Eros At Dusk

Eros at Dusk analyses the relationship between wedding poetry and love poetry in the ancient world. These two genres share and borrow themes to seduce brides as if they were beloveds and to praise mistresses as if they were brides, demonstrating deep-seated ancient notions about legitimate and illegitimate sexual relationships.

This collection of new translations of eighty poems provides a pleasant, thought-provoking reminder of love’s vagaries as captured through the wit, charm, and insight of the master poets of antiquity. All the emotions and experiences associated with love—rejection, infatuation, ecstasy, desperation, loneliness—are rendered accessible to contemporary readers through this lively, modern, yet faithful English translation of works that date from the seventh century B.C.to the sixth century A.D.Illustrations accompany the poetry of Plato, Sappho, Stratto, Meleagros, and others, capturing both the flavor of the age and the theme of the texts.

The world cannot fear what it does not know; a fact that has allowed the people of Dusk to exist in relative peace for centuries. Hidden behind a shroud of mystery on the distant continent of Xulrathia, the southern Kingdom is home to the most devout followers of Ayrelon's god and goddess of death; who take their church quite literally. Few know the true nature of Dusk's citizens, and fewer know the true nature of Queen Mordessa, the demonic creature who rules them.The only threat the immortal residents of Dusk might fear lies to the north, hiding within a veil of secrecy, deep within the Talaani Empire. Their ancient war long abandoned for reasons they cannot remember, Dusk's Undead and Unliving residents live in relative peace, completely unaware of what their Queen has done to hold the terrible, scaled empire at bay. Fate's memory is less forgiving. Relentless be the drive of a Kingdom made from bone. Vengeance be their fear, as Dragons wake from stone.

Inside Ancient Greece provides readers with a comprehensive introduction to one of the most fascinating cultures of the ancient world. Each title focuses on specific aspects of life in ancient Greece, and offers vivid close-ups of its art and architecture, history, literature, government, religion and mythology, warfare, and more. This volume introduces the beliefs and myths of the ancient Greeks and retells some of their most well-known tales.

The word, Eros, names not only a Greek god of love, but also an asteroid! What does an ecstatic filled epiphany of empathic compassionate fulfillment have to do with a hard and lifeless, rocky chunk of matter? Eros: Faces of Love fearlessly enters the spiral labyrinth of this paradox. With penetratingly tender reflection and bold confessional scrutiny, the author ponders whether love is the arrival of a “longed for gift” or the disaster of “an unexpected meteor”. As sensual descriptions reveal the ecstatic delight of “islands of paradise”, passionate metaphors uncover rocky “hidden coves of scorn”. Can unsettled dreams temper the hectic race to make space ‘to love’? Can fond remembrances call one home to rest and simply let space open ‘for love’? Eros: Faces of Love opens the space of the heart for both the lover and the beloved to find out.

The fruit of a decade’s research, this volume offers a new interpretation of the dense Christological narrative in Philippians 2:6–11, taking inspiration from recent advances in our understanding of the letter’s Greek and Roman setting and from insights made possible by recently created linguistic databases (such as TLG and PHI). The passage’s praise of Christ engages the language of Hellenistic ruler cults, Platonic metaphysics and moral philosophy, popular (Homeric) beliefs about the gods, and Greek love (eros), to articulate a scripturally grounded theology in which God is revealed to be one in two persons (God the Father and LORD Jesus Christ). The volume also explores hitherto unseen ways in which the central Christ Hymn is tightly connected to the rest of Paul’s argument. The hymn presents Christ as an epitome of the ideals of Greek (and Roman) virtue, to support Paul’s summoning his readers to a life of praiseworthy and exemplary civic conduct (in 1:27). New or recently proposed translations are advanced for numerous words and phrases (in, e.g., 1:8, 11, 27; 2:3, 4, 6, 11; 3:2, 4) and a new (non-Stendahlian) approach to Paul’s boasting in 3:4–6, that is Christological rather than biographical, is put forward.

Olga Broumas has chosen poems from the full range of Odysseas Elytis's Nobel Prize-winning poetry, including his early work when he was associated with the Surrealists, to the entirety of his long poem The Little Mariner, as well as a previously unavailable selection of his last poems, written shortly before his death in 1996. Elytis himself offers the best description of his work: If a separate personal Paradise exists for each of us, mine must be irreparably planted with trees of words which the wind silvers like poplars, by people who see their confiscated justice given back, and by birds that even in the midst of the truth of death insist on singing in Greek and saying eros, eros, eros.