Escape To Hell And Other Stories

In the present texts, aside from the views as a revolutionary and a prophet, we discover Quaddafi as a writer and an essayist.

Allan Carpenter escaped from hell once but remained haunted by what he saw and endured. He has now returned, on a mission to liberate those souls unfairly tortured and confined. Partnering with the legendary poet and suicide, Sylvia Plath, Carpenter is a modern-day Christ who intends to harrow hell and free the damned. But now that he's returned to this Dantesque Inferno, can he ever again leave? At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

"Alfred Wetzler was a true hero. His escape from Auschwitz, and the report he helped compile, telling for the first time the truth about the camp as a place of mass murder, led directly to saving the lives of 120,000 Jews: the Jews of Budapest who were about to be deported to their deaths. No other single act in the Second World War saved so many Jews from the fate that Hitler and the SS had determined for them. This book tells Wetzler's story." - Sir Martin Gilbert "Wetzler is a master at evoking the universe of Auschwitz, and especially, his and Vrba's harrowing flight to Slovakia. The day-by-day account of the tremendous difficulties the pair faced after the Nazis had called off their search of the camp and its surroundings is both riveting and heart wrenching. ...] Shining vibrantly through the pages of the memoir are the tenacity and valor of two young men, who sought to inform the world about the greatest outrage ever committed by humans against their fellow humans." - From Introduction by Dr Robert Rozett] Together with another young Slovak Jew, both of them deported in 1942, the author succeeded in escaping from the notorious death camp in the spring of 1944. There were some very few successful escapes from Auschwitz during the war, but it was these two who smuggled out the damning evidence - a ground plan of the camp, constructional details of the gas chambers and crematoriums and, most convincingly, a label from a canister of Cyclone gas. The present book is cast in the form of a novel to allow factual information not personally collected by the two fugitives, but provided for them by a handful of reliable friends, to be included. Nothing, however, has been invented. It is a shocking account of Nazi genocide and of the inhuman conditions in the camp, but equally shocking is the initial disbelief the fugitive's revelations met with after their return. Ewald Osers has translated over 150 books and received many translation prizes and honours.

A damned man struggles to find meaning in a library, the dimensions of which are measured in light years.

I read No Exit in my early twenties, and I remember thinking hell might very well be other people, okay, sure, but under what far-fetched conditions would anyone ever actually be trapped forever in the company of strangers with no sleep or means of escape? Then I became a parent. From Deborah Copaken Kogan, the acclaimed author of the national bestseller Shutterbabe, comes this edgy, insightful, and sidesplitting memoir about surviving in the trenches of modern parenting. Kogan writes situation comedy in the style of David Sedaris and Spalding Gray with a dash of Erma-Bombeck-on-a-Vespa: wry, acutely observed, and often hilarious true tales, in which the narrator is as culpable as any character. In these eleven linked pieces, Kogan and her husband are almost always broke while working full-time and raising three children in New York City, one of the most expensive and competitive cities in the world. In one episode, exhausted from a particularly difficult childbirth, Kogan finds herself sharing a hospital room with a foul-mouthed teen mother and her partying posse. In another, Kogan manages to crawl her way to her own emergency appendectomy, which inconveniently strikes the same week her infant's babysitter is away on vacation, her adolescents are off from school, her New York Times editor needs his edit, and the whole family catches the flu. And in the book's capper essay, she drives twelve hours, solo, with a screaming toddler in a rent-a-car in a futile effort to catch a glimpse of her eldest child in his summer camp play. Yes, Shutterbabe is all grown up and slightly worse for the wear, but her clear-eyed vision while under fire has remained intact: You've never read funnier war stories.

With her body shattered, her mind in turmoil, and her life in utter chaos when she becomes a pawn in one of Lucifer's endless games, Necromancer Dante Valentine is just angry enough to come up with a scheme to make the Devil pay.

Even a hard man needs a soft side.Marko Sendoa isn't a beach man. He's not an Auckland man. He's a hard man. Born Basque tough, raised in the heart of New Zealand's Southern Alps, and bred on hard work, discipline, and getting the job done. It's not easy for a rugby flanker who's played 13 bruising seasons to make it to age 32 at the top of his game, but he's done it. Next year is the Rugby World Cup, and he'll do whatever it takes to be on the field in the black jersey when the anthems are sung. He doesn't need a kitten. He doesn't need a pregnant cousin.He definitely doesn't need a too-short, distractingly curvy, totally unimpressed Maori barista and part-time pet portraitist who fills his house and his life with too much color, too much chaos, and too many secrets.He's getting them anyway.

“A novel that explores the darker side of human nature while making you laugh so hard iced tea almost comes out your nose.” —The Tampa Tribune One of American literature’s brightest stars and author of the Pulitzer Prize–winning A Good Scent from a Strange Mountain reimagines the underworld in an uproarious novel. Its main character, Hatcher McCord, is an evening news presenter who has found himself in Hell and is struggling to explain his bad fortune. He’s not the only one to suffer this fate—in fact, he’s surrounded by an outrageous cast of characters, including Humphrey Bogart, William Shakespeare, and almost all of the popes and most of the US presidents. The question may be not who is in Hell, but who isn’t. McCord is living with Anne Boleyn in the afterlife but their happiness is, of course, constantly derailed by her obsession with Henry VIII (and the removal of her head at rather inopportune moments). One day McCord meets Dante’s Beatrice, who believes there is a way out of Hell, and the next morning, during an exclusive on-camera interview with Satan, McCord realizes that Satan’s omniscience, which he has always credited for the perfection of Hell’s torments, may be a mirage—and Butler is off on a madcap romp about good, evil, free will, and the possibility of escape. Butler’s depiction of Hell is original, intelligent, and fiercely comic, a book Dante might have celebrated. “I’ll never stop believing it: Robert Olen Butler is the best living American writer, period.” —Jeff Guinn, Fort Worth Star-Telegram