Echoes Of A Voice

This book deals with profound experiences -emotional, intellectual, highly charged, usually sudden, unannounced, often odd, some weird, others glorious. Do these experiences mean anything? Are we puzzling over questions we can't answer no matter how long we try? Is that puzzling itself meaningful? If so, is that meaning significant? Are these experiences actually signals that there is something more than to human life-our human life, my life-perhaps something transcendent? The book ends with a discussion of the need for an apologetic that includes a wide range of biblical revelation--not just religious experience, but historical and scientific evidence and rational arguments involving both a positive case and a negative refutation of objections.

“Every time we raise our voices, we hear echoes.” Jo-Anne Elder, from the Foreword Through short stories, journal entries and poetry, the women in Voices and Echoes explore the changing landscape of their spiritual lives. Experienced writers such as Lorna Crozier, Di Brandt and Ann Copeland, as well as strong new voices, appear to speak to each other as they draw from a wealth of personal resources to find a way to face life’s questions and discover meaning in their lives. There is something familiar about these stories and poems — they echo those we’ve heard before and those we’ve half forgotten. Whether they search for a voice in a world where men monopolize or journey into painful memories to free the self from the past, they do not despair, they do not end. Individual entries become the whole story — an unending story of rebirth and reaffirmation. The book begins with an illuminating foreword that introduces readers to the cultural and philosophical background of many of the stories, and concludes with the reflections of scholars, writers and artists that are intended to provoke further discussion.

“Don’t Listen For the Voice of God. Listen for His Echo.” When God really wants to get your attention, he doesn’t just say something once. He echoes. He speaks through a Sunday sermon, a chance conversation with a friend the next day, even a random email. The same theme, idea, impression, or lesson will repeat itself in surprising and unexpected ways until you realize that maybe, just maybe, God is at work. According to author Margaret Feinberg, the repetitive nature of a sacred echo gives us confidence that God really is prompting, guiding, or leading. The sacred echo reminds us to pay close attention – something important may be going on here. The sacred echo challenges us to prayerfully consider how God is at work in our life as well as in the lives of those around us. The sacred echo is an invitation to spiritual awakening. Margaret writes, “I want a relationship with God where prayer is as natural as breathing. If God is the one in whom we are to live and move and have our being, then I want my every inhale infused with his presence, my every exhale an extension of his love.” If that’s your desire too, let Sacred Echo be your guide to a deeper, more rewarding relationship with the God of the universe.

The Sacred Echo challenges readers not to listen for the seemingly distant voice of God as much as to listen for the echo. When God really wants to get your attention, he doesn t just say something once, he echoes. He speaks through a Sunday sermon, a chance conversation with a friend the next day, and even a random email. The same theme, idea, impression, or lesson will repeat itself in surprising and unexpected ways until you realize that maybe, just maybe, God is at work. As God s voice echoe"

In A Still, Small Voice, famed psychic Echo Bodine turns to a subject she knows deeply and is passionate about: intuition. Using humorous anecdotes and a positive, readable style, this sequel to Echoes of the Soul explores what intuition is, where it's located, what it sounds like, and how to cultivate it. The author, who comes from a family of psychics, exposes the various internalized voices that can mask one's intuition. These include the voices of parents, grandparents, peers, therapists, significant others, religious figures, and society, along with emotions such as anger, fear, guilt, and despair. The book challenges the cliche that psychic abilities and intuition are the same, or that they are evil. One chapter is devoted to the many practical benefits that come from listening to intuition; another looks at the "faith-building times" in life and how to cope with others' negative reactions to setting off on the spiritual path.

Silent Cry: Echoes of Young Zimbabwe Voices is a book of twenty-eight stories and fourteen poems, written by thirty-three young people from Zimbabwe's second city, Bulawayo. The pieces cover many issues, including family, gender, relationships, race, alienation, disability, HIV/AIDS, border jumping and the struggle to survive in Zimbabwe.

Helene Cixous (1937-), distinguished not least as a playwright herself, told Le Monde in 1977 that she no longer went to the theatre: it presented women only as reflections of men, used for their visual effect. The theatre she wanted would stress the auditory, giving voice to ways of being that had previously been silenced. She was by no means alone in this. Cixous's plays, along with those of Nathalie Sarraute (1900-99), Marguerite Duras (1914-96), and Noelle Renaude (1949-), among others, have proved potent in drawing participants into a dynamic 'space of the voice'. If, as psychoanalysis suggests, voice represents a transitional condition between body and language, such plays may draw their audiences in to understandings previously never spoken. In this ground-breaking study, Noonan explores the rich possibilities of this new audio-vocal form of theatre, and what it can reveal of the auditory self.