Encyclopedia Of Native American Artists

Students and art lovers will enjoy reading about the approximately 70 Native American artists presented here, many for the first time in a reference book.

Indigenous North Americans have continuously made important contributions to the field of art in the U.S. and Canada, yet have been severely under-recognized and under-represented. Native artists work in diverse media, some of which are considered art (sculpture, painting, photography), while others have been considered craft (works on cloth, basketry, ceramics).Some artists feel strongly about working from a position as a Native artist, while others prefer to produce art not connected to a particular cultural tradition.

A comprehensive, illustrated encyclopedia which provides information on over 150 native tribes of North America, including prehistoric peoples.

This new guide is the first to explore all facets of Native American jewelry—its history, variety, and quality—in one convenient resource. With coverage beginning in the mid-nineteenth century, this resource includes artists, techniques, materials, motifs, and more. The encyclopedia opens with helpful introductory essay to acquaint the reader with the subject. More than 350 entries and over 80 photos make this new encyclopedia and exceptional value.

This illuminating and provocative book is the first anthology devoted to Twentieth Century Native American and First Nation art. Native American Art brings together anthropologists, art historians, curators, critics and distinguished Native artists to discuss pottery, painitng, sculpture, printmaking, photography and performance art by some of the most celebrated Native American and Canadian First Nation artists of our time The contributors use new theoretical and critical approaches to address key issues for Native American art, including symbolism and spirituality, the role of patronage and musuem practices, the politics of art criticism and the aesthetic power of indigenous knowledge. The artist contributors, who represent several Native nations - including Cherokee, Lakota, Plains Cree, and those of the PLateau country - emphasise the importance of traditional stories, myhtologies and ceremonies in the production of comtemporary art. Within great poignancy, thye write about recent art in terms of home, homeland and aboriginal sovereignty Tracing the continued resistance of Native artists to dominant orthodoxies of the art market and art history, Native American Art in the Twentieth Century argues forcefully for Native art's place in modern art history.

Dispelling myths, answering questions, and stimulating thoughtful avenues for further inquiry, this highly absorbing reference provides a wealth of specific information about over 200 North American Indian groups in Canada and the United States. Readers will easily access important historical and contemporary facts about everything from notable leaders and relations with non-natives to customs, dress, dwellings, weapons, government, and religion. This book is at once exhaustive and captivating, covering myriad aspects of a people spread across a continent. Divided into ten geographic areas for easy reference, this work illustrates each Native American group in careful detail. Listed alphabetically, starting with the tribal name, translation, origin, and definition, each entry includes significant facts about the group's location and population, as well as impressive accounts of the group's history and culture. Bringing entries up-to-date, Barry Pritzker also presents current information on each group's government, economy, legal status, and land holdings. Whether interpreting the term "tribe" (many traditional Native American groups were not tribes at all but more like extended families) or describing how a Shoshone woman served as a guide on the Lewis and Clark expedition, Pritzker always presents the material in a clear and lively manner. In light of past and ongoing injustices and the momentum of Indian and Inuit self-determination movements, an understanding of Native American cultures as well as their contributions to contemporary society becomes increasingly important. A magnificent resource, this book liberally provides the essential information necessary to better grasp the history and cultures of North American Indians.

This encyclopedia is a biographical dictionary of some 1,000 women artists of the American West. The product of a twenty-year, coast-to-coast research project by authors Phil Kovinick and Marian Yoshiki-Kovinick, it offers accurate, concise introductions to women painters, graphic artists, and sculptors, all of whom achieved recognition as depictors of Western subjects between the 1840s and 1980. Their styles range from representationalism to early modernism, while their works depict everything from bold landscapes and scenes of intensive action to studies of Native Americans, pioneers, ranchers, farmers, wildlife, and flora. Each entry in the encyclopedia features the salient facts of the artist's life and career, with attention to her work with Western subject matter. Many of the entries also contain a selected list of the artist's exhibitions, current locations of her work in public collections, pertinent references, and a black-and-white example of her work. An overview of the history of women in western art complements the biographical entries.

This collection of essays deals with the development of Native American art history as a discipline rather than with particular art works or artists. It focuses on the early anthropologists, museum curators, dealers, and collectors, and on the multiple levels of understanding and misunderstanding, a