Erika And The Mermaids

Erika, a young girl, walking along a deserted beach, finds an injured and dying mermaid, carries her home, and nurses her back to health. Once her body is whole again, Maari, the mermaid is able to turn herself into a human girl. When she gets homesick, Erika and her Dad take her home to the island of Tiki-roa. Several years later Erika returns to Tiki-roa. They often play at the girls secret lagoon, in a cave of the ancient Maoris, and on Skull Mountain, where they encounter a huge flightless moa bird, and find a cave with pirates treasure of pearls. At the end of her stay Erika meets Maaris mother, the mermaid Cyrena, and her father, Jupiter, mighty ruler of all the oceans. In gratitude for saving their daughters life they bestow upon Erika the power to turn herself into a mermaid.

From Erika Swyler, author of The Book of Speculation—one of BuzzFeed’s Best Fiction Books of 2015-- a short story of a mermaid who ran away from the circus, and what happened when she started a life on land. Before she was a suburban wife and mother, Paulina Watson was the Mermaid Girl of Carnival Lareille. She traveled everywhere with two boxes: the first with red sequins for the dress she wore as a magician’s assistant, the second with green sequins for her mermaid tail. She'd grown up on wild stories told by wild circus people. Books, she hadn’t had books until she’d found Daniel Watson and stopped moving. The first time Daniel saw her, Paulina was floating in a glass tank, suspended in water that sparkled like it was made from night sky. She has settled down now, living in a house on a cliff on Long Island Sound with Daniel and their young family: six-year-old Simon and his baby sister, Enola. But if you steal the magician’s assistant from a carnival, how can you know if she’ll disappear?

One of BuzzFeed's 24 Best Fiction Books of 2015 "As Simon, a lonely research librarian, searches frantically for the key to a curse that might be killing the women in his family, he learns strange and fascinating secrets about their past. A tale full of magic and family mystery, The Book of Speculation will keep you up all night reading."—Isaac Fitzgerald, BuzzFeed Simon Watson, a young librarian, lives alone in a house that is slowly crumbling toward the Long Island Sound. His parents are long dead. His mother, a circus mermaid who made her living by holding her breath, drowned in the very water his house overlooks. His younger sister, Enola, ran off six years ago and now reads tarot cards for a traveling carnival. One June day, an old book arrives on Simon's doorstep, sent by an antiquarian bookseller who purchased it on speculation. Fragile and water damaged, the book is a log from the owner of a traveling carnival in the 1700s, who reports strange and magical things, including the drowning death of a circus mermaid. Since then, generations of "mermaids" in Simon's family have drowned--always on July 24, which is only weeks away. As his friend Alice looks on with alarm, Simon becomes increasingly worried about his sister. Could there be a curse on Simon's family? What does it have to do with the book, and can he get to the heart of the mystery in time to save Enola? In the tradition of Sara Gruen's Water for Elephants, Erin Morgenstern's The Night Circus, and Elizabeth Kostova's The Historian, The Book of Speculation--with two-color illustrations by the author--is Erika Swyler's moving debut novel about the power of books, family, and magic.

More than a century ago, lighthouse keeper Linus Harris left his beloved wife and waded into the ocean with three other men to reunite with their mermaid lovers. The mysterious Mermaid Mutiny of 1888 has become legend for the residents of Cradle Harbor, Maine, honored by the town’s Mermaid Festival every August, when wind chimes are hung from seaside porches to drown out the alluring sound of mermaid song. For thirty-five-year-old Tess Patterson, the legend is more than folklore; it’s proof of life’s magic. A hopeless romantic who is profoundly connected to the ocean in which she lost her mother, Tess ekes out a living as a wood-carver and longs to find a love as mystical as the sea. But when she’s hired to carve the commemorative mermaid sculpture for the coming festival, a chance to win the town’s elusive acceptance might finally be in her grasp. For Tom Grace, life’s magic was lost at eighteen, when the death of his parents left him to care for his reckless brother, Dean. Now thirty-five and the new owner of Cradle Harbor’s prized lightkeeper’s house, Tom hopes the quiet town will calm Dean’s self-destructive ways. But when Tom discovers Tess working on her sculpture, an unlikely and passionate affair ignites between them that just might be the stuff of legend itself—even as it brings to the surface a long-buried secret that could tear everything apart. CONVERSATION GUIDE INCLUDED

