Etymologies And Genealogies

"Mr. Bloch has attempted to establish what he calls a 'literary anthropology.' The project is important and ambitious. It seems to me that Mr. Bloch has completely achieved this ambition." –Michel Foucault "Bloch's Study is a genuinely interdisciplinary one, bringing together elements of history, ethnology, philology, philosophy, economics and literature, with the undoubted ambition of generating a new synthesis which will enable us to read the Middle Ages in a different light. Stated simply, and in terms which do justice neither to the density nor the subtlety of his argument, Bloch's thesis is this: that medieval society perceived itself in terms of a vertical mode of descent from origins. This model is articulated etymologically in medieval theories of grammar and language, and is consequently reflected in historical and theological writings; it is also latent in the genealogical structure of the aristocratic family as it began to be organized in France in the twelfth century, and is made manifest in such systems of signs as heraldry and the adoption of patronymns. . . . It is an ingenious and compelling synthesis which no medievalist, even on this side of the Atlantic, can afford to ignore." –Nicholas Mann, Times Literary Supplement

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Emma O. Bérat shows the centrality of women's legacies to medieval political and literary thought in chronicles, hagiography, and genealogy.

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The language of heritage permeates Scripture, encouraging Christians to approach church history like a family history. But the notion of ancestry also constrains the world’s Catholics and Protestants to trace their confessional descent from Europe, rendering them perpetual latecomers in the historical chain. "Ancestral Feeling" systematically diagnoses the postcolonial problems generated by an ancestral outlook. But, applying critical theories in cultural studies to the study of church history, the book experiments with ways that the Western Christian inheritance can awaken the memory of one’s own ancestors. Writing a personal reflection on her family’s history in British-ruled Hong Kong, Renie Chow Choy engages autobiographically with England’s ecclesiastical art, architecture, music, and literature, in order to affirm her attachment to a heritage normally associated with English national identity. For global and immigrant Christians brought into a relationship with English Christianity by colonialism but are bypassed by its history, this book makes a bold declaration: England’s Christian heritage is also our story.

Written from a post-colonial North American perspective, this study considers the ways in which medieval British writers, in the wake of the Norman Conquest, used Arthurian historiography to reflect their fears about `colonial contamination' and about borders in general. The first half of the study examines the presentation of British history in works written on the Anglo-Welsh border. Warren then examines literature from the continent to look at British history from a Norman perspective. Parts of this study have been previously published.

Credulity -- Reference by artifact -- Germany and "Renaissance"--Forgery -- Replica -- Fiction -- Re-enactment.