Ethel Churchill

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The heroic image of Churchill leading the Allies to victory in World War II is turned on its head when Hitler gains air supremacy, to inflict an ignominious defeat on his sworn enemy. Shocked and humiliated, Churchill is forced to seek American assistance to drive the Germans out. Can Churchill convince the Americans to intervene? Will Churchill overcome formidable opposition and be able to return home victorious? Indeed, will he return at all? In this gripping new thriller, fact and fiction are welded together, stretching the imagination into a surprising outcome. If you have ever asked yourself what would have happened if the Battle of Britain had been lost, the unfolding of events and dramatic climax will provide a fascinating possibility. It will leave you pondering what could have been, long after you finish the book.

One of the most exciting developments in Romantic studies in the past decade has been the rediscovery and repositioning of women poets as vital and influential members of the Romantic literary community. This is the first volume to focus on women poets of this era and to consider how their historical reception challenges current conceptions of Romanticism. With a broad, revisionist view, the essays examine the poetry these women produced, what the poets thought about themselves and their place in the contemporary literary scene, and what the recovery of their works says about current and past theoretical frameworks. The contributors focus their attention on such poets as Felicia Hemans, Letitia Elizabeth Landon, Charlotte Smith, Anna Barbauld, Mary Lamb, and Fanny Kemble and argue for a significant rethinking of Romanticism as an intellectual and cultural phenomenon. Grounding their consideration of the poets in cultural, social, intellectual, and aesthetic concerns, the authors contest the received wisdom about Romantic poetry, its authors, its themes, and its audiences. Some of the essays examine the ways in which many of the poets sought to establish stable positions and identities for themselves, while others address the changing nature over time of the reputations of these women poets.