English Explorers In The East 1738 1745

In English Explorers in the East (1738-1745). The Travels of Thomas Shaw, Charles Perry and Richard Pococke, Rachel Finnegan examines the influential travel writings of three rival explorers, whose eastern travel books were printed within a decade of each other.

Christian-Muslim Relations, a Bibliographical History Volume 13 (CMR 13) is a history of all works written on relations in the period 1700-1800 in Western Europe. Its detailed entries contain descriptions, assessments and comprehensive bibliographical details about individual works from this time.

In Richard Pococke’s Letters from the East (1737-1740), Rachel Finnegan provides edited transcripts of the full run of correspondence from Richard Pococke’s famous eastern voyage from 1737-40, together with updated biographical accounts of the author and his correspondents (his mother, Elizabeth Pococke and his uncle and patron, Bishop Thomas Milles).

The 12th Egypt and Austria conference (Zagreb, September 2018) saw 39 presentations on current research related to the interactions between Egypt and the states of the former Habsburg Monarchy and the Ottoman Empire up to the middle of the 20th century. 26 papers are presented in this proceedings volume.

The age of Enlightenment – the so-called age of reason – was also, paradoxically, the age of the Eleusinian mysteries. By attempting to reveal Demeter's secret cult, British, French, and German thinkers and freemasons of the eighteenth century revealed more than they bargained for: the pagan origins of Christian doctrines such as the Trinity and the afterlife, and through the mythical gift of law and agriculture to Eleusis an alternative narrative of the origins of civilisation to that found in the Bible.

The Life and Works of Robert Wood (1717-1771) commemorates the Irish classicist and traveller on the 250th anniversary of his death and provides the general reader with a source book for the fascinating life and career of a much-neglected figure in the realm of Irish eighteenth-century travels and antiquarianism.

This is the only collection of its kind to focus on one of the most important aspects of the cultural history of the Romantic period, its sources, and its afterlives. Multidisciplinary in approach, the volume examines the variety of areas of enquiry and genres of cultural productivity in which the sublime played a substantial role during the late eighteenth and early nineteenth centuries. With impressive international scope, this Companion considers the Romantic sublime in both European and American contexts and features essays by leading scholars from a range of national backgrounds and subject specialisms, including state-of-the-art perspectives in digital and environmental humanities. An accessible, wide-ranging, and thorough introduction, aimed at researchers, students, and general readers alike, and including extensive suggestions for further reading, The Cambridge Companion to the Romantic Sublime is the go-to book on the subject.

Daniel Orrells examines the ways in which the ancient world was visualized for Enlightenment readers, and reveals how antiquarian scholarship emerged as the principal technology for envisioning ancient Greek culture, at a time when very few people could travel to Greece which was still part of the Ottoman Empire. Offering a fresh account of the rise of antiquarianism in the 18th century, Orrells shows how this period of cultural progression was important for the invention of classical studies. In particular, the main focus of this book is on the visionary experimentalism of antiquarian book production, especially in relation to the contentious nature of ancient texts. With the explosion of the Quarrel between the Ancients and the Moderns, eighteenth-century intellectuals, antiquarians and artists such as Giambattista Vico, Johann Joachim Winckelmann, the Comte de Caylus, James Stuart, Julien-David Leroy, Giovanni Battista Piranesi and Pierre-François Hugues d'Hancarville all became interested in how printed engravings of ancient art and archaeology could visualize a historical narrative. These figures theorized the relationship between ancient text and ancient material and visual culture - theorizations which would pave the way to foundational questions at the heart of the discipline of classical studies and neoclassical aesthetics.