Edwardian London Through Japanese Eyes

The Japanese artist Yoshio Markino enjoyed a successful career in early twentieth century London as an artist and author. This book examines his uniquely Asian perspective on British society and culture at a time when Japan eagerly sought engagement with the West.

Victorian Women's Travel Writing on Meiji Japan narrates forgotten stories of cross-cultural friendship and love between Victorian female travellers and Meiji Japanese between 1853 and 1912.

Yone Noguchi: The Stream of Fate, by Edward Marx, is the first full-length biography of the pioneering international Japanese poet Yone Noguchi (1875-1947). Volume One, The Western Sea begins in the last year of Noguchi's life with his postwar effort to reconnect with his estranged son, the famous artist Isamu Noguchi. The story then takes up Noguchi's childhood and years abroad in America and England, until his return to Japan at the time of the Russo-Japanese War. The volume includes a lavish selection of over 200 illustrations and an introduction charting the dimensions of Noguchi's posthumous reputation.

Winner of the 2019 CHOICE Award "The authoritative book on the origins, history, and influence of illustration. Bravo!" David Brinley, University of Delaware, USA History of Illustration covers image-making and print history from around the world, spanning from the ancient to the modern. Hundreds of color images show illustrations within their social, cultural, and technical context, while they are ordered from the past to the present. Readers will be able to analyze images for their displayed techniques, cultural standards, and ideas to appreciate the art form. This essential guide is the first history of illustration written by an international team of illustration historians, practitioners, and educators.

Yoshijiro Urushibara: A Japanese printmaker in London is a catalogue raisonn of the work of Yoshijiro Urushibara (1889-1953), a Japanese artist and craftsman who lived and worked in London from 1910 to 1940. During his thirty years in Europe, Urushibara produced a considerable number of prints and played a major role in encouraging the production and appreciation of the colour woodcut in the Japanese manner, especially in Britain. Throughout his career Urushibara contributed to cross-cultural interactivity, collaborating with several European artists. His most famous and successful collaboration was with the British artist Frank Brangwyn (1867-1956). The authors had unique access to the artist's family archive in Tokyo and recorded and evaluated the extent of Urushibara's print production. With fully researched catalogue entries, full-colour illustrations, and illuminating biographical and contextual essays, this publication - the first of its kind in the English language - provides a comprehensive account of Urushibara's life and oeuvre.

This book explores the practice of Nihonga painter Tsuchida Bakusen (1997-1936), and his professional strategy for developing an independent artistic identity, one that emphasized the central role played by tradition in the invention and expression of a Japanese regional dialect of artistic modernism.

Potters and Patrons in Edo Period Japan traces the development of one of Japan's best-documented ceramic types, Takatori ware, from 1600-1871. Spanning cultural, aesthetic, economic and practical aspects, this study explores the operation of Takatori as the official ceramic workshop of the Kuroda, lords of one of Japan's largest domains. The book includes illustrations of outstanding pieces from all seven workshop locations, some which have never before been published.