Early Musical Borrowing
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Early Musical Borrowing
Author | : Honey Meconi |
Publsiher | : Routledge |
Total Pages | : 200 |
Release | : 2004-03 |
Genre | : Art |
ISBN | : 9781135577940 |
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First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
Early Musical Borrowing
Author | : Anonim |
Publsiher | : Unknown |
Total Pages | : 0 |
Release | : 2004 |
Genre | : Quotation in music |
ISBN | : 0203584945 |
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Music Borrowing and Copyright Law
Author | : Enrico Bonadio,Chen Wei Zhu |
Publsiher | : Bloomsbury Publishing |
Total Pages | : 485 |
Release | : 2023-10-19 |
Genre | : Law |
ISBN | : 9781509949397 |
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This ground-breaking book examines the multifaceted dynamics between copyright law and music borrowing within a rich diversity of music genres from across the world. It evaluates how copyright laws under different generic conventions may influence, or are influenced by, time-honoured creative borrowing practices. Leading experts from around the world scrutinise a carefully selected range of musical genres, including pop, hip-hop, jazz, blues, electronic and dance music, as well as a diversity of region-specific genres, such as Jamaican music, River Plate Tango, Irish folk music, Hungarian folk music, Flamenco, Indian traditional music, Australian indigenous music, Maori music and many others. This genre-conscious analysis builds on a theoretical section in which musicologists and lawyers offer their insights into fundamental issues concerning music genre categorisation, the typology of music borrowing and copyright law's ontological struggle with musical borrowing in theory and practice. The chapters are threaded together by a central theme, ie, that the cumulative nature of music creativity is the result of collective bargaining processes among many 'musicking' parties that have socially constructed creative music authorship under a rich mix of generic conventions.
Musical Borrowing and Quotation in the Twentieth and Twenty first Centuries
Author | : Pwyll Ap Siôn,Lauren Redhead |
Publsiher | : Unknown |
Total Pages | : 135 |
Release | : 2014 |
Genre | : Electronic Book |
ISBN | : OCLC:1002249184 |
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Pierre de la Rue and Musical Life at the Habsburg Burgundian Court
Author | : Honey Meconi |
Publsiher | : Oxford University Press, USA |
Total Pages | : 424 |
Release | : 2003 |
Genre | : History |
ISBN | : 0198165544 |
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For twenty-four or more years composer Pierre de la Rue (d. 1518) provided music for one of the leading musical institutions of his day, the grande chapelle of the Habsburg-Burgundian court. Serving successive rulers Maximilian I, Philip the Fair, Juana of Castile, Marguerite of Austria, and the future Charles V, La Rue surpassed a dozen composer colleagues in his creation of polyphony to meet the needs of the court and its extravagant liturgy. This study, the first ever in English, traces La Rue's life and career, explores aspects of his compositional output, and recounts the reawakening of modern scholarship to his unique contributions.
Medieval Music
Author | : Honey Meconi |
Publsiher | : Routledge |
Total Pages | : 0 |
Release | : 2011 |
Genre | : Music |
ISBN | : 0754628515 |
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This selection of classic essays on music performance practice of the Middle Ages addresses the most crucial of performers' decisions: pitch, rhythm and performing forces, as well as related matters such as proportions, tunings and the need for ornamentation. The volume includes essays on all types of music - monophony and polyphony, sacred and secular - and the introduction provides an overview of the major issues plus an extended bibliography of relevant scholarship.
Musical Borrowing and Quotation in the Twentieth Amd Twenty First Centuries
Author | : Pwyll Ap Siôn,Lauren Redhead |
Publsiher | : Unknown |
Total Pages | : 135 |
Release | : 2019 |
Genre | : Electronic Book |
ISBN | : OCLC:1088736582 |
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St Anne in Renaissance Music
Author | : Michael Alan Anderson |
Publsiher | : Cambridge University Press |
Total Pages | : 365 |
Release | : 2014-05-12 |
Genre | : Music |
ISBN | : 9781107056244 |
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Michael Alan Anderson explores the political implications of music devoted to St Anne in the fifteenth and early sixteenth centuries.