, and before the illusion of reality conveyed by the scenes witnessed and the sounds heard in sleep had had time to pass away.I do not know whether these experiences of mine are unique. So far, I have not yet met with any one in whom the dreaming faculty appears to be either so strongly or so strangely developed as in myself. Most dreams, even when of unusual vividness and lucidity, betray a want of coherence in their action, and an incongruity of detail and dramatis personae, that stamp

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By the end of the nineteenth century, Victorians were seeking rational explanations for the world in which they lived. The radical ideas of Charles Darwin had shaken traditional religious beliefs. Sigmund Freud was developing his innovative models of the conscious and unconscious mind. And anthropologist James George Frazer was subjecting magic, myth, and ritual to systematic inquiry. Why, then, in this quintessentially modern moment, did late-Victorian and Edwardian men and women become absorbed by metaphysical quests, heterodox spiritual encounters, and occult experimentation? In answering this question for the first time, The Place of Enchantment breaks new ground in its consideration of the role of occultism in British culture prior to World War I. Rescuing occultism from its status as an "irrational indulgence" and situating it at the center of British intellectual life, Owen argues that an involvement with the occult was a leitmotif of the intellectual avant-garde. Carefully placing a serious engagement with esotericism squarely alongside revolutionary understandings of rationality and consciousness, Owen demonstrates how a newly psychologized magic operated in conjunction with the developing patterns of modern life. She details such fascinating examples of occult practice as the sex magic of Aleister Crowley, the pharmacological experimentation of W. B. Yeats, and complex forms of astral clairvoyance as taught in secret and hierarchical magical societies like the Hermetic Order of the Golden Dawn. Through a remarkable blend of theoretical discussion and intellectual history, Owen has produced a work that moves far beyond a consideration of occultists and their world. Bearing directly on our understanding of modernity, her conclusions will force us to rethink the place of the irrational in modern culture. “An intelligent, well-argued and richly detailed work of cultural history that offers a substantial contribution to our understanding of Britain.”—Nick Freeman, Washington Times