Duino Elegies

Long considered the definitive English translation of Rilke's brilliant andhaunting masterworks, A. Poulin's edition of Duino Elegies and The Sonnets to Orpheus provides an essential introduction to some of the most passionate and intensely creative visionary poetry of the twentieth century. With a new foreword by the esteemed poet Mark Doty and a fresh new design, Poulin's revered translation is certain to acquaint a new generation of readers with the works of Rilke.

The first-ever English translation of Rilke’s landmark poetry cycle, by Vita and Edward Sackville-West ­– reissued for the first time in 90 years In 1931, Virginia and Leonard Woolf’s Hogarth Press published a small run of a beautiful edition of Rainer Maria Rilke’s Duino Elegies, in English translation by the writers Vita and Edward Sackville-West. This marked the English debut of Rilke’s masterpiece, which would eventually be rendered in English over 20 times, influencing countless poets, musicians and artists across the English-speaking world. Published for the first time in 90 years, the Sackville-Wests’ translation is both a fascinating historical document and a magnificent blank-verse rendering of Rilke’s poetry cycle. Featuring a new introduction from critic Lesley Chamberlain, this reissue casts one of European literature’s great masterpieces in fresh light.

Named for the Castle of Duino, on a rocky headland of the Adriatic, the Duino Elegies speaks in a voice that is both intimate and majestic on the mysteries of human life and our attempt, in the words of the translator, 'to use our self-consciousness to some advantage: to transcend, through art and the imagination, our self-deception and our fear.'

Available for the first time in a single volume, Ranier Maria Rilke’s two most beloved sequences of poems rendered by his most faithful translator. Rilke is unquestionably the twentieth century’s most significant and compelling poet of romantic transformation and spiritual quest. His poems of ecstatic identification with the world exert perennial fascination. In Stephen Mitchell’s versions of Rilke’s two greatest masterpieces readers will discover an English rendering that captures the lyric intensity, fluency, and reach of his poetry. Stephen Mitchell adheres impeccably to Rilke’s text, to his formal music, and to the complexity of his thought; at the same time, Mitchell’s work has authority and power as poetry in its own right.

The greatly admired essayist, novelist, and philosopher, author of Cartesian Sonata, Finding a Form, and The Tunnel, reflects on the art of translation and on Rainer Maria Rilke's Duino Elegies -- and gives us his own translation of Rilke's masterwork. After nearly a lifetime of reading Rilke in English, William Gass undertook the task of translating Rilke's writing in order to see if he could, in that way, get closer to the work he so deeply admired. With Gass's own background in philosophy, it seemed natural to begin with the Duino Elegies, the poems in which Rilke's ideas are most fully expressed and which as a group are important not only as one of the supreme poetic achievements of the West but also because of the way in which they came to be written -- in a storm of inspiration. Gass examines the genesis of the ideas that inform the Elegies and discusses previous translations. He writes, as well, about Rilke the man: his character, his relationships, his life. Finally, his extraordinary translation of the Duino Elegies offers us the experience of reading Rilke with a new and fuller understanding.

Rilke's great cycle of ten elegies, perhaps his most profound poetic achievement, had its inception on the morning of January 21, 1912, but was interrupted by the First World War and not completed until a decade later. The Duino Elegies are not only the result of an extraordinary kind of contact with the unseen world; they are an attempt to understand that world in its holistic relationship to the visible, tangible world. This powerful rendering of the cycle is a product of the collaboration between a poet, Norris, and a Germanist, Keele.

Rainer Maria Rilke's poetry offers a rare combination of insight, beauty, and accessibility that has delighted readers for generations. Beloved for its unique lyrical style and musical language, his work stands as some of the most remarkable poetry of the past one hundred years. In Praise of Mortality is an artfully curated selection of poems from Sonnets to Orpheus and Duino Elegies that investigate the emotional and psychological impact of the industrial revolution, and meditate on themes of impermanence and the steady passage of time. Barrows, an award-winning poet herself, and Macy, a well-known spiritual teacher, bring to their translations a striking sensitivity to the subtle currents of the work, approaching the poems with a fresh perspective that highlights the delicacy of their craft and beauty. With a deep reverence for nature and a singular ability to embody the tenuous connection between the spiritual and material, Rilke's sonnets and elegies are a thoughtful antidote to the distractions, noise, and ever-increasing pace of the modern world.

Duino Elegies are the ten magnificent poems that defined the Austrian poet, Rainer Maria Rilke's artistic vision of life, death, eternity, and the human condition. Marie von Thurn und Taxis-Hohenlohe invited Rilke to stay at her castle in Duino, on the coast of the Adriatic Sea near Trieste. He stayed alone in the castle for about four months and, on a cold day in January, 1912, when he was contemplating how to answer a business letter that he received, he walked out into the freezing windy morning and, walking along a path by the bastions looking down at the violent waves of the Adriatic a couple of hundred feet below him, he heard someone speak, but when he turned around, he was alone and the voice that he heard spoke the famous opening lines of the First Elegy: “Wer, wenn ich schriee, hörte mich denn aus der Engel/ Ordnungen?” (“Who, if I cried out, would hear me among the Angelic/ Orders?”). Dr. Gartner presents a new translation of Rilke's magnum opus as well as of a selection of ten famous poems from Rilke's collected works.