Entertainment In The Performing Arts

Alice Marshall explores the question ‘What do you think entertainment is?’ by challenging the reader to consider and form their own views through the provision of interviews, professional opinions and researched topics. Entertainment in the Performing Arts explores a range of sources to enable the reader to develop their own knowledge and understanding of what entertainment equates to. This book provides helpful starting points, including a range of perspectives from interviewed artists, to allow the reader to begin answering this key question for themselves. Throughout the chapters, the reader is presented with guided tasks to allow full immersion in the topics discussed. The author explores why we have an inbuilt need to entertain and be entertained, navigates the reader through the technological enhancements that have altered how we do this, discusses how audience gratification is not always key in entertainment and, furthermore, aims to expertly decipher what the word ‘entertainment’ specifically means. This is an essential text for students of performing arts courses, artists aiming to develop their understanding of their practice and for those with an interest in entertainment.

This book is designed to challenge the reader consider the question 'what do you think is entertainment?'

What is it about musical theatre that audiences find entertaining? What are the features that lead to its ability to stimulate emotional attachment, to move and to give pleasure? Beginning from the passion musical theatre performances arouse and their ubiquity in London's West End and on Broadway this book explores the ways in which musical theatre reaches out to and involves its audiences. It investigates how pleasure is stimulated by vocal, musical and spectacular performances. Early discussions centre on the construction of the composed text, but then attention is given to performance and audience response. Musical theatre contains disruptions and dissonances in its multiple texts, it allows gaps for audiences to read playfully. This combines with the voluptuous sensations of embodied emotion, contagiously and viscerally shared between audience and stage, and augmented through the presence of voice and music. A number of features are discovered in the construction of musical theatre performance texts that allow them to engage the intense emotional attachment of their audiences and so achieve enormous popularity. In doing this, the book challenges the conception of musical theatre as 'only entertainment'. Entertainment instead becomes a desirable, ephemeral and playful concept.

Performing arts and entertainment is where the stars are! The variety of jobs in this industry is vast, spanning theatre, television, film and radio. Whether you want to tread the boards, produce films or light the action, this book is for you. Industry insider Debbie Davidson shares the secrets of breaking into the performing arts industry and helps you discover why there's no business like show business!Inside you'll find: interviews with arts and entertainment professionals a wealth of job descriptions the educational and training opportunities available institutions offering relevant courses how and where to get that job tips to prepare a winning resume and to impress at job interviews

A guide to the appreciation and practice of the varied forms of live performance and entertainment. Includes theatre, opera, ballet, mime, and magic among others.

Children have been exploited as performers and wooed energetically as consumers throughout history. These essays offer scholarly investigations into the employment and participation of children in the entertainment industry with examples drawn from historical and contemporary contexts.

This book traces the deployment of intermedial aesthetics in the works of early twentieth-century female performers. By destabilizing medial and genre boundaries, these women created compelling and meaningful performances that negotiated turn-of-the-century American social and cultural issues.

David and Ake E. Andersson's book will appeal to scholars and researchers at all levels of academe involved in economics, public sector economics and those with a special interest in art and/or entertainment. Public and private sector managers, planners and administrators in various art and entertainment industries will also find much to engage them within this book.