Enchanted Homes

Demonstrates the method of the deer song

For the child who loves dolls, for the adult who cherishes dolls, the most sumptious celebration ever in an exquisite, multidimensional presentation, featuring pop-up period dollhouses, secret letters, hidden pictures and more. Meet Albert and Lucinda, Kristen, Oscar, Hattie and more, enchanted dolls who inhabit a magical series of homes, from a Tudor mansion to a twentieth century villa, finding adventure and secrets to discover, dances to attend, and parties to give in each era. Can it be a surprise that over the many centuries a gentle romance has blossomed between Albert and Lucinda? Pages are crammed with doll lore and historical detail. Lovingly rendered, highly detailed drawings of dolls, their clothing and furnishings, accessories and accoutrements grace each page and spread. Each of the four dimensional dollhouses just begs for readers to peek through windows anddoors or lift away the walls to find hidden details and characters. Tactile treats are everywhere: journals to open, letters to pull out and read, jewelry boxes to explore, fabric to touch.and much, much more. A Children's Book-of-the-Month Club Main Selection as well as crossover selection of several BMOC adult clubs.

In this illuminating book, anthropologist Kirstin Erickson explains how members of the Yaqui tribe, an indigenous group in northern Mexico, construct, negotiate, and continually reimagine their ethnic identity. She examines two interconnected dimensions of the Yaqui ethnic imagination: the simultaneous processes of place making and identification, and the inseparability of ethnicity from female-identified spaces, roles, and practices. Yaquis live in a portion of their ancestral homeland in Sonora, about 250 miles south of the Arizona border. A long history of displacement and ethnic struggle continues to shape the Yaqui sense of self, as Erickson discovered during the sixteen months that she lived in Potam, one of the eight historic Yaqui pueblos. She found that themes of identity frequently arise in the stories that Yaquis tell and that geography and location—space and place—figure prominently in their narratives. Revisiting Edward Spicer’s groundbreaking anthropological study of the Yaquis of Potam pueblo undertaken more than sixty years ago, Erickson pays particular attention to the “cultural work” performed by Yaqui women today. She shows that by reaffirming their gendered identities and creating and occupying female-gendered spaces such as kitchens, household altars, and domestic ceremonial spaces, women constitute Yaqui ethnicity in ways that are as significant as actions taken by males in tribal leadership and public ceremony. This absorbing study contributes new empirical knowledge about a Native American community as it adds to the growing anthropology of space/place and gender. By inviting readers into the homes and patios where Yaqui women discuss their lives, it offers a highly personalized account of how they construct—and reconstruct—their identity.

Luminous new photography showcases contemporary and historic homes in the beloved Spanish Style in Southern California, while offering, as well, a rare look at the original inspirations to the style, born in Andalusia, Spain. The great appeal of Spanish Style homes lies in their aura of romance and drama, a sense of story, of magic, as well as in their very comfortable and engaging proportions and the great livability of the interior spaces. Deep shadow, arched doorways, trickling courtyard fountains, climbing bougainvillea on wrought-iron window grilles, wood-beamed ceilings, and white plaster walls are all hallmarks of the style. Here, through a celebration of contemporary and historic homes in Southern California, as well as existing historic precedents in Andalusia, Spain--most notably the intricately detailed Casa de Pilatos in Seville and the Alhambra of Granada--The Spanish Style House presents the definitive picture of the style as it exists today. Featured homes include the George Washington Smith-designed Casa Blanca (1928)--a fantasy made real in stone and stucco replete with the romance of old Morocco in its horseshoe arches, domes, and evocative tile murals--and a Marc Appleton-designed beach house (2007) in Del Mar, California, which is a dream on the sea and an eloquent testament to the virtues of the style for today.

Gerald Lynch offers new insights into the work of a popular Canadian humourist in Stephen Leacock: Humour and Humanity. He considers Leacock's satire to be the result of a combination of two traditions - toryism and humanism - and examines the relation between Leacock's theory of humour and his view of the world.