Envisioning Disease Gender And War

Chapter 6 The 1918 Influenza Pandemic in the Developing World: Elechi Amadi and Buchi Emecheta's Occluded Vision -- Epilogue Loss, Contagion, and Community -- Notes -- Index

After surviving a severe case of influenza in 1918, Katherine Anne Porter observed, 'It simply divided my life, cut across it.' The 1918 influenza pandemic spanned the volatile early twentieth century, a time period that included the end of World War I and the granting of female suffrage in the Western world. Focusing on major novels and essays by Willa Cather, Katherine Anne Porter, and Virginia Woolf, this work examines how narratives by women writers engage the 1918 influenza pandemic, emphasizing vision as compensation for losses of both war and disease. Drawing on World War I posters, poetry, songs, drawings, and photographs, the argument offers a persuasive framework for connecting war, disease, and gender to the shock of the modern in twentieth-century culture.

This critical study illuminates the neglected intersection of war, disease, and gender as represented in an important subgenre of World War I literature. It calls into question public versus private perceptions of time, mass media, urban spaces, emotion, and the increasingly uncertain status of the future.

This critical study illuminates the neglected intersection of war, disease, and gender as represented in an important subgenre of World War I literature. It calls into question public versus private perceptions of time, mass media, urban spaces, emotion, and the increasingly uncertain status of the future.

The influenza pandemic of 1918–1919 took the lives of between 50 and 100 million people worldwide, and the United States suffered more casualties than in all the wars of the twentieth and twenty-first centuries combined. Yet despite these catastrophic death tolls, the pandemic faded from historical and cultural memory in the United States and throughout Europe, overshadowed by World War One and the turmoil of the interwar period. In Viral Modernism, Elizabeth Outka reveals the literary and cultural impact of one of the deadliest plagues in history, bringing to light how it shaped canonical works of fiction and poetry. Outka shows how and why the contours of modernism shift when we account for the pandemic’s hidden but widespread presence. She investigates the miasmic manifestations of the pandemic and its spectral dead in interwar Anglo-American literature, uncovering the traces of an outbreak that brought a nonhuman, invisible horror into every community. Viral Modernism examines how literature and culture represented the virus’s deathly fecundity, as writers wrestled with the scope of mass death in the domestic sphere amid fears of wider social collapse. Outka analyzes overt treatments of the pandemic by authors like Katherine Anne Porter and Thomas Wolfe and its subtle presence in works by Virginia Woolf, T. S. Eliot, and W. B. Yeats. She uncovers links to the disease in popular culture, from early zombie resurrection to the resurgence of spiritualism. Viral Modernism brings the pandemic to the center of the era, revealing a vast tragedy that has hidden in plain sight.

This text explores a variety of themes developed from successive years of the University of California, Davis, multidisciplinary graduate conference. It draws out connections on a wide array of topics among the arts, humanities, and sciences in history for multidisciplinary study. This text presents a rare forum for multidisciplinary connections researched and presented by junior specialists in their respective fields. It enables both creativity and flexibility in drawing out connections that are frequently overlooked by more specialized senior scholars. This book is a unique exercise in the promotion of junior scholarly achievement and multidisciplinary research.

The influenza pandemic of 1918-1919--the worst widespread outbreak in recorded history--claimed an estimated 100 million lives globally. Yet only in recent decades has it captured the attention of historians, scientists, and fiction writers. This study surveys influenza research over the last century in original scientific and historical documents and establishes a critical paradigm for the appreciation of influenza fiction. Through close readings of 15 imaginative works, the author elucidates the contents of and the interaction between the medical and the fictional. Coverage extends from Pfeiffer's 1892 bacillus theory, to the multidisciplinary effort to isolate the virus (1919-1933), to the reconstruction of the H1N1 viral genome from archival and exhumed RNA (1995-2005), to the emergence of H5N1 and H7N9 avian viruses (1997-2014).This book demonstrates that pandemic fiction has been more than a therapeutic medium for survivors. A prodigious resource for the history of medicine, it is also a forum for ethical, social, legal, national defense and public health issues.

The First World War has given rise to a multifaceted cultural production like no other historical event. This handbook surveys British literature and film about the war from 1914 until today. The continuing interest in World War I highlights the interdependence of war experience, the imaginative re-creation of that experience in writing, and individual as well as collective memory. In the first part of the handbook, the major genres of war writing and film are addressed, including of course poetry and the novel, but also the short story; furthermore, it is shown how our conception of the Great War is broadened when looked at from the perspective of gender studies and post-colonial criticism. The chapters in the second part present close readings of important contributions to the literary and filmic representation of World War I in Great Britain. All in all, the contributions demonstrate how the opposing forces of focusing and canon-formation on the one hand, and broadening and revision of the canon on the other, have characterised British literature and culture of the First World War.