Essays On The Philosophy Of George Berkeley

A tercentenary conference of March, 1985, drew to Newport, Rhode Island, nearly all the most distinguished Berkeley scholars now active. The conference was organized by the International Berkeley Society, with the support of several institutions and many people (whose help is acknowl edged below). This volume represents a selection of the lead papers deliv ered at that conference, most now revised. The Cartesian marriage of Mind and Body has proved an uneasy union. Each side has claimed supremacy and usurped the rights of the other. In anglophone philosophy Body has lately had it all pretty much its own way, most dramatically in the Disappearance Theory of Mind, whose varieties vary in appeal and sophistication, but uniformly shock sensibili ties. Only recently has Mind reasserted itself, yet the voices of support are already a swelling chorus. "Welcome," Berkeley would respond, since " ... all the choir of heaven and furniture of the earth ... have not a subsis tence without a mind ... " (Principles, sect. 6). In fairness, Berkeley does playa Disappearance trick of his own - with Matter now into the hat. But his act is far subtler than any brute denial of the obvious, and seeks rather to explain than bluntly to reject. Perhaps we are today better prepared to appreciate his insights.

This book, first published in 1985, presents a key collection of essays on Berkeley’s moral and political philosophy. They form an introduction to, and analysis of, Berkeley’s immaterialist arguments, part of his consciously adopted strategy to subvert Enlightenment thought, which he saw as a danger to civil society.

"Many of the papers in this volume were presented at the 'Berkeley and the Three dialogues' conference at Trinity College Dublin in 2014"--Page vii.

In 1709, Berkeley published his first major work, An Essay towards a New Theory of Vision, in which he discussed the limitations of human vision and advanced the theory that the proper objects of sight are not material objects, but light and colour. 1. My design is to show the manner wherein we perceive by sight the distance, magnitude, and situation of OBJECTS. Also to consider the difference there is betwixt the IDEAS of sight and touch, and whether there be any IDEA common to both senses. 2. It is, I think, agreed by all that DISTANCE, of itself and immediately, cannot be seen. For DISTANCE being a Line directed end-wise to the eye, it projects only one point in the fund of the eye, which point remains invariably the same, whether the distance be longer or shorter.

An Essays Towards