English Narrative Poetry
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English Narrative Poetry
Author | : Özlem Görey |
Publsiher | : Cambridge Scholars Publishing |
Total Pages | : 180 |
Release | : 2017-05-11 |
Genre | : Literary Criticism |
ISBN | : 9781443891769 |
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Poetry, by definition, is voice, which here includes the worlds of both sound silence in which the poem exists. Voice in poetry represents the way in which individuals articulate themselves as subjects. English Narrative Poetry: A Babel of Voices explores how poets in different periods of English literature have manipulated voice in their verse narratives. This book, devoted to voice, explores narrative poems ranging from the Renaissance to the contemporary. Starting from Shakespeare, it journeys through Pope, Wordsworth, Keats, Rossetti, Browning, H. D., Ted Hughes, Jackie Kay, and Bernardine Evaristo in the light of narrative theory. The multiplicity of voice attests to the fact that narrative poetry can present itself as a ‘representation’ of real life by ‘mimicking’ the voices of women and men, creating what, taken together, comprises a babel of voices.
English Narrative Poems
Author | : Various Authors |
Publsiher | : Library of Alexandria |
Total Pages | : 135 |
Release | : 2015-10-22 |
Genre | : Electronic Book |
ISBN | : 9781465585592 |
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Narrative poetry is distinguished from other types of verse in that it aims to relate a connected series of events and, therefore, deals primarily with actions, rather than with thoughts or emotions. This definition, however, simple as it appears to be in theory, is often difficult to apply as a test because other matter is blended with the pure narrative. In any story where the situation is made prominent, description may be required to make clear the scene and explain movements to the reader; thus Enoch Arden begins with a word picture of a sea-coast town. Again it is often necessary to analyze the motives which actuate certain characters, and so it becomes necessary to introduce exposition of some sort into the plot. The poems in this collection serve to enforce the lesson that the four standard rhetorical formsÑnarration, description, exposition, and argumentationÑare constantly being combined and welded in a complicated way. In cases where these various literary elements are apparently in a tangle, a classification, if it be made at all, must be based on the design of the poem as a whole, and the emphasis and proportion given to the respective elements by the author. If the stress is laid on the recounting of the events which make up a unified action, and if the other factors are made subordinate and subsidiary to this end, then the poem in question belongs to the narrative group. The antiquity of the narrative as a form of literature is undisputed. Indeed it has been established with a reasonable degree of certainty that poetry in its very beginnings was narrative and in its primitive state must have been a sort of rude, rhythmical chant, originated and participated in by the tribe as a whole, and telling of the exploits of gods or legendary heroes. In the course of time there arose the minstrel, who, acting first as chorus leader, became eventually the representative of the tribe and its own special singer. When we reach a somewhat more advanced stage of civilization, we find regularly appointed bards reciting their lays in the hall of the chieftain or urging on the warriors to battle with rehearsals of past victories. Originally these bards simply repeated the old oral traditions handed down as common property, but the opportunity for the display of individual genius soon induced them to try variations on the current themes and to compose versions of their own. With this advance of individualism, poetry became gradually more complex. Various elements, lyrical, descriptive, and dramatic, assumed some prominence and tended to develop separate forms. This differentiation, however, did not impair the vigor of the story-telling spirit, and a constant succession of narrative poems down to the present day evidences how productive and characteristic a feature of our literature this form has been.
English Narrative Poems
Author | : Claude Moore Fuess |
Publsiher | : Wentworth Press |
Total Pages | : 304 |
Release | : 2019-02-25 |
Genre | : History |
ISBN | : 0469727306 |
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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Direct Speech in Beowulf and Other Old English Narrative Poems
Author | : Elise Louviot |
Publsiher | : Boydell & Brewer |
Total Pages | : 298 |
Release | : 2016 |
Genre | : Language Arts & Disciplines |
ISBN | : 9781843844341 |
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A new examination of the little-studied phenomena of Direct Speech in Old English poetry.
English Narrative Poems
Author | : C. M. Fuess,H. N. Sanborn |
Publsiher | : Unknown |
Total Pages | : 135 |
Release | : 1914 |
Genre | : Electronic Book |
ISBN | : OCLC:63545362 |
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Narrative Poems
Author | : C. S. Lewis |
Publsiher | : HarperCollins |
Total Pages | : 272 |
Release | : 2017-02-14 |
Genre | : Religion |
ISBN | : 9780062565532 |
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A repackaged edition of the revered author’s collection of four poems: "Dymer," "Launcelot," "The Nameless Isle," and "The Queen of Drum." C. S. Lewis—the great British writer, scholar, lay theologian, broadcaster, Christian apologist, and author of Mere Christianity, The Screwtape Letters, The Great Divorce, The Chronicles of Narnia, and many other beloved classics—was also a talented poet. In this collection of four longer works of verse, Lewis displays his deep love for medieval and Renaissance poetry and themes, influences that shaped—and resonate through—his fiction.
Finding the Center
Author | : Dennis Tedlock |
Publsiher | : U of Nebraska Press |
Total Pages | : 392 |
Release | : 1999-01-01 |
Genre | : Poetry |
ISBN | : 0803244398 |
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This second edition features three new Zuni stories, updated transcriptions of stories from the original edition, a bibliography, and a new preface and introduction.
As Long as It s Big
Author | : John Bricuth |
Publsiher | : JHU Press |
Total Pages | : 244 |
Release | : 2005 |
Genre | : Fiction |
ISBN | : 0801882451 |
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O for a muse of napalm... Years in the making, As Long As It's Big is a stunning and unique poetic achievement. By turns rollicking, funny, and deeply moving, this dramatic poem tells a tragic story - the collapse of a marriage after the suicide of a child - within the topsy-turvy venue of a divorce court ruled by an alternately cynical and sentimental judge. John Bricuth cleanly balances sensitive portrayals of painful lives with hilarity, chaos, and occasionally ribald caricatures. Hugely entertaining and immensely readable, Bricuth's verse narrative will absorb anyone seeking to unravel the truths of modern family life.