Elizabeth Tudor And Mary Stewart Two Queens In One Isle

The relationship between Queen Elizabeth I of England and her cousin, Mary Queen of Scots, is one of the most complex, tempestuous and fascinating in history. United in blood but divided by religion, the two women were in some ways uniquely close; in others, poles apart. Championed by English Catholics as the rightful Queen of England, Mary was nevertheless given protection by her cousin after she was deposed amid outrage at her immoral behaviour. Rumours of papist plots involving Mary were rife and Elizabeth was put under extreme pressure to be rid of this dangerous threat to her sovereignty and to the Protestant church in England. After much reluctance and procrastination Elizabeth finally signed Mary's death warrant. Alison Plowden shows how political fear brought out the worst and yet the best in these women, and how history was overshadowed for centuries afterwards.

Author John Staines here argues that sixteenth- and seventeenth-century writers in England, Scotland, and France wrote tragedies of the Queen of Scots - royal heroine or tyrant, martyr or whore - in order to move their audiences towards political action by shaping and directing the passions generated by the spectacle of her fall. In following the retellings of her history from her lifetime through the revolutions and political experiments of the seventeenth century, this study identifies two basic literary traditions of her tragedy: one conservative, sentimental, and royalist, the other radical, skeptical, and republican. Staines provides new readings of Spenser and Milton, as well as of early modern dramatists, to compile a comprehensive study of the writings about this important historical and literary figure. He charts developments in public rhetoric and political writing from the Elizabethan period through the Restoration, using the emotional representations of the life of this tragic woman and queen to explore early modern experiments in addressing and moving a public audience. By exploring the writing and rewriting of the tragic histories of the Queen of Scots, this book reveals the importance of literature as a force in the redefinition of British political life between 1560 and 1690.

"Superb.... A perceptive, suspenseful account." --The New York Times Book Review "Dunn demythologizes Elizabeth and Mary. In humanizing their dynamic and shifting relationship, Dunn describes it as fueled by both rivalry and their natural solidarity as women in an overwhelmingly masculine world." --Boston Herald The political and religious conflicts between Queen Elizabeth I and the doomed Mary, Queen of Scots, have for centuries captured our imagination and inspired memorable dramas played out on stage, screen, and in opera. But few books have brought to life more vividly the exquisite texture of two women’s rivalry, spurred on by the ambitions and machinations of the forceful men who surrounded them. The drama has terrific resonance even now as women continue to struggle in their bid for executive power. Against the backdrop of sixteenth-century England, Scotland, and France, Dunn paints portraits of a pair of protagonists whose formidable strengths were placed in relentless opposition. Protestant Elizabeth, the bastard daughter of Anne Boleyn, whose legitimacy had to be vouchsafed by legal means, glowed with executive ability and a visionary energy as bright as her red hair. Mary, the Catholic successor whom England’s rivals wished to see on the throne, was charming, feminine, and deeply persuasive. That two such women, queens in their own right, should have been contemporaries and neighbours sets in motion a joint biography of rare spark and page-turning power.

The fateful Tudor triangle: a reigning queen, an exiled queen, and the countess who was obliged to be her jailer. And Bess of Hardwick had a close relationship with two more queens!

Margaret George's exhaustively researched novel skillfully weaves both historical fact and plausible fiction in bringing the story of Mary Queen of Scots to life. She was a child crowned a queen.... A sinner hailed as a saint.... A lover denounced as a whore... A woman murdered for her dreams... Margaret George's Mary Queen of Scotland and the Isles brings to life the fascinating story of Mary, who became the Queen of Scots when she was only six days old. Raised in the glittering French court, returning to Scotland to rule as a Catholic monarch over a newly Protestant country, and executed like a criminal in Queen Elizabeth's England, Queen Mary lived a life like no other, and Margaret George weaves the facts into a stunning work of historical fiction. "With a seamless use of original letters, diaries, and poems: a popular, readable, inordinately moving tribute to a remarkable queen." -- Kirkus Reviews

THE REAL SHAKESPEARE This book proves that Edward de Vere, the 17th Earl of Oxford, wrote the plays we know as ?Shakespearean.' In the play ?Hamlet, ? in a very special coded way, he signed his name ?Ver? hundreds of times. These clues in ?Hamlet? provide the stamp of his authorship! All of the Shakespearean plays and sonnets reflect incidents in the life of Edward de Vere. The real events in his life involved violence, intrigue and love'and some of them were shocking! In a web of conjecture those incidents have been tied together in a novel about de Vere. This novel is one of the main parts of this book. The other two parts are the proof!

BONUS: This edition contains an excerpt from Alison Weir's Mary Boleyn. Handsome, accomplished, and charming, Henry Stuart, Lord Darnley, staked his claim to the English throne by marrying Mary Stuart, who herself claimed to be the Queen of England. It was not long before Mary discovered that her new husband was interested only in securing sovereign power for himself. Then, on February 10, 1567, an explosion at his lodgings left Darnley dead; the intrigue thickened after it was discovered that he had apparently been suffocated before the blast. After an exhaustive reevaluation of the source material, Alison Weir has come up with a solution to this enduring mystery. Employing her gift for vivid characterization and gripping storytelling, Weir has written one of her most engaging excursions yet into Britain’s bloodstained, power-obsessed past.