Magical Mermaids Notebook / Cute Journal for Girls / 6x9 inch / 108 lined pages Great little gift idea for girls, teenagers, kids, adults and best friends. Get this mermaid themed journal for school, as mermaid party supply or as a diary for your private notes. Ideal for note-taking, writing, ideas, diary entries, to-do lists, addresses, personal thoughts, as a travel diary, recipe book and inspirational journal for all girls. PRODUCT DETAILS: 6 x 9 size Premium paperback design Colorful mermaid themed cover with glossy finish 108 pages Lined cream white paper perfect for journaling or note taking

Dive into centuries of mermaid lore with these captivating tales from around the world. A Penguin Classic Among the oldest and most popular mythical beings, mermaids and other merfolk have captured the imagination since long before Ariel sold her voice to a sea witch in the beloved Disney film adaptation of Hans Christian Andersen's "The Little Mermaid." As far back as the eighth century B.C., sailors in Homer's Odyssey stuffed wax in their ears to resist the Sirens, who lured men to their watery deaths with song. More than two thousand years later, the gullible New York public lined up to witness a mummified "mermaid" specimen that the enterprising showman P. T. Barnum swore was real. The Penguin Book of Mermaids is a treasury of such tales about merfolk and water spirits from different cultures, ranging from Scottish selkies to Hindu water-serpents to Chilean sea fairies. A third of the selections are published here in English for the first time, and all are accompanied by commentary that explores their undercurrents, showing us how public perceptions of this popular mythical hybrid--at once a human and a fish--illuminate issues of gender, spirituality, ecology, and sexuality.

Erika Magnus is a 14-year-old stirrer with complete confidence that she alone knows best. So, when her homesick sister Sif longs to return home to the island of Rongo, Erika successfully plots to get her there, and runs away to join her shortly after. Arriving on the island she finds the locals frightened by the changes happening to their world, and the cracks beginning to form in their once-perfect environment. However, it isn't only Erika's home that needs her attention, Sif has caught the eye of Henry Jacka, a young American shell-collector, and Erika decides that won't do at all. But Henry has already guessed the secret of Sif's and Erika's family. He can hardly believe his eyes. He can hardly believe his own scientific conclusion.

We no longer ascribe the term ’mermaid’ to those we deem sexually or economically threatening; we do not ubiquitously use the mermaid’s image in political propaganda or feature her within our houses of worship; perhaps most notably, we do not entertain the possibility of the mermaid’s existence. This, author Tara Pedersen argues, makes it difficult for contemporary scholars to consider the mermaid as a figure who wields much social significance. During the early modern period, however, this was not the case, and Pedersen illustrates the complicated category distinctions that the mermaid inhabits and challenges in 16th-and 17th-century England. Addressing epistemological questions about embodiment and perception, this study furthers research about early modern theatrical culture by focusing on under-theorized and seldom acknowledged representations of mermaids in English locations and texts. While individuals in early modern England were under pressure to conform to seemingly monolithic ideals about the natural order, there were also significant challenges to this order. Pedersen uses the figure of the mermaid to rethink some of these challenges, for the mermaid often appears in surprising places; she is situated at the nexus of historically specific debates about gender, sexuality, religion, the marketplace, the new science, and the culture of curiosity and travel. Although these topics of inquiry are not new, Pedersen argues that the mermaid provides a new lens through which to look at these subjects and also helps scholars think about the present moment, methodologies of reading, and many category distinctions that are important to contemporary scholarly debates.