Drury Lane S Last Case

Inspector Thumm enlists the help of an actor to track down a stolen Shakespearean manuscript and solve a baffling murder in this classic mystery. Inspector Thumm has never seen such a marvelous beard. It is massive and pointed, a rainbow composed of all the colors of Joseph’s biblical coat. He’s so distracted by the beard that he hardly notices the man it belongs to: a prospective client with mysterious business. This bearded fellow hands over an envelope containing a million-dollar secret—and the key to a matter of life and death. However, Thumm quickly forgets his strange visitor when a rare Shakespearean manuscript is stolen, only to be replaced by a rarer, more valuable one. With the help of the legendary Shakespearean actor Drury Lane, Thumm must locate the missing manuscript and solve an impossible murder—before the curtain comes down forever.

Patience Thumm, the adventurous daughter of an NYPD inspector, teams up with actor Drury Lane to solve the mystery of a senator’s murder. Patience Thumm has just traveled the world. She turned heads in London, sipped absinthe in Tunis, and debated philosophy on the Left Bank of Paris. When she returns home to New York with a smuggled copy of Lady Chatterley’s Lover in her bag, her father, the NYPD’s Inspector Thumm, is quite unprepared to handle her. At first, it seems they have nothing in common—but the two soon discover a shared appetite for murder. When a corrupt senator is stabbed to death in his study, Patience can’t resist hunting for the killer. With the help of her father’s old friend Drury Lane, the legendary Shakespearean actor, she will find that all the exotic cities of the world can’t offer anything as exciting as a New York homicide.

A Shakespearean actor-turned-sleuth wonders if a suicide’s been staged—and suspects the members of an eccentric New York family . . . A ramshackle trawler, the Lavinia D rumbles into New York harbor with empty nets. When its crew spies something floating in the water, they drag it in, hoping for a profitable catch. Their prize flops on the deck, limp, cold, and bloody: the corpse of a man. His name was York Hatter, and he had disappeared from his house on the fashionable Washington Square several days before. He hadn’t left a note and he wasn’t carrying any money. The police assume he killed himself—but they are very wrong. The Hatter family is famously eccentric, and when a murder attempt is made on York’s invalid stepdaughter, any one of them could be the culprit. Solving the case will fall to Drury Lane, the retired Shakespearean actor who has turned his genius to solving crimes. But he may find that these Hatters are so crazy and so deadly, they even put Hamlet to shame.

This collection offers an overview of the ways in which space has become relevant to the study of Shakespearean drama and theatre. It distinguishes various facets of space, such as structural aspects of dramatic composition, performance space and the evocation of place, linguistic, social and gendered spaces, early modern geographies, and the impact of theatrical mobility on cultural exchange and the material world. These facets of space are exemplified in individual essays. Throughout, the Shakespearean stage is conceived as a topological ‘node’, or interface between different times, places and people – an approach which also invokes Edward Soja’s notion of ‘Thirdspace’ to describe the blend between the real and the imaginary characteristic of Shakespeare’s multifaceted theatrical world. Part Two of the volume emphasises the theatrical mobility of Hamlet – conceptually from an anthropological perspective, and historically in the tragedy’s migrations to Germany, Russia and North America.