El Temple De La Sagrada Fam Lia

Catalogus van een tentoonstelling van werk van Catalaanse kunstenaars.

Antoni Gaudí, an architect with a very strong personality and with an incomparable imagination for forms, was also a first class constructor, capable of introducing innovations into traditional styles and finding other solutions that met the needs of his time and, indeed, those of the future. This book takes a tour of the Temple of the Sagrada Família--his most emblematic and popular work, to which he devoted more than 42 years of his life--, in order to discover the innumerable details that characterise it, just as Gaudí left it at the time of his death, as well as its continuation, undertaken using current techniques, something that demonstrates the feasibility of his fantastic project.

L’origen d’aquesta Miscel·lània és sens dubte motiu d’alegria. La iniciativa sorgeix d’un grup d’amics, a finals de l’any 2010. El llibre vol ser un sentit homenatge a Salvador Tarragó, arquitecte, historiador i professor d’història de l’Enginyeria Civil a l’Escola d’Enginyers de Camins de la UPC, amb motiu de la seva jubilació. Ens referim a la trajectòria de tots aquests anys, com a investigador i professor, però, també, home d’acció, amb la iniciativa i el coratge que ha demostrat en diversos àmbits culturals i socials de Catalunya, Galícia, Andalusia, Madrid i de manera indirecta d’Amèrica Llatina. El llibre es divideix en tres apartats: Biogràfics, on es recullen els diversos reconeixements d’amics, estudiants i persones properes a Salvador al llarg de la seva trajectòria; Aportacions, articles de treballs de recerca o reflexió més personals, i finalment, Antologia de textos de Salvador Tarragó ordenats cronològicament.

In a media-saturated world, humour stands out as a form of social communication that is especially effective in re-appropriating and questioning architectural and urban culture. Whether illuminating the ambivalences of metropolitan life or exposing the shock of modernisation, cartoons, caricature, and parody have long been potent agents of architectural criticism, protest and opposition. In a novel contribution to the field of architectural history, this book outlines a survey of visual and textual humour as applied to architecture, its artefacts and leading professionals. Employing a wide variety of visual and literary sources (prints, the illustrated press, advertisements, theatrical representations, cinema and TV), thirteen essays explore an array of historical subjects concerning the critical reception of projects, buildings and cities through the means of caricature and parody. Subjects range from 1750 to the present, and from Europe and the USA to contemporary China. From William Hogarth and George Cruikshank to Osbert Lancaster, Adolf Loos' satire, and Saul Steinberg's celebrated cartoons of New York City, graphic and descriptive humour is shown to be an enormously fruitful, yet largely unexplored terrain of investigation for the architectural and urban historian.

The first comprehensive Reader to accompany the remarkable city of Barcelona

A definitive and illuminating biography of one of the most famous – and most famously unfinished – buildings in the world, the Sagrada Familia of Barcelona. Its scaffolding-cloaked spires reach up to the heavens, dominating the Barcelona skyline and drawing in millions of visitors every year. What seduces our attention is perhaps a combination: not only its almost megalomaniac ambition and architectural extravagance but the sheer longevity of its construction. Its creator, Antoni Gaudí, 'God's Architect', saw the first stone laid on 19 March 1882 and yet it is unlikely to be completed until 2026 at the very earliest. It has survived two World Wars, the ravages of the Spanish Civil War and the 'Hunger Years' of Franco's rule. It has defied the critics, the penny-pinching accountants, the conservative town-planners and the slaves to sterile modernism to witness the most momentous changes in society and history. The Sagrada Familia explores the evolution of this remarkable building, working through the decades right up to the present day before looking beyond to the final stretch of its construction. It is at once a guidebook and a chronological history, and a moving and compelling study of man's aspiration towards the divine. Rich in detail, vast in scope, this is a revelatory and authoritative study of a building and its place in history and the genius that created it.