England S Thousand Best Churches

Simon Jenkins has travelled the length and breadth of England to select his thousand best churches. Organised by county, each church is described - often with delightful asides - and given a star-rating from one to five. All of the county sections are prefaced by a map locating each church, and lavishly illustrated with colour photos from the Country Life archive. Jenkins contends that these churches house a gallery of vernacular art without equal in the world. Here, he brings that museum to public attention.

The Church of England still seemed an essential part of Englishness, and even of the British state, when Mrs Thatcher was elected in 1979. The decades which followed saw a seismic shift in the foundations of the C of E, leading to the loss of more than half its members and much of its influence. In England today 'religion' has become a toxic brand, and Anglicanism something done by other people. How did this happen? Is there any way back? This 'relentlessly honest' and surprisingly entertaining book tells the dramatic and contentious story of the disappearance of the Church of England from the centre of public life. The authors – religious correspondent Andrew Brown and academic Linda Woodhead – watched this closely, one from the inside and one from the outside. That Was the Church, That Was shows what happened and explains why.

First published in 1909, this archaeological guide establishes the chronology of the Byzantine churches of Bin-Bir-Kilisse in Turkey.

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From the great citadels of Caernarvon, Harlech, Powis and Beaumaris in the north, to the Victorian glories of Cardiff in the south, St David's cathedral ('the loveliest church in Wales') in the west to the exquisite little hill church of Patrishow in the east, from Plas Newydd above the Menai Straits to the romantic citadel of Carreg Cennan in the heart of the country, the buildings of Wales embody its history and are the equal of any in the British Isles. Simon Jenkins has travelled, it seems, every mile of the country to celebrate, and in some cases to find the very best of them, and irresistibly conveys in this book his enthusiasm for them. Cumulatively they amount to a cultural history of Wales by one of its most devoted sons. Anyone who is visiting Wales or who loves it will want to own this glorious book.

In the village of Wreay, near Carlisle, stands the strangest and most magical church in Victorian England. This vivid, original book tells the story of its builder, Sarah Losh, strong-willed and passionate and unusual in every way. Born into an old Cumbrian family, heiress to an industrial fortune, Sarah combined a zest for progress with a love of the past. In the church, her masterpiece, she let her imagination flower - there are carvings of ammonites, scarabs and poppies; an arrow pierces the wall as if shot from a bow; a tortoise-gargoyle launches itself into the air. And everywhere there are pinecones, her signature in stone. The church is a dramatic rendering of the power of myth and the great natural cycles of life and death and rebirth. Sarah's story is also that of her radical family - friends of Wordsworth and Coleridge; of the love between sisters and the life of a village; of the struggle of the weavers, the coming of the railways, the findings of geology and the fate of a young northern soldier in the Afghan war. Above all, though, it is about the joy of making and the skill of local, unsung craftsmen.

A beautiful and practical up-to-date guide to over two thousand of Britain’s best parish churches.

For most people in England today, the church is simply the empty building at the end of the road, visited for the first time, if at all, when dead. It offers its sacraments to a population that lives without rites of passage, and which regards the National Health Service rather than the National Church as its true spiritual guardian. In Our Church, Scruton argues that the Anglican Church is the forlorn trustee of an architectural and artistic inheritance that remains one of the treasures of European civilization. He contends that it is a still point in the centre of English culture and that its defining texts, the King James Bible and the Book of Common Prayer are the sources from which much of our national identity derives. At once an elegy to a vanishing world and a clarion call to recognize Anglicanism's continuing relevance, Our Church is a graceful and persuasive book.