Essays In Honor Of Charles F Hockett

This essay challenges several patterns of thinking common in twentieth-century linguistics. The most pervasive of these is our habit of looking at language from the point of view of the speaker. When we take, instead, that of the hearer, matters fall into place in a new way. In syntax, we are led to examine the evidence available to hearers for interpreting what they hear, and this reveals both the true nature and the locus existendi of “deep structure”. Chomsky's 1957 diagnosis of the then prevalent syntactic theory is upheld, though his proposed remedy is not. The principle of Gestalt perception yields a characterization of the word quite different from Bloomfield's classic definition, lending support of new kind to Pike's mid-century views of the relation between phonemics and grammar. In morphology, assuming the hearer's standpoint forces the abondonment of the “atomic morpheme” that has prevailed in America since the post-Bloomfieldians, together with much of classical morphophonemics, and by a domino effect this in turn undermines much of generative phonology.

American National Biography is the first new comprehensive biographical dicionary focused on American history to be published in seventy years. Produced under the auspices of the American Council of Learned Societies, the ANB contains over 17,500 profiles on historical figures written by an expert in the field and completed with a bibliography. The scope of the work is enormous--from the earlest recorded European explorations to the very recent past.

This book is about the nature of morphology and its place in the structure of grammar. Drawing on a wide range of aspects of Romance inflectional morphology, leading scholars present detailed arguments for the autonomy of morphology, ie morphology has phenomena and mechanisms of its own that are not reducible to syntax or phonology. But which principles and rules govern this independent component and which phenomena can be described or explicated by the mechanisms of the morphemic level? In shedding light on these questions, this volume constitutes a major contribution to Romance historical morphology in particular, and to our understanding of the nature and importance of morphomic structure in language change in general.

On March 3, 1863, Abraham Lincoln signed the Act of Incorporation that brought the National Academy of Sciences into being. In accordance with that original charter, the Academy is a private, honorary organization of scientists, elected for outstanding contributions to knowledge, who can be called upon to advise the federal government. As an institution the Academy's goal is to work toward increasing scientific knowledge and to further the use of that knowledge for the general good. The Biographical Memoirs, begun in 1877, are a series of volumes containing the life histories and selected bibliographies of deceased members of the Academy. Colleagues familiar with the discipline and the subject's work prepare the essays. These volumes, then, contain a record of the life and work of our most distinguished leaders in the sciences, as witnessed and interpreted by their colleagues and peers. They form a biographical history of science in America-an important part of our nation's contribution to the intellectual heritage of the world.

In Now I Know Only So Far, sociolinguist and ethnopoetic scholar Dell Hymes examines the power and significance of Native North American literatures and how they can best be approached and appreciated. Such narratives, Hymes argues, are ways of making sense of the world. To truly comprehend the importance and durability of these narratives, one must investigate the ways of thinking expressed in these texts?the cultural sensibilities also deeply affected by storytellers? particular experiences and mastery of form. ø Included here are seminal overviews and reflections on the history and potential of the field of ethnopoetics. Native North American stories from areas ranging from the Northwest Coast to the Southwest take center stage in this book, which features careful scrutiny of different realizations and tellings of the same story or related stories. Such narratives are illuminated through a series of verse analyses in which patterned relations of lines throw into relief differences in emphasis, shape, and interpretation. A final group of essays sheds light on the often misunderstood and always controversial role of editing and interpreting texts. Now I Know Only So Far provides penetrating discussions and absorbing insights into stories and worlds, both traditional and new.