English Pastoral Drama From The Restoration To The Date Of The Publication Of The Lyrical Ballads 1660 1798

Excerpt from English Pastoral Drama: From the Restoration to the Date of the Publication of the "Lyrical Ballads" (1660-1798) A study of the dramatic pastoral in the eighteenth century points to the very nadir of English drama. As an indicator this work should be of value; it covers the ground from the reopening of the theatres to the natural death of play-writing and the incoming of novels; it exposes the fundamental weaknesses of dramatic conception during the Restoration, and discusses a past of vital beauty for the pastoral; and then, by means of some two hundred plays, it follows, often wearily enough, through triviality, cheapness and vulgarity, the complete degeneration of the dramatic pastoral mode. Living pastoral drama can never come again, for, like the eclogue some two hundred years earlier, it is extinct. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from English Pastoral Drama: From the Restoration to the Date of the Publication of the "Lyrical Ballads" (1660-1798) For many suggestions I am indebted to Professor Margaret Sherwood, ph.d. (yale University), of Wellesley College; some of Miss Sherwood's eriti cisms and comments I have taken almost verbatim. To Miss Helen M. Cady, m.a. (wellesley), I am under great obligations for helping me in my bibliographical work at the Boston Public Library and in England. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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Jeffrey N. Cox refines our conception of 'second generation' Romanticism by placing it within the circle of writers around Leigh Hunt that came to be known as the 'Cockney School'. Offering a theory of the group as a key site for cultural production, Cox challenges the traditional image of the Romantic poet as an isolated figure by recreating the social nature of the work of Shelley, Keats, Hunt, Hazlitt, Byron, and others, as they engaged in literary contests, wrote poems celebrating one another, and worked collaboratively on journals and other projects. Cox also recovers the work of neglected writers such as John Hamilton Reynolds, Horace Smith, and Cornelius Webb as part of the rich social and cultural context of Hunt's circle. This book not only demonstrates convincingly that a 'Cockney School' existed, but shows that it was committed to putting literature in the service of social, cultural, and political reform.