East African Why Stories

The East African Publishing House published three classic books in the 1960s on the origins of certain events among people and in the animal kingdom. The books have been long out-of-print and are now available again in re-issues by Heinemann Kenya. The stories are oral tales handed down the generations by the people living near Lake Victoria. In this first of the series, the four stories are 'How the Goat Became our Friend'; 'How the Hawk and the Crow Came to Hate Each Other'; 'How the Beans Came to Have a Black Sport on Them'; and 'How the Leopard Got His Spots', and 'How the Hyena Got an Ugly Coat'. Each story is illustrated with adrawing.

Tales of East Africa is a collection of 22 traditional tales from Kenya, Uganda, and Tanzania. Welcome to a world of magical adventure—a place where a boy spares the life of a fearsome monster, a flock of doves brings a girl back from the dead, and a hare wreaks havoc among all the other animals. Translated and transcribed by folklorists and anthropologists in the early 20th century, these stories evoke the distinctive beauty and irresistible humor of East African folklore. • The tales come alive alongside bold, contemporary art in this special illustrated edition. • Each story transports readers to an enthralling world. • Part of the popular Tales series, featuring Tales of Japan, Celtic Tales, and Tales of India Tales of East Africa will enthrall fans of fairytales and captivate those interested in East Africa's rich history and culture. Readers will encounter mischievous animals, plucky heroes and heroines, and monsters, and artist Jamilla Okubo pairs each tale with a bold and vibrant illustration. • A visually gorgeous book that will be at home on the shelf or on the coffee table. • A perfect gift for fairy tale and folklore lovers, fans of East African culture, people of East African ancestry, collectors of illustrated classics, adults and teens alike, and bibliophiles • Add it to the collection of books like The Girl Who Married a Lion: and Other Tales from Africa by Alexander McCall Smith, Favorite African Folktales by Nelson Mandela, and Indaba My Children: African Folktales by Vusamazulu Credo Mutwa

From the rift valley come stories of gods, tricksters, cattle and ogres from the many peoples of East Africa. Traditional stories bring a deeper understanding of the movement of peoples across East Africa. Common roots and differences between ancient peoples create a lively portrait with their fragile, powerful gods. The modern nations of Kenya, Tanzania, Uganda, Rwanda and more inherit the folk and mythic tales of the rift valley region. Here you'll find stories of ogres and tricksters, riddles and poems, figures such as the first man (Gikuyu) and woman (Mumbi), and great heroes of history such as Liongo. This new collection is created for the modern reader. FLAME TREE 451: From myth to mystery, the supernatural to horror, fantasy and science fiction, Flame Tree 451 offers a healthy diet of werewolves and mechanical men, blood-lusty vampires, dastardly villains, mad scientists, secret worlds, lost civilizations and escapist fantasies. Discover a storehouse of tales gathered specifically for the reader of the fantastic.

The East African Publishing House published three classic books in the 1960s on the origins of certain events among people and in the animal kingdom. The books have been long out-of-print and are now available again in re-issues by Heinemann Kenya. The stories are oral tales handed down the generations by the people living near Lake Victoria. In this first of the series, the four stories are 'How the Goat Became our Friend'; 'How the Hawk and the Crow Came to Hate Each Other'; 'How the Beans Came to Have a Black Sport on Them'; and 'How the Leopard Got His Spots', and 'How the Hyena Got an Ugly Coat'. Each story is illustrated with adrawing.

A bilingual collection of 18 folktales or short fables in English and Kikamba from the Kamba Community in Kenya.

Singing the Law is about the legal lives and afterlives of oral cultures in East Africa, particularly as they appear within the pages of written literatures during the colonial and postcolonial periods. In examining these cultures, this book begins with an analysis of the cultural narratives of time and modernity that formed the foundations of British colonial law. Recognizing the contradictory nature of these narratives (i.e., both promoting and retreating from the Euro-centric ideal of temporal progress) enables us to make sense of the many representations of and experiments with non-linear, open-ended, and otherwise experimental temporalities that we find in works of East African literature that take colonial law as a subject or point of critique. Many of these works, furthermore, consciously appropriate orature as an expressive form with legal authority. This affords them the capacity to challenge the narrative foundations of colonial law and its postcolonial residues and offer alternative models of temporality and modernity that give rise, in turn, to alternative forms of legality. East Africa’s “oral jurisprudence” ultimately has implications not only for our understanding of law and literature in colonial and postcolonial contexts, but more broadly for our understanding of how the global south has shaped modern law as we know and experience it today.