Dust Of The Zulu

In Dust of the Zulu Louise Meintjes traces the political and aesthetic significance of ngoma, a competitive form of dance and music that emerged out of the legacies of colonialism and apartheid in South Africa. Contextualizing ngoma within South Africa's history of violence, migrant labor, the HIV epidemic, and the world music market, Meintjes follows a community ngoma team and its professional subgroup during the twenty years after apartheid's end. She intricately ties aesthetics to politics, embodiment to the voice, and masculine anger to eloquence and virtuosity, relating the visceral experience of ngoma performances as they embody the expanse of South African history. Meintjes also shows how ngoma helps build community, cultivate responsible manhood, and provide its participants with a means to reconcile South Africa's past with its postapartheid future. Dust of the Zulu includes over one hundred photographs of ngoma performances, the majority taken by award-winning photojournalist TJ Lemon.

In Dust of the Zulu Louise Meintjes traces the political and aesthetic significance of ngoma, a competitive form of dance and music that emerged out of the legacies of colonialism and apartheid in South Africa. Contextualizing ngoma within South Africa's history of violence, migrant labor, the HIV epidemic, and the world music market, Meintjes follows a community ngoma team and its professional subgroup during the twenty years after apartheid's end. She intricately ties aesthetics to politics, embodiment to the voice, and masculine anger to eloquence and virtuosity, relating the visceral experience of ngoma performances as they embody the expanse of South African history. Meintjes also shows how ngoma helps build community, cultivate responsible manhood, and provide its participants with a means to reconcile South Africa's past with its postapartheid future. Dust of the Zulu includes over one hundred photographs of ngoma performances, the majority taken by award-winning photojournalist TJ Lemon.

An honest and compassionate look at post-apartheid South Africa Vusi, an eleven-year-old Zulu boy growing up in poverty in rural South Africa, is enchanted by the helpless puppy he finds in the bush. He names it Gillette for its razor-sharp teeth and hides it from his mother, who disapproves of bush dogs as pets. His devotion to Gillette only grows stronger after the puppy is mauled by a leopard and loses a leg. But as boy and dog play carefree games, storm clouds are gathering over Vusi's family - ruthless rival taxi owners are trying to drive his father out of business. While Vusi and Gillette learn to hunt together, they meet the daughter of a neighboring white farmer. Gillette becomes the catalyst for their unlikely friendship, which has a decisive impact on the fate of Vusi's whole family - and the larger community. A starkly realistic story set against the backdrop of the country's tortured racial history, Zulu Dog holds out the hope that a new generation of South Africans can create a better future for their land. Zulu Dog is a 2003 Bank Street - Best Children's Book of the Year.

'Gems like this are too rare. I was hooked in ten pages.' Conn Iggulden GEORGE HART just wants to serve his Queen and honour his family. It's not that simple. BASTARD He doesn't know his father, only that he's a pillar of the Establishment. His beloved mother is half Irish, half Zulu. ZULU In a Victorian society rife with racism and prejudice, George's dark skin spells trouble to his regimental commander. WARRIOR But George has soldiering in his blood - the only question is what he's really fighting for: ancestry or Empire. In the heat of battle he must decide . . .

The manufacture and decorative use of wire in Southern Africa traditional arts dates back to the first millennium AD. With advancements in telecommunications, a new type of wire -- multi-colored plastic-coated copper wire, often referred to as telephone wire -- came into being. Beginning in the late 1960's, Zulu night watchmen started weaving scraps of this wire around their traditional sticks. This new material was also applied to making izimbenge -- beer pot covers -- that had been traditionally made from grass and palm. Today, there is wide variety in the creative use of this wire, and, in post-Apartheid South Africa, Zulu craft artists are imbuing old forms with the colourful contemporary material of telecommunications. The result is a vibrant, distinctive new folk form gaining international attention. This is the first and only publication to document the development of this transitional art. Including more than two-hundred examples of baskets, this book traces telephone-wire weaving from its roots to its most current forms, featuring the works of the most renowned contemporary weavers. The accompanying text -- from some of the foremost experts in African art and craft -- traces the history of telephone-wire weaving as well as discussing its significance to South African culture and art history. Today telephone wire baskets are at the heart of growing markets for South African products and sustainable cultural industry in Zululand.

A biography of the nineteenth-century military genius and Zulu chief.