Entangled East And West

Despite increasing scholarship on the cultural Cold War, focus has been persistently been fixed on superpowers and their actions, missing the important role played by individuals and organizations all over Europe during the Cold War years. This volume focuses on cultural diplomacy and artistic interaction between Eastern and Western Europe after 1945. It aims at providing an essentially European point of view on the cultural Cold War, providing fresh insight into little known connections and cooperation in different artistic fields. Chapters of the volume address photography and architecture, popular as well as classical music, theatre and film, and fine arts. By examining different actors ranging from individuals to organizations such as universities, the volume brings new perspective on the mechanisms and workings of the cultural Cold War. Finally, the volume estimates the pertinence of the Cold War and its influence in post-1991 world. The volume offers an overview on the role culture played in international politics, as well as its role in the Cold War more generally, through interesting examples and case studies.

«History has to reorient», as the historian and sociologist Andre Gunder Frank observed. In the global or globalised age, a culture is no longer regarded as a discrete entity, but rather as a hybrid formation that interacts with other cultures in an incessant process of multidirectional exchange. Bringing together «Eastern» and «Western» case studies ranging from the seventeenth to the twenty-first centuries, this volume reminds historians that to conduct transcultural analyses they need to be alert to the multiple ways, comic intents included, in which difference is negotiated within contacts and encounters – from selective appropriation to rejection or resistance.

This book considers the history of the Prester John legend and its impact on the Crusades, investigating its entangled mythical history between East and West during the twelfth and thirteenth centuries. The present study thus responds to the still pressing need for a comprehensive historical investigation of the twelfth and thirteenth crusading history of the legend and its impact on the Muslim-Crusader encounters, examining various Latin, Arabic, Syriac, and Coptic accounts. It further reflects on new eastern aspects of the legend, presenting a new Arab scholarly view. This book first charts a pre-history of the legend in the late ancient Christian prophecy of the Last Emperor down to the emergence of the legend in the mid-twelfth century. Second, the work presents a historical discussion of the legend and its association with actual occurrences in the Far East and the Levant, analysing the legend history under the crusading crisis and the imperial papal schism in Europe. Meanwhile, the work considers the vague Prester John Letter addressed to Manuel I Komnenus, Byzantine Emperor, and its elaborate conception of a mythical eastern kingdom, revealing imaginative parallels on the wondrous East and legendary Eastern Christian kings in Arabic Muslim and Christian accounts of the Muslim geographer and cartographer al-Idrisi, the Coptic Abu al-Makarim and the Syriac Ibn al-'Ibri (Bar Hebraeus), among others. Moreover, the book examines how the legend impacted war and peace processes between the Ayyubids and the Crusaders during the Fifth Crusade against Egypt (1217-1221), revealing how it was mingled with Arabic and Eastern Christian prophecies at the time. The study concludes by investigating the perception of Prester John by the papal and European envoys to the Mongols in the thirteenth century, revealing how the legend was instrumentalised (and even weaponised) to establish a Latin-Mongol crusade through a parallel exploration of relevant Latin, Arabic and Syriac sources.

Cold War history has emphasized the division of Europe into two warring camps with separate ideologies and little in common. This volume presents an alternative perspective by suggesting that there were transnational networks bridging the gap and connecting like-minded people on both sides of the divide. Long before the fall of the Berlin Wall, there were institutions, organizations, and individuals who brought people from the East and the West together, joined by shared professions, ideas, and sometimes even through marriage. The volume aims at proving that the post-WWII histories of Western and Eastern Europe were entangled by looking at cases involving France, Denmark, Poland, Romania, Switzerland, and others.

Since the rise of Putin, many have puzzled by the strange affinity of the far right in the West for today's authoritarian Russia. Entangled Far Rights explores the deep roots of this phenomena and reveals it to be a running thread through the entire history of the long 20th century and present regardless of the changing political character of Russia's regimes.

The exchange of landscape practice between China and Europe from 1500–1800 is an important chapter in art history. While the material forms of the outcome of this exchange, like jardin anglo-chinoisand Européenerie are well documented, this book moves further to examine the role of the exchange in identity formation in early modern China and Europe. Proposing the new paradigm of “entangled landscapes”, drawing from the concept of “entangled histories”, this book looks at landscape design, cartography, literature, philosophy and material culture of the period. Challenging simplistic, binary treatments of the movements of “influences” between China and Europe, Entangled Landscapes reveals how landscape exchanges entailed complex processes of appropriation, crossover and transformation, through which Chinese and European identities were formed. Exploring these complex processes via three themes—empire building, mediators’ constraints, and aesthetic negotiations, this work breaks new ground in landscape and East-West studies. Interdisciplinary and revisionist in its thrust, it will also benefit scholars of history, human geography and postcolonial studies.

This edited volume analyses European socialist countries’ strategy of engagement with the West and the European Economic Community in the long 1970s. The book focuses on a time when the socialist regimes of Central and Eastern Europe banked their hopes for prosperity and stability on enhanced relations with the West. Crossing the traditional differences among diverse fields of historiography, it assesses the complex influence of European and global processes of transformation on the socialist elites’ reading of the international political and economic environment and their consequent decision-making. The volume also explores the debate in each country among and within the elites involved in policymaking as they elaborated this strategic view and coped with shortcomings and unexpected turns. A comparative analysis of national cases shows a shared logic and common patterns, together with national variations and a plurality of views on the desirability of exchanges with their capitalist neighbours and on the ways to promote them. The multinational coverage of seven countries makes this volume a starting point for anyone interested in each socialist state’s foreign policy, intra-bloc relations, economic strategy, transformation and collapse, relations with the European Community and access to the EU. This book will be of much interest to students and researchers of Cold War Studies, European history, and International Relations. The Open Access version of this book, available at https://www.routledge.com/European-Socialist-Regimes-Fateful-Engagement-with-the-West-National-Strategies/Romano-Romero/p/book/9780367356170, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.

Why were Hollywood producers eager to film on the other side of the Iron Curtain? How did Western computer games become popular in socialist Czechoslovakia's youth paramilitary clubs? What did Finnish commercial television hope to gain from broadcasting Soviet drama? Cold War media cultures are typically remembered in terms of an East-West binary, emphasizing conflict and propaganda. Remapping Cold War Media, however, offers a different perspective on the period, illuminating the extensive connections between media industries and cultures in Europe's Cold War East and their counterparts in the West and Global South. These connections were forged by pragmatic, technological, economic, political, and aesthetic forces; they had multiple, at times conflicting, functions and meanings. And they helped shape the ways in which media circulates today—from film festivals, to satellite networks, to coproductions. Considering film, literature, radio, photography, computer games, and television, Remapping Cold War Media offers a transnational history of postwar media that spans Eastern and Western Europe, the Nordic countries, Cuba, the United States, and beyond. Contributors draw on extensive archival research to reveal how media traveled across geopolitical boundaries; the processes of translation, interpretation, and reception on which these travels depended; and the significance of media form, content, industries, and infrastructures then and now.