Elasticity Plasticity And Structure Of Matter

The third edition of this book contains authoritative contributions from specialists in the various fields of rheology.

The Collected Works of Irving Langmuir: Volume 6, Structure of Matter deals with the research work of Irving Langmuir in the field of thermionics, gaseous discharge, and on the structure of atoms with emphasis on valence. Some of the paper he writes on the subject of atomic structure are: "The Structure of Atoms and the Octet Theory of Valence," "The Arrangement of Electrons in Atoms and Molecules," and "The Octet Theory of Valence and its Applications with Special Reference to Organic Nitrogen Compounds." He challenges the complexities of valence theory and atomic structure, leading to a complete change of the theoretical structure of the subject of chemistry. Langmuir also works on molecules and crystalline structures, and applies the structures of crystals to check and confirm his own theories on molecular structure. His assumption that "the force between molecules in contact can be considered as caused by a surface energy proportional to the area over which the molecules are in contact" provides a solid foundation for explaining the properties of many chemical substances. Chemists, students, academicians, scientists, and general readers interested in the lives of great men in science will find this book very informative.

Presenting the hard science increasingly required by courts to back up expert opinion in cases that hinge on impression evidence comparison, this book applies the methods of physics, chemistry, and engineering to analysis and interpretation of fingerprints, footwear and tire tread impressions, and bloodstains. Using easily accessible language, it shows the scientific method behind each of these discrete disciplines. It then combines and cross-references the knowledge within each to ultimately present a more generalist approach and thus a more informed judgment.

The Science of Character makes a bold new claim for the power of the literary by showing how Victorian novelists used fiction to theorize how character forms. In 1843, the Victorian philosopher John Stuart Mill called for the establishment of a new science, “the science of the formation of character.” Although Mill’s proposal failed as scientific practice, S. Pearl Brilmyer maintains that it found its true home in realist fiction of the period, which employed the literary figure of character to investigate the nature of embodied experience. Bringing to life Mill’s unrealized dream of a science of character, novelists such as George Eliot, Thomas Hardy, and Olive Schreiner turned to narrative to explore how traits and behaviors in organisms emerge and develop, and how aesthetic features—shapes, colors, and gestures—come to take on cultural meaning through certain categories, such as race and sex. Engaged with materialist science and philosophy, these authors transformed character from the liberal notion of the inner truth of an individual into a materially determined figuration produced through shifts in the boundaries between the body’s inside and outside. In their hands, Brilmyer argues, literature became a science, not in the sense that its claims were falsifiable or even systematically articulated, but in its commitment to uncovering, through a fictional staging of realistic events, the laws governing physical and affective life. The Science of Character redraws late Victorian literary history to show how women and feminist novelists pushed realism to its aesthetic and philosophical limits in the crucial span between 1870 and 1920.