Embracing The Darkness Understanding Dark Subcultures A Decade Of Darkness

Author E.R. Vernor, best known as Corvis Nocturnum brings you the ten year anniversary expanded edition of his original expose. The writer reflects on what has changed and stayed the same, with even more insights, interviews and photos never seen before. The author brings you an unprecedented collection of Satanists, vampires, modern primitives, dark pagans, and Gothic artists, all speaking to you in their own words. These are people who have taken something most others find frightening or destructive, and woven it into amazing acts of creativity and spiritual vision. Corvis himself is a dark artist and visionary, and so it is with the eye of a kindred spirit that he has sought these people out to share their stories with you.

Author E.R. Vernor, best known as Corvis Nocturnum brings you the ten year anniversary expanded edition of his original expose. The writer reflects on what has changed and stayed the same, with even more insights, interviews and photos never seen before. The author brings you an unprecedented collection of Satanists, vampires, modern primitives, dark pagans, and Gothic artists, all speaking to you in their own words. These are people who have taken something most others find frightening or destructive, and woven it into amazing acts of creativity and spiritual vision. Corvis himself is a dark artist and visionary, and so it is with the eye of a kindred spirit that he has sought these people out to share their stories with you.

"Subcultures/Alternate lifestyles/Spirituality."--Cover back.

The study of contemporary esoteric discourse has hitherto been a largely neglected part of the new academic field of Western esotericism. Contemporary Esotericism provides a broad overview and assessment of the complex world of Western esoteric thought today. Combining historiographical analysis with theories and methodologies from the social sciences, the volume explores new problems and offers new possibilities for the study of esoterica. Contemporary Esotericism studies the period since the 1950s but focuses on the last two decades. The wide range of essays are divided into four thematic sections: the intricacies of esoteric appeals to tradition; the role of popular culture, modern communication technologies, and new media in contemporary esotericism; the impact and influence of esotericism on both religious and secular arenas; and the recent 'de-marginalization' of the esoteric in both scholarship and society.

New Age version of the Dark Moon Press catalog - As the publisher, I would like to welcome you to our 2017 catalog. Dark Moon Press had its modest beginnings back in 2005 when the very first book came out, titled Embracing the Darkness: Understanding Dark Subcultures. Since then we have expanded the company without losing the vision of that first title, bringing in new talent and topics such as the paranormal. We pride ourselves in bring to our reader the best in fiction and non-fiction books, ranging from popular culture, vampires, zombies, the occult, erotica, art and photography The Addams Family would enjoy ! Thank you for supporting us into the new decade! E.R. Vernor, Publisher

Since it first emerged from Britain’s punk-rock scene in the late 1970s, goth subculture has haunted postmodern culture and society, reinventing itself inside and against the mainstream. Goth: Undead Subculture is the first collection of scholarly essays devoted to this enduring yet little examined cultural phenomenon. Twenty-three essays from various disciplines explore the music, cinema, television, fashion, literature, aesthetics, and fandoms associated with the subculture. They examine goth’s many dimensions—including its melancholy, androgyny, spirituality, and perversity—and take readers inside locations in Los Angeles, Austin, Leeds, London, Buffalo, New York City, and Sydney. A number of the contributors are or have been participants in the subculture, and several draw on their own experiences. The volume’s editors provide a rich history of goth, describing its play of resistance and consumerism; its impact on class, race, and gender; and its distinctive features as an “undead” subculture in light of post-subculture studies and other critical approaches. The essays include an interview with the distinguished fashion historian Valerie Steele; analyses of novels by Anne Rice, Poppy Z. Brite, and Nick Cave; discussions of goths on the Internet; and readings of iconic goth texts from Bram Stoker’s Dracula to James O’Barr’s graphic novel The Crow. Other essays focus on gothic music, including seminal precursors such as Joy Division and David Bowie, and goth-influenced performers such as the Cure, Nine Inch Nails, and Marilyn Manson. Gothic sexuality is explored in multiple ways, the subjects ranging from the San Francisco queercore scene of the 1980s to the increasing influence of fetishism and fetish play. Together these essays demonstrate that while its participants are often middle-class suburbanites, goth blurs normalizing boundaries even as it appears as an everlasting shadow of late capitalism. Contributors: Heather Arnet, Michael Bibby, Jessica Burstein, Angel M. Butts, Michael du Plessis, Jason Friedman, Nancy Gagnier, Ken Gelder, Lauren M. E. Goodlad, Joshua Gunn, Trevor Holmes, Paul Hodkinson, David Lenson, Robert Markley, Mark Nowak, Anna Powell, Kristen Schilt, Rebecca Schraffenberger, David Shumway, Carol Siegel, Catherine Spooner, Lauren Stasiak, Jeffrey Andrew Weinstock

In this book, Spracklen and Spracklen use the idea of collective memory to explore the controversies and boundary-making surrounding the genesis and progression of the modern gothic alternative culture. They suggest that the only way for goth culture to survive is if it becomes transgressive and radical again.

It was a scene that had many names: some original members referred to themselves as punks, others, new romantics, new wavers, the bats or the morbids. 'Goth' did not gain lexical currency until the late 1980s. But no matter what term was used, 'postpunk' encompasses all the incarnations of the 1980s alternative movement. Some Wear Leather, Some Wear Lace is a visual and oral history of the first decade of the scene. Featuring interviews with both the performers and the audience to capture the community on and off stage, the book places personal snapshots alongside professional photography to reveal a unique range of fashions, bands and scenes. A book about the music, the individual and the creativity of a worldwide community rather than theoretical definitions of a subculture, Some Wear Leather, Some Wear Lace considers a subject not often covered by academic books. Whether you were part of the scene or are just fascinated by different modes of expression, this book will transport you to another time and place.