Drumbeat Heartbeat

Despite centuries of suppression and oppression, American Indian music survives today as a profound cultural force. Heartbeat, Warble, and the Electric Powwow celebrates in depth the vibrant soundscape of Native North America, from the “heartbeat” of intertribal drums and “warble” of Native flutes to contemporary rock, hip-hop, and electronic music. Drawing on more than one hundred interviews with musicians, producers, ethnographers, and record-label owners, author and musician Craig Harris conjures an aural tapestry in which powwow drums and end-blown woodwinds resound alongside operatic and symphonic strains, jazz and reggae, country music, and blues. Harris begins with an exploration of the powwow, from sacred ceremonies to intertribal gatherings. He examines the traditions of the Native American flute and its revival with artists such as two-time Grammy winners R. Carlos Nakai and Mary Youngblood. Singers and songwriters, including Buffy Sainte-Marie, Keith Secola, and Joanne Shenandoah, provide insights into their music and their lives as American Indians. Harris also traces American Indian rock, reggae, punk, and pop over four decades, punctuating his survey with commentary from such artists as Tom Bee, founder of Native America’s first rock band, XIT. Grammy-winner Taj Mahal recalls influential guitarist Jesse Ed Davis; ex-bandmates reflect on Rock Hall of Fame inductee Redbone; Robbie Robertson, Pura Fe, and Rita Coolidge describe how their groundbreaking 1993 album, Music for the Native Americans, evolved; and DJs A Tribe Called Red discuss their melding of archival powwow recordings into fiery dance music. The many voices and sounds that weave throughout Harris’s engaging, accessible account portray a sonic landscape that defies stereotyping and continues to expand. Heartbeat, Warble, and the Electric Powwow is the story—told by those who live it—of resisting a half-millennium of cultural suppression to create new sounds while preserving old roots. Listen in! Visit this book’s page on the oupress.com website for a link to the book’s Spotify playlist.

This in-depth exploration of emotions in the ancient Near East illuminates the rich and complex worlds of feelings encompassed within the literary and material remains of this remarkable region, home to many of the world’s earliest cities and empires, and lays critical foundations for future study. Thirty-four chapters by leading international scholars, including philologists, art historians, and archaeologists, examine the ways in which emotions were conceived, experienced, and expressed by the peoples of the ancient Near East, with particular attention to Mesopotamia, Anatolia, and the kingdom of Ugarit, from the Late Uruk through to the Neo-Babylonian Period (ca. 3300–539 BCE). The volume is divided into two parts: the first addressing theoretical and methodological issues through thematic analyses and the second encompassing corpus-based approaches to specific emotions. Part I addresses emotions and history, defining the terms, materialization and material remains, kings and the state, and engaging the gods. Part II explores happiness and joy; fear, terror, and awe; sadness, grief, and depression; contempt, disgust, and shame; anger and hate; envy and jealousy; love, affection, and admiration; and pity, empathy, and compassion. Numerous sub-themes threading through the volume explore such topics as emotional expression and suppression in relation to social status, gender, the body, and particular social and spatial conditions or material contexts. The Routledge Handbook of Emotions in the Ancient Near East is an invaluable and accessible resource for Near Eastern studies and adjacent fields, including Classical, Biblical, and medieval studies, and a must-read for scholars, students, and others interested in the history and cross-cultural study of emotions.

æHeartbeat Drumbeat is a coming-of-age story, set in the multi-cultural American Southwest. Morgana Cruz is the daughter of a Navajo mother and a Mexican-American father. In her search for identity, Morgana weaves her way through a series of personal and cultural conflicts, leading her to interact with a group of fascinating characters: Isadora, her Navajo mentor; Eagle Eyes, a young Indian lawyer seeking to establish his own identity; and MorganaÍs own parents„feisty Frank Cruz and elusive Marisol, whose secret holds the key to MorganaÍs future. Rich in descriptions of Native American and Mexican coming-of-age rituals, this novel will appeal to readers of all ages.

One 200-year-old folk tale, 30 teachers, and 1,000 students. Ride along with literacy guru David Booth as he takes the same story to a wide variety of classrooms, from kindergarten all the way through grade 12, and be amazed by the learning generated. David argues that "it takes two to read a book". He reasons that sharing responses and bouncing ideas off others guides students to deeper thinking, and challenges them to reconsider their views and increase their understanding. This intriguing book also shows teachers how to help students discover the world outside the text: the origins, connections, place, values, and the different perceptions that readers have. It illustrates ways to transpose that original text into other forms that let students look at the text with different eyes, to ponder what might have been, to challenge what they read, and to add their new learning to the construct of the world. Throughout the book, authentic student samples and actual transcripts present students experiencing the featured story in a multitude of ways -- from poems and retellings, to visuals and arts, to conversation and blogs -- that will "explode" your definitions of comprehension, response, and engagement, and have you looking at classroom literacy in a whole new way!

The Winona dilemma / Lois Beardslee -- No word for goodbye / Mary TallMountain -- About the contributors.

Medicine Wheel Trilogy by Grandmother Puddingstone [--------------------------------------------]

Introducing the powwow: a social get-together and celebration of Native American culture. It is a way to keep traditions alive; it is also a reunion with family and friends. The heartbeat of the drum unites many different nations of Native people.

Untangled takes the reader on a swirling tour of some of the most beautiful places in the Caribbean but also of the region’s gruesome history. The eye of love searches the landscape in the wake of colonialism and the grim traffic of bodies and souls across the Middle Passage. Evoking everything from birdcalls to colorful festivals, missionaries’ blunders to tasty traditional feasts, Joy Rudder is intimately knowledgeable of her home, which spans the entire Caribbean. She voices heartbreaking questions that most do not venture to ask. But her pain is transformed into poetry, her outrage into prayer. She finds that Christ has preceded her and is very present in her multi-ethnic, multi-religious native Trinidad. Christ is also present in her adopted home, politically correct and trendy Vancouver, on the west coast of Canada. She discovers love in unusual places, delights in friendships with strangers, and kneels to worship in a frat house bathroom. She muses on the grandeur of natural places she has been privileged to see in North America and the Caribbean, yet she unearths disturbing visions. In the end, she finds peace at the last, beyond her troubled quests, in the lived reality of hope.