Empires Of The Dead

Shortlisted for the Samuel Johnson prize for non-fiction; the extraordinary and forgotten story behind the building of the First World War cemeteries, due to the efforts of one remarkable and visionary man, Fabian Ware. Before WWI, little provision was made for the burial of the war dead. Soldiers were often unceremoniously dumped in a mass grave; officers shipped home for burial. The great cemeteries of WWI came about as a result of the efforts of one inspired visionary. In 1914, Fabian Ware joined the Red Cross, working on the frontline in France. Horrified by the hasty burials, he recorded the identity and position of the graves. His work was officially recognised, with a Graves Registration Commission being set up. As reports of their work became public, the Commission was flooded with letters from grieving relatives around the world. Critically acclaimed author David Crane gives a profoundly moving account of the creation of the great citadels to the dead, which involved leading figures of the day, including Rudyard Kipling. It is the story of cynical politicking, as governments sought to justify the sacrifice, as well as the grief of nations, following the 'war to end all wars'.

"When the Smithsonian Institution's first Hall of Physical Anthropology opened in 1965, the first thing visitors saw were 160 Andean skulls fixed to the wall like a mushroom cloud. Empires of the Dead explains that Skull Wall's origins, and this introduction establishes its scope: a history from 1532 to the present of how the collection of Inca mummies, Andean crania, and a pre-Hispanic surgery named trepanation made "ancient Peruvians" the single largest population in the Smithsonian and many other museums in Peru, the Americas, and the world. This introduction argues that the Hall of Physical Anthropology displayed these collections while hiding their foundation on Indigenous, Andean, and Peruvian cultures of healing and science. These "Peruvian ancestors" of American anthropology reveal the importance of Indigenous and Latin American science and empire to global history, and their relevance to debates over museums and Indigenous human remains today"--

Shortlisted for the Samuel Johnson prize for non-fiction. The extraordinary and forgotten story of the building of the World War One cemeteries, due to the efforts of one remarkable man, Fabian Ware.

The Emperor is dead. Long live the Empire. General Bordan has a lifetime of duty and sacrifice behind him in the service of the Empire. But with rebellion brewing in the countryside, and assassins, thieves and politicians vying for power in the city, it is all Bordan can do to protect the heir to the throne. Apprentice Magician Kyron is assigned to the late Emperor’s honour guard escorting his body on the long road back to the capital. Mistrusted and feared by his own people, even a magician’s power may fail when enemies emerge from the forests, for whoever is in control of the Emperor’s body, controls the succession. Seven lives and seven deaths to seal the fate of the Empire.

"This fresh, thrilling take on Anastasia establishes that O'Neil is a debut author to watch." —Buzzfeed From debut author Carolyn Tara O'Neil comes a thrilling alternate history set during the Russian Revolution. Russia, 1918: With the execution of Tsar Nicholas, the empire crumbles and Russia is on the edge of civil war—the poor are devouring the rich. Anna, a bourgeois girl, narrowly escaped the massacre of her entire family in Yekaterinburg. Desperate to get away from the Bolsheviks, she offers a peasant girl a diamond to take her as far south as possible—not realizing that the girl is a communist herself. With her brother in desperate need of a doctor, Evgenia accepts Anna's offer and suddenly finds herself on the wrong side of the war. Anna is being hunted by the Bolsheviks, and now—regardless of her loyalties—Evgenia is too. Daughters of a Dead Empire is a harrowing historical thriller about dangerous ideals, inequality, and the price we pay for change. An imaginative retelling of the Anastasia story. A Junior Library Guild Selection

From the Pulitzer Prize and T.S. Eliot Prize for Poetry winner comes a beautifully realized collection of poems about childhood, love, marriage, children, and honoring the dead. Larry Lewis say, “The Dead and the Living is an unignorable book, something truly rare. The feeling behind it is painful, but exquisitely so. Pain made into art or what, in another time, people called ‘beauty.’” It is an achievement of a poet writing in the full measure of her powers. The Lamont poetry selection of the Academy of American Poets.

It has been two decades since the daughter of the death goddess enacted her cruel betrayal. Two decades since the other nine gods were slain, their semi-divine progeny murdered, and the disparate peoples of the Riverland forced to bend knee to their new empress and her armies of the dead.But when bandits kidnap a youth at the edges of the empire, two aged and broken heroes emerge from obscurity to attempt an unlikely rescue. Neither man relishes confronting the forces of their dread empress, but when they learn that their quarry is being held for sacrifice in the imperial city of Rekkidu, they reluctantly begin gathering a crew of uniquely talented criminals to attempt an impossible rescue.A rescue whose failure could have shattering consequences. For they are Jarek and Acharsis, the last of the demigods, long thought dead and whose return could shake the very foundations of the empire.

A 2020 BookAuthority selection for best new American Civil War books Hundreds of thousands of individuals perished in the epic conflict of the American Civil War. As battles raged and the specter of death and dying hung over the divided nation, the living worked not only to bury their dead but also to commemorate them. President Abraham Lincoln's Gettysburg Address perhaps best voiced the public yearning to memorialize the war dead. His address marked the beginning of a new tradition of commemorating American soldiers and also signaled a transformation in the relationship between the government and the citizenry through an embedded promise and obligation for the living to remember the dead. In Death at the Edges of Empire Shannon Bontrager examines the culture of death, burial, and commemoration of American war dead. By focusing on the Civil War, the Spanish-Cuban-American War, the Philippine-American War, and World War I, Bontrager produces a history of collective memories of war expressed through American cultural traditions emerging within broader transatlantic and transpacific networks. Examining the pragmatic collaborations between middle-class Americans and government officials negotiating the contradictory terrain of empire and nation, Death at the Edges of Empire shows how Americans imposed modern order on the inevitability of death as well as how they used the war dead to reimagine political identities and opportunities into imperial ambitions.