Er S Song And Philosophy In Plato

Erôs, Song and Philosophy in Plato raises critical issues regarding how Plato treats song and philosophy in erotic contexts in his attempt to rewrite, to some degree, the cultural tradition. A question that seems to be repeatedly raised throughout the Platonic dialogues is why it is precisely song that needs to be put aside before we can start doing philosophy – as a more serious and perfect kind of song. This book highlights the importance of this key thematic clust of beauty,erôs, and song. Chara Kokkiou argues that there is a constant interplay among erotic, musical-poetic and spatial motifs and the way those are incorporated into the very essence of philosophical dialectic is indicative of the unique nature of Plato’s philosophy. Her analysis centers on paiderastiaand mousikos erôs, which, if thoroughly purified, contribute significantly to the composition of Socrates’ portrait as mousikos philosophos. The Socratic philosophical logos displays reformed erotic and song-authorized patterns, such as inspiration and healing. Through a close reading of certain Platonic passages and detailed attention to both choral and mythical motifs in the eschatological myths of Republic and Phaedo, and to the descriptions of locus amoenus in Phaedrus and Laws, Kokkiou demonstrates that Plato, through his painstakingly purged philosophical model, delineates the route towards the creation of a cultural and intellectual ideal. In this way, he establishes a dominant philosophical authority.

The Philosopher's Song is a full-length treatment of Plato and the dynamic course of his philosophical thought, regarded from a distinctly poetic point of view. Kevin Crotty demonstrates how Plato's invention of philosophy needs to be situated within the context of a society where poets were cultural authorities, whose teachings emphasized such tragic themes as the instability of things and the indeterminacy of moral terms. The interest of Plato's philosophy lies to a great extent in the compelling interest of what he sought to repress-the poetic and political heritage of a world tragically conceived. Plato's attacks on the poets are notorious. Despite his apparently frank hostility, however, his relation to the poets was exceedingly complex, argues Crotty. Even the banishment of the poets in the Republic turns out to be, more deeply, a recruitment of mimetic poetry for Plato's metaphysics. Once endowed with a metaphysical significance, however, the poets posed a serious challenge to Platonic idealism, and spurred Plato to revise considerably his metaphysical scheme. Crotty ultimately concludes that the views of politics and ethics in Plato's later works return in many ways to the insights of the poets.

Examines the role of myth in Plato's Phaedrus, arguing that it leads readers to participate in Plato's dialogues and to engage in self-examination.

Faced with the difficult task of discerning Plato’s true ideas from the contradictory voices he used to express them, scholars have never fully made sense of the many incompatibilities within and between the dialogues. In the magisterial Plato’s Philosophers, Catherine Zuckert explains for the first time how these prose dramas cohere to reveal a comprehensive Platonic understanding of philosophy. To expose this coherence, Zuckert examines the dialogues not in their supposed order of composition but according to the dramatic order in which Plato indicates they took place. This unconventional arrangement lays bare a narrative of the rise, development, and limitations of Socratic philosophy. In the drama’s earliest dialogues, for example, non-Socratic philosophers introduce the political and philosophical problems to which Socrates tries to respond. A second dramatic group shows how Socrates develops his distinctive philosophical style. And, finally, the later dialogues feature interlocutors who reveal his philosophy’s limitations. Despite these limitations, Zuckert concludes, Plato made Socrates the dialogues’ central figure because Socrates raises the fundamental human question: what is the best way to live? Plato’s dramatization of Socratic imperfections suggests, moreover, that he recognized the apparently unbridgeable gap between our understandings of human life and the nonhuman world. At a time when this gap continues to raise questions—about the division between sciences and the humanities and the potentially dehumanizing effects of scientific progress—Zuckert’s brilliant interpretation of the entire Platonic corpus offers genuinely new insights into worlds past and present.

The Routledge Handbook of Women and Ancient Greek Philosophy is an essential reference source for cutting-edge scholarship on women, gender, and philosophy in Greek antiquity. The volume features original research that crosses disciplines, offering readers an accessible guide to new methods, new sources, and new questions in the study of ancient Greek philosophy and its multiple afterlives. Comprising 40 chapters from a diverse international group of experts, the Handbook considers questions about women and gender in sources from Greek antiquity spanning the period from 7th c. BCE to 2nd c. BCE, and in receptions of Greek antiquity from the Roman Imperial period, through the European Renaissance to the current day. Chapters are organized into five major sections: I. Early Greek antiquity – including Sappho, Presocratic philosophy, Sophists, and Greek tragedy – 700s–400s BCE II. Classical Greek antiquity – including Aeschines, Plato, and Xenophon – 400s–300s BCE III. Late Classical Greek to Hellenistic antiquity – including Cyrenaics, Cynics, the Hippocratic corpus, and Aristotle – 300s–200s BCE IV. Late Greek antiquity to Roman Imperial period – including Pythagorean women, Stoics, Pyrrhonian Skeptics, and late Platonists – 200s BCE to 700s CE V. Later receptions – including Shakespeare, the European Renaissance, Anna Julia Cooper, W.E.B. DuBois, Jane Harrison, Sarah Kofman, and Toni Morrison The Routledge Handbook of Women and Ancient Greek Philosophy is a vital resource for students and scholars in philosophy, Classics, and gender studies who want to gain a deeper understanding of philosophy’s rich past and explore sources and questions beyond the traditional canon. The volume is a valuable resource, as well, for students and scholars from history, humanities, literature, political science, religious studies, rhetorical studies, theatre, and LGBTQ and sexuality studies.

The dialogue has disappeared as a mode of writing philosophy, and philosophers who study Plato today often ignore the form in which Plato's work appears in favor of reconstructing and analyzing arguments thought to be conveyed by the content of the dialogues. A distinguished classicist here offers an approach to understanding Plato that tries to do full justice to the form of Platonic philosophy, appreciated against the background of Greek literature and history, while also giving proper due to the important philosophic content of the dialogues. The book deals in turn with Plato's relation to and portraits of Socrates, the literary and philosophical character of the dialogues (including the problems of interpreting a philosopher who never speaks in his own name), and the modes of argumentation employed in the dialogues as well as some of their major themes.

This collection, focusing on literary aspects of the Platonic dialogues, includes diverse essays by scholars from several different fields. Topics include friendship and desire in the Lysis, Socratic irony in Cratylus, and mystery imagery in Phaedrus.