Enjoyment Of Laughter

Humor at its best is a somewhat fluid and transitory element, but most books about it are illustrated with hardened old jokes from the comic papers, or classic witticisms jerked out of their context. Max Eastman, in this work, avoids this catastrophe by quoting mainly from contemporary American humor. This is not an anthology in that selections have been made with a view to making a point rather than covering the field. The purpose of Eastman's fabled work is to make the reader laugh. Since his early school days, it has seemed to him that textbooks are wrongly written in that they are conducted in a way which ignores the natural operation of the mind. As a result, the opinion is universal, and under the circumstances a fact, that in order to learn anything you have to study. Since this introduction to humor is itself near to writing a textbook, Eastman uses the very text he constructs to illustrate the manner in which textbooks should be written. Examination and classification of the kinds of humorous experience upon the basis of a theory is a science. As such, this work offers a fair chance to illustrate a method of instruction. However, the distinction between a good joke and a bad one will not prevent the reader from making bad jokes nor enable one to make good ones. There is an artistic and playful element that simply cannot be taught. Enjoyment of Laughter presents a total view of the science of laughter and draws upon some of the great American humorists to do so.

Humor at its best is a somewhat fluid and transitory element, but most books about it are illustrated with hardened old jokes from the comic papers, or classic witticisms jerked out of their context. Max Eastman, in this work, avoids this catastrophe by quoting mainly from contemporary American humor. This is not an anthology in that selections have been made with a view to making a point rather than covering the field. The purpose of Eastman's fabled work is to make the reader laugh. Since his early school days, it has seemed to him that textbooks are wrongly written in that they are conducted in a way which ignores the natural operation of the mind. As a result, the opinion is universal, and under the circumstances a fact, that in order to learn anything you have to study. Since this introduction to humor is itself near to writing a textbook, Eastman uses the very text he constructs to illustrate the manner in which textbooks should be written. Examination and classification of the kinds of humorous experience upon the basis of a theory is a science. As such, this work offers a fair chance to illustrate a method of instruction. However, the distinction between a good joke and a bad one will not prevent the reader from making bad jokes nor enable one to make good ones. There is an artistic and playful element that simply cannot be taught. Enjoyment of Laughter presents a total view of the science of laughter and draws upon some of the great American humorists to do so.

Analyzing the importance of joy, laughter, and cheerfulness in Nietzsche's thought, this volume addresses an under-examined topic in the secondary literature. By exploring disparate aspects of these interrelated emotions it provides new insights into his key ideas. The contributors-among them philosophers and political scientists-illustrate the significance of these feelings to reveal political ramifications of their affirmative potential and their broader role in Nietzsche's philosophical aims. These include how the joyful disposition Nietzsche commends informs his free spirit's self-overcoming, attempts to revalue all values, and prospects of ultimately transfiguring humanity. Among other topics, scholars assess the Übermensch and shared joy, learning to laugh at oneself, Schopenhauer's jokes, Pascal's cheerfulness, and the Dada movement's subversively playful aesthetic. By contemplating Nietzsche's emphasis on joy and laughter, the volume reveals a thinker who, far from being a caricature of hopeless nihilism, is in fact the hitherto unrecognised champion of an alternative liberatory politics.

The rich man’s children ate their good food and grew thinner and more peaked. The Bulosans, next door, went on eating their poor and meagre food, laughed, and grew fat. So the rich man sued Father Bulosan for stealing the spirit of his food. And Father paid him in his own coin, while the laughter of the Bulosans and the judge drove the rich man’s family out of the courtroom. The Bulosans lived in Binalonan, in the Philippine province of Pangasinan. But the episodes of Father’s history that his son Carlos retells belong to universal and timeless comedy. No one can remain unmoved by Father’s excursions into politics, cock-fighting, violin-playing, or the concoction of love-potions. Twenty-four such stories make up the rich and funny collection called The Laughter of My Father. “In the winter of 1939, when I was out of work, I went to San Pedro, California, and stood in the rain for hours with hundreds of men and women hoping to get a place at the fish canneries. To forget the monotony of waiting, I started to write the title story. It was finished when I reached the gate, but the cold hours that followed made me forget many things. “In November, 1942, when there was too much pain and tragedy in the world, I found the story in my hat. I sent it to The New Yorker, a magazine I had not read before, and in three weeks a letter came. ‘Tell us some more about the Filipinos,’ it said. I said, ‘Yes, sir.’ “I wrote about everything that I could remember about my town Binalonan, in the province of Pangasinan. I received letters from my countrymen telling me that I wrote about them and their towns. It came to me that in writing the story of my town, I was actually depicting the life of the peasantry in the Philippines. “These stories and 18 others are now gathered in this volume. For the first time the Filipino people are depicted as human beings. I hope you will enjoy reading about them.”—Carlos Bulosan

Drawing on the authors’ diverse backgrounds and expertise, this is the first academic volume dedicated to the rarely discussed topic of laughter and humour in positive psychology.

Dove's accessible, innovative methods allow readers to reap the benefits of meditation in any situation. Drawing on traditions and teachers, this work synthesizes the needs of contemporary life with attention to the full range of the human experience.