Enid

This is the story of Enid Collins, the famed handbag designer of the 1940s, 50s and 60s. The setting is Spring Valley Ranch, the 400 acres of rugged but beautiful land that she and husband Frederic Collins bought sight unseen in order to pursue a dream of ranching - a dream that wasn't to be. Instead, out of their need to survive, they did what they knew how to do, they made things.In many ways, their remote and rugged lives were far from ours today. In other ways, they were not that different. They succeeded, they struggled, they lived. We begin as spectators watching from a distance but through this story we are beckoned closer - to see what they saw and, indeed, read their journaled thoughts.Through this human story you are invited to examine your own life, to question. You are invited to a place of deeper meaning and purpose.

Louisville-born and nationally renowned sculptor Enid Yandell (1869–1934) was ahead of her time. She began her career when sculpture was considered too physical, too messy, and too masculine for women. Yandell challenged the gender norms of early-twentieth-century artistic practice and became an award-winning sculptor, independent artist, and activist for women's suffrage. This study examines Yandell's life and work: how she grew from a young, Southern dilettante— the daughter of a Confederate medical officer—into a mature, gifted artist who ran in circles with more established male artists in New York and Paris, such as Frederick MacMonnies and Auguste Rodin. At the World's Columbian Exposition in Chicago in 1893, she was one of a select group of women sculptors, known as the White Rabbits, who sculpted the statues and architectural embellishments of the fair. As a result of her success in Chicago, Yandell was commissioned to create a twenty-five foot figure of Pallas Athena for Nashville's Centennial Exposition in 1897. Newspapers hailed it as the largest statue ever created by a woman. Yandell's command of classical subject matter was matched by her abilities with large-scale, figurative works such as the Daniel Boone statue in Cherokee Park, Louisville. In 1898 Yandell was among the first women to be selected for membership in the National Sculpture Society, the first organization of professional sculptors formed in the United States. Presented to coincide with the 150th anniversary of her birth, this study demonstrates the ways in which Yandell was a pioneer and draws attention to her legacy.

London, 1897. When romance author Christopher Price is told by his publisher to write gothic horror - the most fashionable genre at the time - he reluctantly accepts and retreats to his usual country cottage to write the book. Henry, the caretaker of the cottage, welcomes Christopher back with open arms. While researching the old books in the house, he comes across a photograph album with pictures of Henry and his wife, Enid. But Enid is nowhere to be seen, and Henry refuses to talk about her. What is this dark, devilish past that he refuses to dig up?

Enid Bakewell, one of England’s most successful and distinguished women cricketers, was the first woman player to have an article about her in Wisden, in 1970, after an outstanding tour of Australasia. She is now the first female subject in the ACS Lives in Cricket series. Simon Sweetman takes us through Enid’s playing career as an all-rounder and off the field as teacher and coach; and daughter, wife and mother. Articulate, approachable, Enid is a woman rooted in Nottinghamshire who has made friends across the world. She and her generation were true pioneers: when playing for the first time at Lord’s, they didn’t know if women would be allowed into the changing rooms.