Edward Elgar

Drawing on a vast amount of source material, much of it previously unpublished, Moore here presents Sir Edward Elgar's life and works as inseparable parts of a single creative whole.

More perhaps than any other composer, Edward Elgar (1857-1934) has gained the status of an ‘icon of locality,' his music seemingly inextricably linked to the English landscape in which he worked. This, the first full-length study of Elgar’s complex interaction with his physical environment, explores how it is that such associations are formed and whether it is any sense true that Elgar alchemized landscape into music. It argues that Elgar stands at the apex of an English tradition, going back to Blake, in which creative artists in all media have identified and warned against the self-harm of environmental degradation and that, following a period in which these ideas were swept away by the swift but shallow tide of Modernism in the decades after the First World War, they have since resurfaced with a new relevance and urgency for twenty-first century society. Written with the non-specialist in mind, yet drawing on the rich resources of post-millennial scholarship on Elgar, as well as geographical studies of place, the book also includes many new insights relating to such aspects of Elgar’s output as his use of landscape typology in The Apostles, and his encounter with Modernism in the late chamber music. It also calls on the resources of contemporary social commentary, poetry and, especially, English landscape art to place Elgar and his thought in the broader cultural milieu of his time. A survey of recent recordings is included, in the hope that listeners, both familiar and unfamiliar with Elgar’s music, will feel inspired to embark on a voyage of (re)discovery of its endlessly rewarding treasures.

The notion of proximity is increasing in popularity in economic and geographic literature, and is now commonly used by scholars in regional science and spatial economics.

Providing an integrated and multi-level analysis of the impacts of COVID-19 on people, place, economies and policies, across the globe, this timely book explores how the global response to the COVID-19 pandemic combines failure with success. It focuses on exploring rapid adaptation and improvisation by individuals, organisations, and governments as they attempted to minimise and mitigate the socio-economic and health impacts of the pandemic.

An analytical study of Elgar's music and its place in European musical history.

. . . the four books comprising the series would certainly be a valuable addition to any entrepreneurship library. However, each book also stands alone as an individual purchase. Lorraine Warren, International Journal of Entrepreneurial Behaviour and Research The book delivers what it promises: a map of the uses of narrative methods in entrepreneurship studies. It is both an interesting contribution to the field and an important methodological handbook for all entrepreneurship researchers who are thinking of adopting qualitative methods in their inquiries. However, it may also be read with advantage by other researchers using ethnography as their main methodological approach to social studies. . . The aim of the book is to show how narratives can enrich entrepreneurship studies, a goal that in my opinion is aptly fulfilled. Monika Kostera, Scandinavian Journal of Management . . . the contributors in this text breathe fresh and imaginative linguistic resources and narrative/discursive frames of reference into the inquiry of entrepreneurial activities. The anecdote, the narrative, the metaphorical, the discursive and the dramaturgical are significant therefore, not only because they bring to the surface voices, emotions, processes and the relationality of (everyday) entrepreneurial activity that have possibly been previously silenced. But also, to paraphrase Steyaert, these approaches highlight the controversial and interactive aspects of the research process. . . The text is welcome because it treats narrative in a serious and scholarly way. Denise Fletcher, International Small Business Journal In their edited book Narrative and Discursive Approaches in Entrepreneurship, Daniel Hjorth and Chris Steyaert provide a fascinating glimpse into a perspective on entrepreneurship that will be enlightening for many readers. Entrepreneurship authors typically talk about theory, methods, and data as if a straight-forward linear process united them all, and making sense of entrepreneurship was simply a matter of knowing how to interpret one s findings . By contrast, the authors in this volume propose narrative and discursive approaches in which the contributing authors emphasize rich description, reflexive conceptualization, and interpretations offered as part of the story itself. They draw upon an international set of cases, including Russia, Sweden, Denmark, Norway, Venezuela, and North America. The cases themselves make for fascinating reading, quite apart from what we learn about the difficulties of imposing a particular interpretation on a given story. For example, taxi drivers in Caracas, management consultants in Denmark, and women entrepreneurs in northern Norway all make for fascinating narratives from which to understand the entrepreneurial process. Unlike many edited books which have no plot , the editors have included opening and closing sections that link the chapters, offer alternative readings of them, and propose new and expansive ways of thinking about entrepreneurship. Howard Aldrich, University of North Carolina at Chapel Hill, US Daniel Hjorth and Chris Steyaert set out to advance the study of entrepreneurship by refocusing the lens of discovery from economics, management and marketing to other paradigmatic stances in social sciences and humanities like anthropology and literary studies. The result is a provocative collection of chapters that inspire the reader to consider and explore new ideas and research practice that incorporate both the context and place of entrepreneurship. From the perceptive insights of the editors to the rigorous and provocative discourse of the chapters and thoughtful responses in the conclusion emerges a story, in the best of storytelling tradition, about how a linguistic turn can rouse new insights. The editors ask, how do these texts move you? they entice, provoke, challenge, stimulate and guide. Their implications should be far reaching and required reading for any student of t

Bridging theory and practice, this book offers insights into how Europe has experienced the evolution of modern electricity markets from the end of the 1990s to the present day. It explores defining moments in the process, including the four waves of European legislative packages, landmark court cases, and the impact of climate strikes and marches.

This updated second edition is an in-depth exploration of Elgar's compositions and of writings by and about the composer and his music. The past 16 years have seen a steady increase in scholarly publications and the emergence of The Elgar Society Journal, as well as further discoveries of the composer's MSS and letters, and the new edition incorporates this latest research. The compositions are examined in a work-by-work catalog, in chronological order, in which each entry gives a complete census and collation of manuscript, proof, text, biographical, printed edition and bibliographical sources for each item. The listing also includes unfinished sketches and details of much unpublished material. The bibliography section covers selected established literature as well as details of reviews and articles contained in the European periodicals at the climax of Elgar's career. Christopher Kent was nominated unanimously by the Scrutiny Panel of the International Association of Music Libraries, Archives and Research Centres for the 2014 C.B. Oldman Prize for the most outstanding reference resource published in 2014. He received the award at their Annual Conference held at the University of Aston, Birmingham in April.