Elizabeth Bacon Custer And The Making Of A Myth

Georger Armstrong Custer’s death in 1876 at the Battle of the Little Big Horn left Elizabeth Bacon Custer a thirty-four-year-old widow who was deeply in debt. By the time she died fifty-seven years later she had achieved economic security, recognition as an author and lecturer, and the respect of numerous public figures. She had built the Custer legend, an idealized image of her husband as a brilliant military commander and a family man without personal failings. In Elizabeth Bacon Custer and the Making of a Myth, Shirley A. Leckie explores the life of "Libbie," a frontier army wife who willingly adhered to the social and religious restrictions of her day, yet used her authority as model wife and widow to influence events and ideology far beyond the private sphere.

George Armstrong Custer, one of the most familiar figures of nineteenth-century American history, is known almost exclusively as a soldier, his brilliant military career culminating in catastrophe at Little Bighorn. But Custer, author James E. Mueller suggests, had the soul of an artist, not of a soldier. Ambitious Honor elaborates this radically new perspective, arguing that an artistic passion for creativity and recognition drove Custer to success—and, ultimately, to the failure that has overshadowed his notable achievements. Custer's ambition is well known and played itself out on the battlefield and in his persistent quest for recognition. What Ambitious Honor provides is the context for understanding how Custer's theatrical personality took shape and thrived, beginning with his training at a teaching college before he entered West Point. Teaching, Mueller notes, requires creativity and performance, both of which fascinated and served Custer throughout his life—in his military leadership, his politics, and even his attention-getting, self-designed uniforms. But Custer's artistic personality emerges most clearly in his writing career, where he displayed a talent for what we now call literary journalism. Ambitious Honor offers a close look at Custer's work as a best-selling author right up to the time of his death, when he was writing another book and planning a speaking tour after the 1876 campaign against the Sioux and Cheyenne. Custer's fate at Little Bighorn was so dramatic that it sealed his place in the national story—and obscured, Mueller contends, the more interesting facets of his true nature. Ambitious Honor shows us Custer anew, as an artist thrust into the military because of the times in which he lived. This nuanced portrait, for the first time delineating his sense of image, whether as creator or consumer, forever alters Custer's own image in our view.

There weren’t many women in the late 1800s who had the opportunity to accompany their husbands on adventures that were so exciting they seemed fictitious. Such was the case for the women married to the officers in General George Armstrong Custer’s Seventh Cavalry. There were seven officers’ wives. They were all good friends who traveled from post to post with one another along with their spouses. Of the seven widows, Elizabeth Custer was the most well-known. As the wife of the commanding officer, Libbie felt it was her duty to be present when the officer’s wives at Fort Lincoln were told their husbands had been killed at the Battle of the Little Bighorn. The women were overwhelmed with letters of condolence. Most people were sincere in their expressions of sorrow over the widows’ loss. Others were ghoulish souvenir hunters requesting articles of their husbands’ clothing and personal weapons as keepsakes. The press was preoccupied with how the wives of the deceased officers were handling their grief. During the first year after the tragic event, reporters sought them out to learn how they were coping, what plans they had for the future, and what, if anything, they knew about the battle itself. The widows were able to soldier through the scrutiny because they had one another. They confided in each other, cried without apologizing, and discussed their desperate financial situations. The friendship the bereaved widows had with one another proved to be a critical source of support. The transition from being officers’ wives living at various forts on the wild frontier to being single women with homes of their own was a difficult adjustment. Without one another to depend upon, the time might have been more of a struggle. The Widowed Ones: Beyond the Battle of the Little Bighorn tells the stories of these women and the unique bond they shared through never-before-seen materials from the Elizabeth Custer Library and Museum at Garryowen, Montana, including letters to and from politicians and military leaders to the widows, fellow soldiers and critics of George Custer to the widows, and letters between the widows themselves about when the women first met, the men they married, and their attempts to persevere after the tragedy.

