How Far The Light Reaches

A fascinating tour of creatures from the surface to the deepest ocean floor: this "miraculous, transcendental book" invites us to envision wilder, grander, and more abundant possibilities for the way we live (Ed Yong, author of An Immense World). A queer, mixed race writer working in a largely white, male field, science and conservation journalist Sabrina Imbler has always been drawn to the mystery of life in the sea, and particularly to creatures living in hostile or remote environments. Each essay in their debut collection profiles one such creature, including: ·the mother octopus who starves herself while watching over her eggs, ·the Chinese sturgeon whose migration route has been decimated by pollution and dams, ·the bizarre, predatory Bobbitt worm (named after Lorena), ·the common goldfish that flourishes in the wild, ·and more. Imbler discovers that some of the most radical models of family, community, and care can be found in the sea, from gelatinous chains that are both individual organisms and colonies of clones to deep-sea crabs that have no need for the sun, nourished instead by the chemicals and heat throbbing from the core of the Earth. Exploring themes of adaptation, survival, sexuality, and care, and weaving the wonders of marine biology with stories of their own family, relationships, and coming of age, How Far the Light Reaches is a shimmering, otherworldly debut that attunes us to new visions of our world and its miracles. WINNER OF THE LOS ANGELES TIMES BOOK PRIZE in SCIENCE & TECHNOLOGY Finalist for the Lambda Literary Award One of TIME’s 10 Best Nonfiction Books of the Year • A PEOPLE Best New Book • A Barnes & Noble and SHELF AWARENESS Best Book of 2022 • An Indie Next Pick • One of Winter’s Most Eagerly Anticipated Books: VANITY FAIR, VULTURE, BOOKRIOT

Get the Summary of Sabrina Imbler's How Far the Light Reaches in 20 minutes. Please note: This is a summary & not the original book. "How Far the Light Reaches" by Sabrina Imbler is a collection of personal essays that intertwine the author's experiences with broader environmental and societal themes. Imbler reflects on their youth, activism, and the transformation of landscapes, drawing parallels between their life and the adaptability of species like goldfish and deep-sea creatures. The narrative explores Imbler's journey of self-discovery, touching on their biracial identity, queer experiences, and the complexities of body image...

Through intertwined threads of autofiction, lyric science writing, and the tale of a newly queer Hawaiian volcano, Sabrina Imbler delivers a coming out story on a geological time scale. This is a small book that tackles large, wholly human questions--what it means to live and date under white supremacy, to never know if one is loved or fetishized, how to navigate fierce desires and tectonic heartbreak through the rise and eventual eruption of a first queer love. "When two galaxies stray too near each other, the attraction between them can be so strong that the galaxies latch on and never let go. Sometimes the pull triggers head-on wrecks between stars--galactic collisions--throwing bodies out of orbit, seamlessly into space. Sometimes the attraction only creates a giant black hole, making something whole into a kind of missing." In vivid, tensile prose, Dyke (geology) subverts the flat, neutral language of scientific journals to explore what it means to understand the Earth as something queer, volatile, and disruptive.

First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.

This extraordinary handbook was inspired by the distinctive concerns of anthropologists and others who film people in the field. The authors cover the practical, technical, and theoretical aspects of filming, from fundraising to exhibition, in lucid and complete detail—information never before assembled in one place. The first section discusses filmmaking styles and the assumptions that frequently hide unacknowledged behind them, as well as the practical and ethical issues involved in moving from fieldwork to filmmaking. The second section concisely and clearly explains the technical aspects, including how to select and use equipment, how to shoot film and video, and the reasons for choosing one or the other, and how to record sound. Finally, the third section outlines the entire process of filmmaking: preproduction, production, postproduction, and distribution. Filled with useful illustrations and covering documentary and ethnographic filmmaking of all kinds, Cross-Cultural Filmmaking will be as essential to the anthropologist or independent documentarian on location as to the student in the classroom.

Aimed at beginners, Foundation Course: Landscape Photography is part of a series of tutorials that explain the basic skills and techniques of photography in relation to a specific subject area. Each book is divided into six main sections: Basics, Lessons, Revision, Project, Analysis and Progress. The concept of photography is presented in a concise, easy-to-follow manner. There's information on the types of camera, lenses, tripods, filters and other useful accessories; the basics of exposure, metering, aperture and shutter speed, ISO, dynamic range and using filters. There is also information on colour and composition, including the effects of light, the effects of colour on the perception of a photograph, and the basic 'rules' of composition.

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