Edgar Allen Poe S Influence On Howard Phillips Lovecraft Their Personalities Literary Styles And Concepts

Seminar paper from the year 2007 in the subject American Studies - Literature, grade: 1,7, University of Constance, course: American Literature and Culture II, language: English, abstract: The main purpose of this paper is to trace Edgar Allen Poe's influence on H. P. Lovecraft, to prove coincidences or expose differences, whether it is of style, topic, literary concepts or biographical respectively personal similarities. As Howard Phillips Lovecraft's life and work are less known than it is the case with Edgar Allen Poe, the paper is divided into two main parts, one of them exclusively dedicated to Lovecraft, the other one trying to draw the above mentioned comparison.

Seminar paper from the year 2007 in the subject American Studies - Literature, grade: 1,7, University of Constance, course: American Literature and Culture II, language: English, abstract: The main purpose of this paper is to trace Edgar Allen Poe’s influence on H. P. Lovecraft, to prove coincidences or expose differences, whether it is of style, topic, literary concepts or biographical respectively personal similarities. As Howard Phillips Lovecraft’s life and work are less known than it is the case with Edgar Allen Poe, the paper is divided into two main parts, one of them exclusively dedicated to Lovecraft, the other one trying to draw the above mentioned comparison.

This carefully crafted ebook: "HORROR CLASSICS Ultimate Collection" is formatted for your eReader with a functional and detailed table of contents: H. P. Lovecraft: The Call of Cthulhu The Shadow Over Innsmouth Dagon The Dunwich Horror The Picture in the House The Outsider The Silver Key In the Vault The Whisperer in Darkness The Thing on the Doorstep The Shadow out of Time The Colour out of Space The Music of Erich Zann The Haunter of the Dark The Rats in the Walls Pickman's Model From Beyond Herbert West-Reanimator At The Mountains Of Madness Edgar Allan Poe: The Fall of the House of Usher The Cask of Amontillado The Pit and the Pendulum The Tell-Tale Heart The Masque of the Red Death The Black Cat The Murders in the Rue Morgue Ambrose Bierce: The Damned Thing An Occurrence at Owl Creek Bridge The Devil's Dictionary Chickamauga Arthur Machen: The Three Impostors The Hill of Dreams The Terror The Secret Glory The White People The Great God Pan The Inmost Light The Shining Pyramid The Red Hand The Great Return ... H. P. Lovecraft (1890-1937) was an American author who achieved posthumous fame through his influential works of horror fiction. He is now regarded as one of the most significant 20th-century authors in his genre. Some of Lovecraft's work was inspired by his own nightmares. His interest started from his childhood days when his grandfather would tell him Gothic horror stories. Edgar Allan Poe (1809-1849) was an American writer. He is best known for his poetry and short stories, particularly his tales of mystery and the macabre. Ambrose Bierce (1842-1914) was an American journalist and writer. He employed a distinctive style of writing, especially in his stories. His style often embraces an abrupt beginning, dark imagery, vague references to time, limited descriptions, impossible events, and the theme of war. Arthur Machen (1863-1947) was a Welsh author and mystic. He is best known for his influential supernatural, fantasy, and horror fiction

At the Mountains of Madness is a story, which details the events of a disastrous expedition to the Antarctic continent in September 1930 and what was found there by a group of explorers led by the narrator, Dr. William Dyer of Miskatonic University. Throughout the story, Dyer details a series of previously untold events in the hope of deterring another group of explorers who wish to return to the continent. The title is derived from a line in "The Hashish Man," a short story by fantasy writer Edward Plunkett, Lord Dunsany: "And we came at last to those ivory hills that are named the Mountains of Madness..." Howard Phillips Lovecraft (1890-1937) was an American author who achieved posthumous fame through his influential works of horror fiction. He is now regarded as one of the most significant 20th-century authors in his genre. Some of Lovecraft's work was inspired by his own nightmares. His interest started from his childhood days when his grandfather would tell him Gothic horror stories.

"The Night Ocean" is told from the first person narrative and it follows the young painter who arrives in a small village of Ellston where he is supposed to enter a contest with his large mural. At first, he enjoys peace and quiet surroundings, but as he stays longer he start seeing and experiencing some strange things which, along with the loneliness, have strong effect to his psyche.

