Embodying Cape Town

This book examines the reciprocity that exists between the body and the urban built environment. It will draw on archival and ethnographic research as well as an interdisciplinary literature on cultural materialism, semiotics, and aesthetics to challenge dualist interpretations of four different points of historical-material contact in Cape Town, South Africa. Each chapter attends to different groups, social practices, and historical periods, but all share the fundamental questions: how does material culture reflect the way social agents make meaning through bodily contact with urban built form, and how does such meaning challenge the ways bodies are objectified? Further, how can we make sense of the historical processes embedded in the objectification of bodies without treating the social and the material, the mental and the physical as separate realities?

In this book, Duane Jethro creates a framework for understanding the role of the senses in processes of heritage formation. He shows how the senses were important for crafting and successfully deploying new, nation-building heritage projects in South Africa during the postapartheid period. The book also highlights how heritage dynamics are entangled in evocative, changing sensory worlds.Jethro uses five case studies that correlate with the five main Western senses. Examples include touch and the ruination of a series of art memorials; how vision was mobilised to assert the authority of the state-sponsored Freedom Park project in Pretoria; how smell memories of apartheid-era social life in Cape Town informed contemporary struggles for belonging after forced removal; how taste informed debates about the attempted rebranding of Heritage Day as barbecue day; and how the sound of the vuvuzela, popularized during the FIFA 2010 Football World Cup, helped legitimize its unofficial African and South African heritage status.This book makes a valuable contribution to the field of sensory studies and, with its focus on aesthetics and material culture, is in sync with the broader material turn in the humanities.

Exploring the role of performance in tourist and nationalist contexts, Embodying Mexico analyzes the making of icons in 20th century Mexico, as local dance, music, and ritual practices are transformed into national and global spectacles.

Embodying Transnational Yoga is a refreshingly original, multi-sited ethnography of transnational yoga that obliges us to look beyond postural practice (āsana) in modern yoga research. The book introduces readers to three alternative, understudied categories of transnational yoga practice which include food, music, and breathing. Studying these categories of embodied practice using interdisciplinary methods reveals transformative “engaged alchemies” that have been extensively deployed by contemporary disseminators of yoga. Readers will encounter how South Asian dietary regimens, musical practices, and breathing techniques have been adapted into contemporaneous worlds of yoga practice both within, but also beyond, the Indian Ocean rim. The book brings the field of Modern Yoga Studies into productive dialogue with the fields of Indian Ocean Studies, Embodiment Studies, Food Studies, Ethnomusicology, and Pollution Studies. It will also be a valuable resource for both scholarly work and for teaching in the fields of Religious Studies, Anthropology, and South Asian Religions.

This book makes a case, from an ecumenical Christian perspective, for a theological anthropology and a missiology that are based on the essential significance of story, body, imagination, and relationality, in order to understand what it means to be human vis-à-vis God, the other, and creation. Such an interpretation, moreover, enables seeking and pursuing a common life for the whole creation in the force field of God’s radical and transformative reign. To advance its argument, it engages contemporary culture, including cinema and, to a lesser extent, fiction and music.

This book explores the relationship between race and class among middle-class Christians in South Africa. The book provides a theoretically sophisticated and empirically rich study of middle-class Christians in contemporary South Africa, as they seek to live good lives and build a good society. Focused on the city of Cape Town, drawing upon ethnographic research in conservative and progressive multiracial Protestant churches, furnished with critical analysis of South African literature and popular culture, this timely study explores expressions of ambition and anxiety that are both spiritual and material. Building upon debates over middle-class identity and morality from sociology, anthropology, and cultural studies, this book analyses congregational attempts at social unity through worship music and creative youth ministry, discussions on white privilege and shame, and the impact of middle-class black activism in South African churches and society. This book will be of interest to researchers of South African culture and society, religion, anthropology, and sociology.

Embodied, Embedded, and Enactive Psychopathology presents a new way of thinking about mental disorder that is holistic yet critically minded, biologically plausible yet value-inclusive, and scientific yet deeply compassionate. Grounded in an embodied, embedded, and enactive (3e) view of human functioning, this book presents a novel conceptual framework for the study and treatment of mental disorders and explores implications for the tasks of classification, explanation, and treatment. Chapters one to three argue for the central role of conceptualization in the study and treatment of mental disorders. Popular conceptual models are critiqued, including other recent enactive frameworks. Chapters four to seven then present 3e Psychopathology and explore its implications. This includes analysis of both research-based efforts to explain mental disorders, and methods for formulating individual-level explanations in clinical practice. New answers are presented for important questions such as: are mental disorders things we do or get? Are mental disorders defined in nature or are they socially constructed? Are mental disorders the same things across different cultures? And, are mental disorders located in our brains, bodies, or environments? This engaging work offers fresh insights that will appeal to clinicians, researchers, and those with an interest in the philosophy of psychiatry.

This book is an ethnographic case study of Sufi ritual practice and embodied experience amongst female members of the Naqshbandi community. Drawing on fieldwork in Cape Town, South Africa, and Lefke, Cyprus (2013/2014), the author examines women’s experiences within a particular performance of Sufi tradition. The focus is on the ritual named hadra, involving the recital of sacred texts, music, and body movement, where the goal is for the individual to reach a state of intimacy with God. The volume considers Sufi practice as a form of embodied cultural behavior, religious identity, and selfhood construction. It explains how Muslim women’s participation in hadra ritual life reflects religious and cultural ideas about the body, the body’s movement, and embodied selfhood expression within the ritual experience. Sufi Women, Ritual Embodiment and the ‘Self’ engages with studies in Sufism, symbolic anthropology, ethnography, dance, and somatic studies. Contributing to discussions of religion, gender, and the body, the book will be of interest to scholars from anthropology, sociology, religious ritual studies, Sufism and gender studies, and performance studies.