El Imaginario Griego

El imaginario griego estudia la mitología griega desde la perspectiva de los contextos en los que se produjo. La priemera parte trata de los lugares y ocasones en los que se narraban los mitos: el hogar, las festividades públicas, la lesque. La segunda parte, la central del libro, examina la relación entre las realidades de la vida griega y las fantasías de la mitología revisando ámbitos como el paisaje, la familia y la religión. La tecera parte se ocupa de la función de la narración de mitos, tal y como fue concebida por los griegos y como ha sido entendida por observadores posteriores. El profesor Buxton ofrece una matizada e inteligente perspectiva desde la que avanzar en la comprensión de ese fascinante producto de la civilización griega que es la mitología.

Allá adonde nunca alcanzó a penetrar la mirada del hombre, ni la huella de su pie se ha dejado sentir? O, acaso, sólo las de algún héroe más divino que humano, transportado a esas lejanías por la magia de poderes sobrenaturales. En lugares tan remotos, tan perdidos que causa pavor siquiera imaginarlos. Envueltos en la bruma de los sueños terroríficos, ¿los ha creado quizás nuestra fantasía para encerrar en ellos, ?bajo llave?, a tantos seres horripilantes de los que la razón consciente desea huir?

Ya no existe Troya, la más grande de las ciudades antiguas! En estos preciosos cuentos, se presenta el conjunto de historias quizás más apasionante y famoso de la mitología griega. Paris y Helena, Aquiles, Héctor... junto a otros menos conocidos, cobran vida auténtica a través de estás páginas, que cautivarán y emocionarán a los lectores.

This book defends that the pursuit of originality constitutes one of the most important characteristics of creativity, but that originality refers, etymologically, to both origin and originary. Hence, the book is structured into two parts, dedicated, respectively, to the creative categories of origin and the creative categories of originary. Within the former are creation myths, games – the origin of all cultural activity, the dialectic chaos-order, axial civilizations – the germ of our time, and the struggle between generations – a factor of social transformation, and, within the second, creative capitalism, creative work in the context of the global economy of risk and uncertainty, and representative democracy. However, these two concepts are not isolated, but deeply interrelated, in a way that explains how creative originality builds a temporal narrative. It has been dislocated in late modernity and, with it, creativity has been broken.

This book is a collection of studies about the Greek and Roman goddesses—Artemis and Diana—who ruled creatures of the wild. Although they arose separately in Greek and Roman cultures, they were often treated as equivalent. These goddesses had the power of giving birth, health and death. Diana’s temples were built at places where three roads meet, writes Servius (ad Aen. IV.511), outside the city itself, and so they were common, safe meeting places which belonged to no one but were the sites for federal councils, hosted by the goddess. Artemis was associated in particular with bears, and Diana with deer, but both were generally associated with wild animals, as well as with the different phases of life. This volume will be useful not only for researchers on this subject, but also for courses in Greek and Roman studies, mythology, history, and women’s studies.

Uses textual analysis and various types of material evidence to gain insight into the role of animal sacrifice in Islam.

When Alexander the Great died in 323 BC without a chosen successor he left behind a huge empire and ushered in a turbulent period, as his generals fought for control of vast territories. The time of the Successors (Diadochi) is usually defined as beginning in 323 BC and ending with the deaths of the last two Successors in 281 BC. This is a major publication devoted to the Successors and contains eighteen papers reflecting current research. Several papers attempt to unravel the source history of the very limited remaining narrative accounts, and add additional materials through cuneiform and Byzantine texts. Specific historical issues addressed include the role of so-called royal flatterers and whether or not Alexander's old guard did continue to serve into their sixties and seventies. Three papers reflect the recent conscious effort by many to break away from the Hellenocentric view of the predominantly Greek sources, by examining the role of the conquered, specifically the prominent roles played by Iranians in the administration and military of Alexander and his Successors, pockets of Iranian resistance which eventually blossomed into Hellenistic kingdoms ruled by sovereigns proclaiming their direct connection to an Iranian past and a continuation of Iranian influence through an examination of the roles played by certain of the Diadochis Iranian wives. The papers in the final section analyse the use of varying forms of propaganda. These include the use of the concept of Freedom of the Greeks as a means of manipulating opinion in the Greek world; how Ptolemy used a snake cult associated with the foundation of Alexandria in Egypt to link his kingship with that of Alexander; and the employment of elephant images to advertise the authority of particular rulers.