Elizabeth Bowen

Elizabeth Bowen is now recognized as a major British novelist and short story writer. Phyllis Lassner shows how Bowen's Anglo-Irish heritage made her an astute critic of women's possibilities and constraints. In a reassessment of Bowen's major fiction, The Last September, Friends and Relations, To the North, The House in Paris, The Death of the Heart, and ^IThe Heat of the Day, the author shows how Bowen's novels of manners and sensibility also revise traditional notions of female character. This feminist reading of Bowen's life and novels explores her concerns for women's creative and sexual expression in a society where great social change threatens traditional values. At a time when women were achieving professional careers and making independent choices for their personal lives, Bowen's novels provide a critique of the literary and social conventions which constrained women in maternal roles. Phyllis Lassner shows how contemporary feminist theory establishes Bowen's compelling importance for contemporary readers. Contents: Elizabeth Bowen's Life; The Last September; Friends and Relations^R and To the North; The House in Paris; The Death of the Heart; The Heat of the Day; Elizabeth Bowen's Fiction

The Death of the Heart is perhaps Elizabeth Bowen's best-known book. As she deftly and delicately exposes the cruelty that lurks behind the polished surfaces of conventional society, Bowen reveals herself as a masterful novelist who combines a sense of humor with a devastating gift for divining human motivations. In this piercing story of innocence betrayed set in the thirties, the orphaned Portia is stranded in the sophisticated and politely treacherous world of her wealthy half-brother's home in London.There she encounters the attractive, carefree cad Eddie. To him, Portia is at once child and woman, and her fears her gushing love. To her, Eddie is the only reason to be alive. But when Eddie follows Portia to a sea-side resort, the flash of a cigarette lighter in a darkened cinema illuminates a stunning romantic betrayal--and sets in motion one of the most moving and desperate flights of the heart in modern literature.

In The Heat of the Day, Elizabeth Bowen brilliantly recreates the tense and dangerous atmosphere of London during the bombing raids of World War II. Many people have fled the city, and those who stayed behind find themselves thrown together in an odd intimacy born of crisis. Stella Rodney is one of those who chose to stay. But for her, the sense of impending catastrophe becomes acutely personal when she discovers that her lover, Robert, is suspected of selling secrets to the enemy, and that the man who is following him wants Stella herself as the price of his silence. Caught between these two men, not sure whom to believe, Stella finds her world crumbling as she learns how little we can truly know of those around us.

It was an exciting time for young women of the 1920s as they embraced liberation from the pre–World War I traditions of their mothers. In the mild Mediterranean climate of the Italian Riviera, a rebellious young Sydney Warren cautiously tested her newfound freedom, developing an intimate relationship with the charming middle-aged widow Mrs. Kerr that caused rumors and speculation to stir among the wealthy British guests of a luxurious seaside hotel. A sapphic affair simmers beneath the surface of Elizabeth Bowen's captivating first novel, published in 1927. With its masterful storytelling, combined with Bowen’s keen observations and elegant prose, The Hotel beautifully illuminates the contrast between the tranquil Italian setting and the underlying tensions among the privileged characters. The novel is a thoughtful exploration of social norms, personal identity, and the subtle dynamics of group interaction, resulting in a rich story that often relies on what is left unsaid as much as what is written on the page.

One of Elizabeth Bowen’s most artful and psychologically acute novels, The House in Paris is a timeless masterpiece of nuance and atmosphere, and represents the very best of Bowen’s celebrated oeuvre. When eleven-year-old Henrietta arrives at the Fishers’ well-appointed house in Paris, she is prepared to spend her day between trains looked after by an old friend of her grandmother’s. Henrietta longs to see a few sights in the foreign city; little does she know what fascinating secrets the Fisher house itself contains. For Henrietta finds that her visit coincides with that of Leopold, an intense child who has come to Paris to be introduced to the mother he has never known. In the course of a single day, the relations between Leopold, Henrietta’s agitated hostess Naomi Fisher, Leopold’ s mysterious mother, his dead father, and the dying matriarch in bed upstairs, come to light slowly and tantalizingly. And when Henrietta leaves the house that evening, it is in possession of the kind of grave knowledge usually reserved only for adults.

Elizabeth Bowen is a writer who is still too little appreciated. Neil Corcoran presents here a critical study of her novels, short stories, family history, and essays, and shows that her work both inherits from the Modernist movement and transforms its experimental traditions. Elizabeth Bowen: The Enforced Return explores how she adapts Irish Protestant Gothic as a means of interpreting Irish experience during the Troubles of the 1920s and the Second World War, and also as a way of defining the defencelessness of those enduring the Blitz in wartime London. She employs versions of the Jamesian child as a way of offering a critique of the treatment of children in the European novel of adultery, and indeed, implicitly, of the Jamesian child itself. Corcoran relates the various kinds of return and reflex in her work-notably the presence of the supernatural, but also the sense of being haunted by reading-to both the Freudian concept of the 'return of the repressed' and to T. S. Eliot's conception of the auditory imagination as a 'return to the origin'. Making greater interpretative use of extra-fictional materials than previous Bowen critics (notably her wartime reports from neutral Ireland to Churchill's government and the diaries of her wartime lover, the Canadian diplomat Charles Ritchie), Corcoran reveals how her fiction merges personal story with public history. Employing a wealth of original research, his radical new readings propose that Bowen is as important as Samuel Beckett to twentieth-century literary studies—a writer who returns us anew to the histories of both her time and ours.

This study offers an authoritative introduction to Bowen's works, revealing both their pleasures for the fiction-addict and their fascinations for the literary critic, theorist, and historian.