Edward Elgar Modernist

An analytical study of Elgar's music and its place in European musical history.

More perhaps than any other composer, Edward Elgar (1857-1934) has gained the status of an ‘icon of locality,' his music seemingly inextricably linked to the English landscape in which he worked. This, the first full-length study of Elgar’s complex interaction with his physical environment, explores how it is that such associations are formed and whether it is any sense true that Elgar alchemized landscape into music. It argues that Elgar stands at the apex of an English tradition, going back to Blake, in which creative artists in all media have identified and warned against the self-harm of environmental degradation and that, following a period in which these ideas were swept away by the swift but shallow tide of Modernism in the decades after the First World War, they have since resurfaced with a new relevance and urgency for twenty-first century society. Written with the non-specialist in mind, yet drawing on the rich resources of post-millennial scholarship on Elgar, as well as geographical studies of place, the book also includes many new insights relating to such aspects of Elgar’s output as his use of landscape typology in The Apostles, and his encounter with Modernism in the late chamber music. It also calls on the resources of contemporary social commentary, poetry and, especially, English landscape art to place Elgar and his thought in the broader cultural milieu of his time. A survey of recent recordings is included, in the hope that listeners, both familiar and unfamiliar with Elgar’s music, will feel inspired to embark on a voyage of (re)discovery of its endlessly rewarding treasures.

Providing an in-depth exploration of the complexities of densification policy and processes, this book brings the important experiences of densification in Johannesburg into conversation with a range of cities in Africa, the BRICS countries and the Global North. It moves beyond the divisive debate over whether densification is good or bad, adding nuance and complexity to the calls from multilateral organisations for densification as a key urban strategy.

World-renowned theologian Jeremy Begbie has been at the forefront of teaching and writing on theology and the arts for more than twenty years. Amid current debates and discussions on the topic, Begbie emphasizes the role of a biblically grounded creedal orthodoxy as he shows how Christian theology and the arts can enrich each other. Throughout the book, Begbie demonstrates the power of classic trinitarian faith to bring illumination, surprise, and delight whenever it engages with the arts.

Edward Elgar (1857-1934) is undoubtedly one of the most fascinating, important, and influential figures in the history of British music. He rose from humble beginnings and achieved fame with music that to this day is beloved by audiences in England, and his work has secured an enduring legacy worldwide. Leading scholars examine the composer's life in Edward Elgar and His World, presenting a comprehensive portrait of both the man and the age in which he lived. Elgar's achievement is remarkably varied and wide-ranging, from immensely popular works like the famous Pomp and Circumstance March no. 1--a standard feature of American graduations--to sweeping masterpieces like his great oratorio The Dream of Gerontius. The contributors explore Elgar's Catholicism, which put him at odds with the prejudices of Protestant Britain; his glorification of British colonialism; his populist tendencies; his inner life as an inspired autodidact; the aristocratic London drawing rooms where his reputation was made; the class prejudice with which he contended throughout his career; and his anguished reaction to World War I. Published in conjunction with the 2007 Bard Music Festival and the 150th anniversary of Elgar's birth, this elegant and thought-provoking volume illuminates the greatness of this accomplished English composer and brings vividly to life the rich panorama of Victorian and Edwardian Britain. The contributors are Byron Adams, Leon Botstein, Rachel Cowgill, Sophie Fuller, Daniel M. Grimley, Nalini Ghuman Gwynne, Deborah Heckert, Charles Edward McGuire, Matthew Riley, Alison I. Shiel, and Aidan J. Thomson. Some images inside the book are unavailable due to digital copyright restrictions.

A new theory of musical modernism, which brings contemporary philosophy into contact with music theory and interpretation.

A collection of essays by leading scholars analysing a wide range of Edward Elgar's musical works.

Harper-Scott takes a combative swipe at many of the critical myths and prejudices that have attached themselves to the figure of Elgar, revealing both a surprisingly elusive personality and a deeper, often darker, message within his works.