English Drama Of The Restoration And Eighteenth Century 1642 1780

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Excerpt from English Drama of the Restoration and Eighteenth Century (1642-1780) Despite the activity of research in the general field of English drama, and the marked growth of critical interest in its contemporary aspects, little heed has yet been given to certain earlier periods of modern English drama which help to explain its later development. For the most part, students of English dramatic history have preferred even the by-paths and meanders of Elizabethan drama to the main-travelled roads that lead onward from the eighteenth century. In one of the bibliographical notes in his admirable volume entitled Tragedy, Professor A. H. Thorndike puts the case tersely: 'Ward's History of Dramatic Literature ends with the death of Queen Anne; and there is no adequate history of the English drama for the last two centuries, and no good bibliography.' So vigorously, indeed, have almost all the fields of English literature been cultivated, that it is doubtful whether there now remains any other equally neglected area comparable in breadth with that clearly suggested by Professor Thorndike. His own concluding chapters, though confined to tragedy, form, in fact, one of the few significant contributions toward the broader critical investigation which must review the whole course of modern English dramatic development. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Excerpt from English Drama of the Restoration and Eighteenth Century (1642-1780) Despite the activity of research in the general field of English drama, and the marked growth of critical interest in its contemporary aspects, little heed has yet been given to certain earlier periods of modern English drama which help to explain its later de velopment. For the most part, students of English dramatic history have preferred even the by-paths and meanders of Elizabethan drama to the main travelled roads that lead onward from the eighteenth century. In one of the bibliographical notes in his admirable volume entitled T raged}, Professor A. H. Thorndike puts the case tersely Ward's History of Dramatic Literature ends with the death of Queen Anne; and there is no adequate history of the English drama for the last two centuries, and no good bibliography.' So vigorously, indeed, have almost all the fields of English literature been cul tivated, that it is doubtful whether there now remains any other equally neglected area comparable in breadth with that clearly suggested by Professor Thorndike. His own concluding chapters, though confined to tragedy, form, in fact, one of the few significant contributions toward the broader critical investigation which must review the whole course of modern English dramatic development. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

What were the causes of Restoration drama's licentiousness? How did the elegantly-turned comedy of Congreve become the pointed satire of Fielding? And how did Sheridan and Goldsmith reshape the materials they inherited? In the first account of the entire period for more than a decade, Richard Bevis argues that none of these questions can be answered without an understanding of Augustan and Georgian history. The years between 1660 and 1789 saw considerable political and social upheaval, which is reflected in the eclectic array of dramatic forms that is Georgian theatre's essential characteristic.

Nicoll's History, which tells the story of English drama from the reopening of the theatres at the time of the Restoration right through to the end of the Victorian period, was viewed by Notes and Queries (1952) as 'a great work of exploration, a detailed guide to the untrodden acres of our dramatic history, hitherto largely ignored as barren and devoid of interest'.