Examination Thesis from the year 2005 in the subject American Studies - Literature, grade: 1,0, Catholic University Eichstätt-Ingolstadt, language: English, abstract: As the title suggests, this paper aims at pointing out the major characteristics of the literature of the fantastic and combining this theoretical approach with a study of the work of one of the most significant representatives of said genre, the American writer Howard Phillips Lovecraft (1890-1937). Consequently, the first major part of this paper is dedicated to a brief study of the genre of fantastic literature in general, particularly the very problematic task of defining its distinctive characteristics. By looking at the fantastic tradition in America (particularly that of New England), including the prevalent features and themes marking the American variety of the fantastic, and highlighting the contribution some eminent American authors have made to the genre, the second part then focuses on the fantastic in American literature. Finally, the third major section of this paper provides a detailed study of the life and work of one of the chief American writers of fantastic prose fiction, H. P. Lovecraft. After an account of Lovecraft’s life and personality (including some of the countless misconceptions circulating since his death), a critical evaluation of his literary achievement and influences, and a short discussion of his impact on modern popular culture, a large part of this section is dedicated to a thorough analysis of his unique concept of fantastic fiction: while certain aspects of his work inevitably link him to his literary precursors, there are others clearly setting him apart from any writer of the fantastic that came before him. The paper is concluded by brief case studies of three of Lovecraft’s most popular short stories.

H.P. Lovecraft, one of the twentieth century’s most important writers in the genre of horror fiction, famously referred to Edgar Allan Poe as both his “model” and his “God of Fiction.” While scholars and readers of Poe’s and Lovecraft’s work have long recognized the connection between these authors, this collection of essays is the first in-depth study to explore the complex literary relationship between Lovecraft and Poe from a variety of critical perspectives. Of the thirteen essays included in this book, some consider how Poe’s work influenced Lovecraft in important ways. Other essays explore how Lovecraft’s fictional, critical, and poetic reception of Poe irrevocably changed how Poe’s work has been understood by subsequent generations of readers and interpreters. Addressing a variety of topics ranging from the psychology of influence to racial and sexual politics, the essays in this book also consider how Lovecraft’s interpretations of Poe have informed later adaptations of both writers’ works in films by Roger Corman and fiction by Stephen King, Thomas Ligotti, and Caitlin R. Kiernan. This collection is an indispensable resource not only for those who are interested in Poe’s and Lovecraft’s work specifically, but also for readers who wish to learn more about the modern history and evolution of Gothic, horror, and weird fiction.

Seminar paper from the year 2002 in the subject American Studies - Literature, grade: 1,3 (A), Friedrich-Alexander University Erlangen-Nuremberg (American Studies), course: Edgar Allan Poe, language: English, abstract: "The Masque of the Red Death" first appeared in May 1842 in Graham's Magazine. It is generally grouped together with three other of Poe's stories, namely "King Pest", which first appeared in the Southern Literary Messenger in September 1835, "The Cask of Amontillado", published in Godey's Magazine and Lady's Book 33 in 1846, and "Hop-Frog", published in The Flag of Our Union in 1849. Since all these stories take place dur-ing the carnival season, they are called "The Masquerades". In her book "The Life and Works of Edgar Allan Poe. A Psycho-Analytic Interpretation", Marie Bonaparte takes a Freudian approach to Poe's stories, Sigmund Freud himself wrote the preface, and claims that all the above tales are connected to Poe's father com-plex [Bonaparte; 507]. In her interpretation of "The Masque of the Red Death", the figure of the Red Death is an incorporation of the father who returns to punish the son. This is just one reading of the story. Much has been published about "The Masque of the Red Death", one of Poe's most read tales. Scholars have tried to find its roots, like Burton R. Pollin, who assumes that Poe used his own "Shadow - A Parable" as a source for "The Masque of the Red Death". Others attempted to compare the story of Prince Prospero and his followers to other great works of art, for example Christopher Brown, who saw parallels between "The Masque of the Red Death" and Henry James's The Portrait of a Lady. A lot of research has also been done on the narrator of the tale - I will only elabo-rate on the most plausible theories on who it is that is telling this tale. Equally important, "The Masque of the Red Death" is said to contain one of the most exact definitions of the grotesque in the literary sense. Finally, as almost all of Poe's ta