Edward Ii

He is one of the most reviled English kings in history. He drove his kingdom to the brink of civil war a dozen times in less than twenty years. He allowed his male lovers to rule the kingdom. He led a great army to the most ignominious military defeat in English history. His wife took a lover and invaded his kingdom, and he ended his reign wandering around Wales with a handful of followers, pursued by an army. He was the first king of England forced to abdicate his throne. Popular legend has it that he died screaming impaled on a red-hot poker, but in fact the time and place of his death are shrouded in mystery. His life reads like an Elizabethan tragedy, full of passionate doomed love, bloody revenge, jealousy, hatred, vindictiveness and obsession. He was Edward II, and this book tells his story. The focus here is on his relationships with his male 'favourites' and his disaffected wife, on his unorthodox lifestyle and hobbies, and on the mystery surrounding his death. Using almost exclusively fourteenth-century sources and Edward s own letters and speeches wherever possible, Kathryn Warner strips away the myths which have been created about him over the centuries, and provides a far more accurate and vivid picture of him than has previously been seen.

“A great book to introduce you to three fascinating sisters whose marriages during the reign of the infamous Edward II transformed England.” —Adventures of a Tudor Nerd The de Clare sisters Eleanor, Margaret and Elizabeth were born in the 1290s as the eldest granddaughters of King Edward I of England and his Spanish queen Eleanor of Castile, and were the daughters of the greatest nobleman in England, Gilbert “the Red” de Clare, Earl of Gloucester. They grew to adulthood during the turbulent reign of their uncle Edward II, and all three of them were married to men involved in intense, probably romantic or sexual, relationships with their uncle. When their elder brother Gilbert de Clare, Earl of Gloucester, was killed during their uncle’s catastrophic defeat at the battle of Bannockburn in June 1314, the three sisters inherited and shared his vast wealth and lands in three countries, but their inheritance proved a poisoned chalice. Eleanor and Elizabeth, and Margaret’s daughter and heir, were all abducted and forcibly married by men desperate for a share of their riches, and all three sisters were imprisoned at some point either by their uncle Edward II or his queen Isabella of France during the tumultuous decade of the 1320s. Elizabeth was widowed for the third time at twenty-six, lived as a widow for just under forty years, and founded Clare College at the University of Cambridge. “Another enjoyable read on women in history that don’t always get the limelight that they deserve. Kathryn Warner has done it once again by providing a well-written, well-researched, informative and engaging read.” —Where There’s Ink There’s Paper

In chess, from the time of Queen Isabella of England, the queen has been considered the most powerful and feared piece on the board. Known to chroniclers as the 'she-wolf', Isabella, daughter of Philip IV of France, married King Edward II of England in 1308 in a union intended to create a lasting peace between the two countries. But after 13 years of enduring her husband's unkind and dissolute nature she fled abroad. With her lover, the exiled Roger Mortimer, she raised an army of mercenaries and invaded England, successfully deposing Edward. Popular belief holds that Edward was murdered in an infamous manner at Berkeley Castle near Gloucester, at the order of his wife and her lover. But after Mortimer's execution a letter arrived at court that cast doubt over Edward's death and raised the possibility of his escape. The evidence remains controversial to this day, and here Paul Doherty examines it in his fascinating detective study, set in one of the most turbulent and exciting periods of English history.

In this new edition, Forker provides the most complete and detailed edition of Edward II ever published. He delves into the conflicting opinions concerning the genre and sexual politics of the play, and includes the fullest record of the stage history.

Edward II's murder at Berkeley Castle in 1327 is one of the most famous and lurid tales in all of English history. But is it true? For over five centuries, few people questioned it, but with the discovery in a Montpellier archive of a remarkable document, an alternative narrative has presented itself: that Edward escaped from Berkeley Castle and made his way to an Italian hermitage. In Long Live the King, medieval historian Kathryn Warner explores in detail Edward's downfall and forced abdication in 1326/27, the role possibly played by his wife Isabella of France, the wide variation in chronicle accounts of his murder at Berkeley Castle and the fascinating possibility that Edward lived on in Italy for many years after his official funeral was held in Gloucester in December 1327.

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During his lifetime and the four centuries following his death, King Edward II (1307-1327) acquired a reputation for having engaged in sexual and romantic relationships with his male favourites, and having been murdered by penetration with a red-hot spit. This book provides the first account of how this reputation developed, providing new insights into the processes and priorities that shaped narratives of sexual transgression in medieval and early modern England. In doing so, it analyses the changing vocabulary of sexual transgression in English, Latin and French; the conditions that created space for sympathetic depictions of same-sex love; and the use of medieval history in early modern political polemic. It also focuses, in particular, on the cultural impact of Christopher Marlowe's Edward II (c.1591-92). Through such close readings of poetry and drama, alongside chronicle accounts and political pamphlets, it demonstrates that Edward's medieval and early modern afterlife was significantly shaped by the influence of literary texts and techniques. A 'literary transformation' of historiographical methodology is, it argues, an apposite response to the factors that shaped medieval and early modern narratives of the past.

Edward II is, in a sense, Bertolt Brecht's only tragedy. Based on Christopher Marlowe's classic of the same name, it departs from its source as widely as The Threepenny Opera departs from Gay's Beggar's Opera. Brecht has made a multitude of technical changes calculated to streamline the play, with a smaller cast and simpler action, and he has created virtually new and totally compelling characters with his extravagant variations on Anne, Edward's queen, and Mortimer, the villain of the piece. Brecht also reinterprets Marlowe's famously homosexual protagonist, creating an Edward initially more crudely homoerotic and ultimately more truly heroic. Brecht's Edward is a hero for the modern era: an existential hero defying a meaningless universe with his courage.