Elizabeth Bowen And The Dissolution Of The Novel

Elizabeth Bowen and the Dissolution of the Novel argues that the Anglo- Irish writer Elizabeth Bowen (1899-1973) is one of the most important, though undervalued, practitioner of the twentieth-century novel in English. This is an innovative study with significant implications for contemporary critical and theoretical writing. The authors contend that Bowen's work calls for a radically new conception of criticism and theory - and of the novel itself.

Elizabeth Bowen and the Dissolution of the Novel argues that the Anglo- Irish writer Elizabeth Bowen (1899-1973) is one of the most important, though undervalued, practitioner of the twentieth-century novel in English. This is an innovative study with significant implications for contemporary critical and theoretical writing. The authors contend that Bowen's work calls for a radically new conception of criticism and theory - and of the novel itself.

Now a major Disney+ original series 'C. J. Sansom’s books are arguably the best Tudor novels going' – The Sunday Times Dissolution is the first novel in C. J. Sansom’s phenomenal bestselling Shardlake series, perfect for fans of Hilary Mantel and Phillipa Gregory. After one of Cromwell's commissioners is brutally murdered, Matthew Shardlake is drawn into an investigation that becomes darker than he could have ever imagined . . . England, 1537. It is a time of revolution that sees the greatest changes in England since 1066. Henry VIII has proclaimed himself Supreme Head of the Church. The country is waking up to savage new laws, rigged trials and the greatest network of informers it has ever seen. And under the orders of Thomas Cromwell, a team of commissioners is sent throughout the country to investigate the monasteries. There can only be one outcome: dissolution. But on the Sussex coast, at the monastery of Scarnsea, events have spiralled out of control. Cromwell's commissioner, Robin Singleton, has been found dead, his head severed from his body. His horrific murder accompanied by equally sinister acts of sacrilege. Matthew Shardlake, lawyer and long-time supporter of Reform, has been sent by Cromwell to uncover the truth behind the dark happenings at Scarnsea. But Shardlake's investigation soon forces him to question everything that he hears, and everything that he intrinsically believes . . . Follow Shardlake into the dark heart of Tudor England with the next book in the series, Dark Fire.

One of Elizabeth Bowen’s most artful and psychologically acute novels, The House in Paris is a timeless masterpiece of nuance and atmosphere, and represents the very best of Bowen’s celebrated oeuvre. When eleven-year-old Henrietta arrives at the Fishers’ well-appointed house in Paris, she is prepared to spend her day between trains looked after by an old friend of her grandmother’s. Henrietta longs to see a few sights in the foreign city; little does she know what fascinating secrets the Fisher house itself contains. For Henrietta finds that her visit coincides with that of Leopold, an intense child who has come to Paris to be introduced to the mother he has never known. In the course of a single day, the relations between Leopold, Henrietta’s agitated hostess Naomi Fisher, Leopold’ s mysterious mother, his dead father, and the dying matriarch in bed upstairs, come to light slowly and tantalizingly. And when Henrietta leaves the house that evening, it is in possession of the kind of grave knowledge usually reserved only for adults.

Explores how Bowen adapts Irish Protestant Gothic as a means of interpreting Irish experience during the Troubles of the 1920s and the Second World War, and also as a way of defining the defenselessness of those enduring the Blitz in wartime London. She employs versions of the Jamesian child as a way of offering a critique of the treatment of children in the European novel of adultery, and indeed, implicitly, of the Jamesian child itself. Corcoran relates the various kinds of return and reflex in her work - notably the presence of the supernatural, but also the sense of being haunted by reading - to both the Freudian concept of the 'return of the repressed' and T.S. Eliot's conception of the auditory imagination as a 'return to the origin'.

In a writing career that spanned the 1920s to the 1960s, Anglo-Irish author Elizabeth Bowen created a rich and nuanced body of work in which she enlarged the comedy of manners with her own stunning brand of emotional and psychological depth. In A World of Love, an uneasy group of relations are living under one roof at Montefort, a decaying manor in the Irish countryside. When twenty-year-old Jane finds in the attic a packet of love letters written years ago by Guy, her mother’s one-time fiance who died in World War I, the discovery has explosive repercussions. It is not clear to whom the letters are addressed, and their appearance begins to lay bare the strange and unspoken connections between the adults now living in the house. Soon, a girl on the brink of womanhood, a mother haunted by love lost, and a ruined matchmaker with her own claim on the dead wage a battle that makes the ghostly Guy as real a presence in Montefort as any of the living.