An accessible and authoritative overview of the scholarship that has shaped our understanding of one of the most iconic battles in the history of the American West Combines contributions from an array of respected scholars, historians, and battlefield scientists Outlines the political and cultural conditions that laid the foundation for the Centennial Campaign and examines how George Armstrong Custer became its figurehead Provides a detailed analysis of the battle maneuverings at Little Bighorn, paying special attention to Indian testimony from the battlefield Concludes with a section examining how the Battle of Little Bighorn has been mythologized and its pervading influence on American culture

General George Armstrong Custer and his wife, Libbie Custer, were wholehearted dog lovers. At the time of his death at Little Bighorn, they owned a rollicking pack of 40 hunting dogs, including Scottish Deerhounds, Russian Wolfhounds, Greyhounds and Foxhounds. Told from a dog owner's perspective, this biography covers their first dogs during the Civil War and in Texas; hunting on the Kansas and Dakota frontiers; entertaining tourist buffalo hunters, including a Russian Archduke, English aristocrats and P. T. Barnum (all of whom presented the general with hounds); Custer's attack on the Washita village (when he was accused of strangling his own dogs); and the 7th Cavalry's march to Little Bighorn with an analysis of rumors about a Last Stand dog. The Custers' pack was re-homed after his death in the first national dog rescue effort. Well illustrated, the book includes an appendix giving depictions of the Custers' dogs in art, literature and film.

On May 17, 1876, Elizabeth Bacon Custer kissed her husband George goodbye and wished him good fortune in his efforts to fulfill the Army’s orders to drive in the Native Americans who would not willingly relocate to a reservation. Adorned in a black taffeta dress and a velvet riding cap with a red peacock feather that matched George’s red scarf, she watched the proud regiment ride off. It was a splendid picture. This new biography of Elizabeth Bacon Custer relates the story of the famous and dashing couple's romance, reveals their life of adventure throughout the west during the days of the Indian Wars, and recounts the tragic end of the 7th cavalry and the aftermath for the wives. Libbie Custer was an unusual woman who followed her itinerant army husband's career to its end--but she was also an amazing master of propaganda who tried to recreate George Armstrong Custer's image after Little Bighorn. The author of many books about her own life (some of which are still in print) she was one of the most famous women of her time and remains a fascinating character in American history.

In his Rules for Wife Behavior, Colonel Joseph Whistler summed up his expectations for his new bride: “You will remember you are not in command of anything except the cook.” Although their roles were circumscribed, the wives of army officers stationed in British India and the U.S. West commanded considerable influence, as Verity McInnis reveals in this comparative study of two female populations in two global locations. Women of Empire adds a previously unexplored dimension to our understanding of the connections between gender and imperialism in the nineteenth century. McInnis examines the intersections of class, race, and gender to reveal social spaces where female identity and power were both contested and constructed. Officers’ wives often possessed the authority to direct and maintain the social, cultural, and political ambitions of empire. By transferring and adapting white middle-class cultural values and customs to military installations, they created a new social reality—one that restructured traditional boundaries. In both the British and American territorial holdings, McInnis shows, military wives held pivotal roles, creating and controlling the processes that upheld national aims. In so doing, these women feminized formal and informal military practices in ways that strengthened their own status and identities. Despite the differences between rigid British social practices and their less formal American counterparts, military women in India and the U.S. West followed similar trajectories as they designed and maintained their imperial identity. Redefining the officer’s wife as a power holder and an active contributor to national prestige, Women of Empire opens a new, nuanced perspective on the colonial experience—and on the complex nexus of gender, race, and imperial practice.

The American West is rich in lore, cultural roots, and iconic images. The subject of countless movies, books, and songs, in many ways it embodies the American spirit. This lively two-volume set presents the stories of some of the most influential and representative Western icons—those that have captured the nation's imagination since the early days of westward exploration and that continue to do so within the environmental and technological frontier that is the modern West. This accessible treatment of the untamed enterprise of the 'Old West'—including cowboys, wild west shows, and gun battles—and the continued entrepreneurial imagination of the paradisical 'New West'—including environmentalists and the incorporation of national parks—elevates the reader's understanding of oft-romanticized subjcts and the conflicts and cultural changes that made them icons. Narrative entries include: ; Chief Joseph ; George Armstrong Custer ; Gold Rush ; Winchester Model 1873 ; Frederic Remington ; John Muir ; Las Vegas ; Bill Gates ; Disneyland ; Yellowstone National Park ; Sierra Club With vibrant photos and descriptive sidebars, this comprehensive set is a must-have for students of American history and culture.