Drumming Asian America

With its dynamic choreographies and booming drumbeats, taiko has gained worldwide popularity since its emergence in 1950s Japan. Harnessed by Japanese Americans in the late 1960s, taiko's sonic largesse and buoyant energy challenged stereotypical images of Asians in America as either model minorities or sinister foreigners. While the majority of North American taiko players are Asian American, over 400 groups now exist across the US and Canada, and players come from a range of backgrounds. Using ethnographic and historical approaches, combined with in-depth performance description and analysis, this book explores the connections between taiko and Asian American cultural politics. Based on original and archival interviews, as well as the author's extensive experience as a taiko player, this book highlights the Midwest as a site for Asian American cultural production and makes embodied experience central to inquiries about identity, including race, gender, and sexuality. The book builds on insights from the fields of dance studies, ethnomusicology, performance studies, queer and feminist theory, and Asian American studies to argue that taiko players from a variety of identity positions perform Asian America on stage, as well as in rehearsals, festivals, schools, and through interactions with audiences. While many taiko players play simply for the love of its dynamism and physicality, this book demonstrates that politics are built into even the most mundane aspects of rehearsing and performing.

A free open access ebook is available upon publication. Learn more at www.luminosoa.org. Louder and Faster is a cultural study of the phenomenon of Asian American taiko, the thundering, athletic drumming tradition that originated in Japan. Immersed in the taiko scene for twenty years, Deborah Wong has witnessed cultural and demographic changes and the exponential growth and expansion of taiko particularly in Southern California. Through her participatory ethnographic work, she reveals a complicated story embedded in memories of Japanese American internment and legacies of imperialism, Asian American identity and politics, a desire to be seen and heard, and the intersection of culture and global capitalism. Exploring the materialities of the drums, costumes, and bodies that make sound, analyzing the relationship of these to capitalist multiculturalism, and investigating the gender politics of taiko, Louder and Faster considers both the promises and pitfalls of music and performance as an antiracist practice. The result is a vivid glimpse of an Asian American presence that is both loud and fragile.

One by one, ten tiny oni, Japanese goblin-like creatures, grow larger and larger as they beat their drums on the sand, chasing away bad dreams. Includes the Japanese characters for the numbers from one to ten.

Chavi's music teacher believes that only boys should play drums in Miami'sestival de la Calle Ocho, but Chavi knows she is a good musician and looksor a way to prove it.

Introducing a series utterly perfect for cozy fans of Alan Bradley, Alexander McCall Smith, and Louise Penny. The Reverend Tom "Father" Christmas, the newest vicar of Thornford Regis, an idyllic rural town in England, turns detective when one of his parishioners turns up dead in a drum, and everyone in town seems to have something to confess. Tom Christmas came to picturesque Thornford Regis with his young daughter to escape the terrible experience of losing his wife in the city. Her murder sent him packing to the bucolic and charming town, where violent crime isn't supposed to happen and the greatest sin is supposed to be nothing a member of the clergy can't handle. Then, at the town fair, a woman is found murdered. Tom soon learnsthat everyone in Thornford Regis has a secret to hide--infidelity, theft, even past murders. Twelve Drummers Drumming showcases a lovely place to live and/or die, and marks the debut of a planned twelve-book mystery series featuring the brilliant Father Christmas.

Carnival is coming, and the villagers of John John, Trinidad, are getting ready to jump up and celebrate with music, dancing, and a parade. Best of all, the Roti King has promised free rotis tasty fried pancakes filled with chicken, herbs, and spices for the best band in the parade. Young Winston dreams of feasting on those delicious rotis. But there's a problem: he's not in a band! Pondering his predicament as he wanders through the village junkyard, Winston makes a curious musical discovery that may be just the ticket to realizing his dream. With ingenuity and the help of his friends, Winston takes on the Carnival bands, drumming his way to victory and to the Roti King's prized treat. Musical text and sun-drenched paintings joyously transport readers to the Caribbean in this exuberant story inspired by the early life of Winston "Spree" Simon, a pioneer in the development of the steel drum

Based on extensive research in India and Pakistan, this new study examines the ways drumming and voices interconnect over vast areas of South Asia and considers what it means for instruments to be voice-like and carry textual messages in particular contexts. Richard K. Wolf employs a hybrid, novelistic form of presentation in which the fictional protagonist Muharram Ali, a man obsessed with finding music he believes will dissolve religious and political barriers, interacts with Wolf's field consultants, to communicate ethnographic and historical realities that transcend the local details of any one person's life. The result is a daring narrative that follows Muharram Ali on a journey that explores how the themes of South Asian Muslims and their neighbors coming together, moving apart, and relating to God and spiritual intermediaries resonate across ritual and expressive forms such as drumming and dancing.

Based on ethnographic fieldwork conducted among taiko groups in Japan, 'Taiko Boom' explores the origins of taiko in the early postwar period and its popularization over the following decades of rapid economic growth in Japan's cities and countryside.