Eva

Eva’s hospital room looks out onto the skyscrapers of a huge city, but since waking up from her coma she only dreams of trees Thirteen-year-old Eva opens her eyes to find herself in a hospital, her body paralyzed while it heals from a devastating accident. Her mother says that Eva will be able to move her hands and face soon and that everything is going to be fine, but something in her voice tells Eva it’s not that simple. The doctors give Eva a keyboard that turns her typing into speech and controls a mirror that rotates to look around the room and out the window—every direction except back at her bed. What are the doctors trying to hide from her? And why, in an overpopulated world where humans have tamed all the wild places, does Eva keep dreaming of a forest she’s never seen? This ebook features an illustrated personal history of Peter Dickinson including rare images from the author’s collection.

This book outlines essential elements of the evaluation of health surveillance within the One Health concept. It provides an introduction to basic theoretical notions of evaluation and vividly discusses related challenges. Expert authors cover the entire spectrum of available, innovative methods, from those for system process evaluations to methods for the economic evaluation of the surveillance strategies. Each chapter provides a detailed description of the methodology required and the tools available as illustrated by practical examples of animal health or One Health surveillance evaluations in both developed and developing countries. Targeting not only scientists, including epidemiologists, but also technical advisers of decision-makers, the present work is suitable for the evaluation of any type of health surveillance system - animal, human or combined - regardless of the socio-economic context. The volume is richly equipped with practical tools and examples, which enables the reader to apply the methods described. Increasing importance of health surveillance, and threats from disease outbreaks such as the coronavirus pandemic, underline the practical relevance of this work, which will fill an important gap in the literature.

It is a work of fiction with a biographical element about an Egyptian woman, Eva. She was a scientist who faced a tragedy in her life for the sake of her dream. The author reflects a period of conflict in the modern history of Egypt.

An early cameo of Latin American surrealism, Rosamel del Valle's erotic narrative of ecstasy and perdition creates the rhythm of the dream and the tempo of madness. Intermittently a waiflike young woman, Eva, intrudes into the daily routine of the writer. Her appearances are marked by a circle of red and the vision of a deep well with a star hanging over it. A tone poem of surrealist encounter, pursuit, and loss, Eva y la Fuga was written in 1930 and finally published posthumously in 1970, by Monte Avila Press in Venezuela. Anna Balakian offers here the first translation of the work into any other language. She brilliantly conveys in English the author's highly metaphoric language and the immediacy of surrealist experience, signaled in the narrative by frequent lapses into a haunting present tense. On their walks through the streets of Santiago, Eva and the narrator mingle in the fiesta atmosphere of the Chilean Amusement Park, with its gigantic Ferris Wheel. Bits of real-life dialogue float through the air. But the couple move on different wavelengths from the crowd and often from each other. Passing in and out of his life, Eva exercises a hypnotic fascination over the writer and makes an equally profound impression on the reader. This narrative is in the same genre as Gerard de Nerval's Aurélia, André Breton's Nadja, and Michel Leiris's Aurora, and should be counted among the most compelling works of twentieth-century surrealist literature.

It's almost Eva's birthday, and she is planning a FLAPTASTIC sleepover, in the ninth installment of this New York Times bestselling series! Pick a book. Grow a Reader! This series is part of Scholastic's early chapter book line Branches, aimed at newly independent readers. With easy-to-read text, high-interest content, fast-paced plots, and illustrations on every page, these books will boost reading confidence and stamina. Branches books help readers grow! It's almost Eva's birthday, and she can't wait for her super-special sleepover. But one of her friends, Sue, doesn't seem to want to come. It won't be right without her there! Does Sue really not want to come? Or could she be having first-sleepover jitters? Eva will need to help Sue tackle her fear in time for the big party! Continue this book series with “Eva the Owlet,” an Apple TV+ original series!

She had been reading fairy-tales, after her lessons were done, all the morning; and now that dinner was over, her father gone to his office, the baby asleep, and her mother sitting quietly sewing in the cool parlor, Eva thought that she would go down across the field to the old mill-pond; and sit in the grass, and make a fairy-tale for herself. There was nothing that Eva liked better than to go and sit in the tall grass; grass so tall that when the child, in her white dress, looped on her plump white shoulders with blue ribbons, her bright golden curls brushed back from her fair brow, and her blue eyes sparkling, sat down in it, you could not see her until you were near her, and then it was just as if you had found a picture of a little girl in a frame, or rather a nest of soft, green grass. 10 All through this tall, wavy grass, down to the very edge of the pond, grew many flowers,—violets, and buttercups, and dandelions, like little golden suns. And as Eva sat there in the grass, she filled her lap with the purple and yellow flowers; and all around her the bees buzzed as though they wished to light upon the flowers in her lap; on which, at last,—so quietly did she sit,—two black-and-golden butterflies alighted; while a great brown beetle, with long black feelers, climbed up a tall grass-stalk in front of her, which, bending slightly under his weight, swung to and fro in the gentle breeze which barely stirred Eva's golden curls; and the field-crickets chirped, and even a snail put his horns out of his shell to look at the little girl, sitting so quietly in the grass among the flowers, for Eva was gentle, and neither bee, nor butterfly, beetle, cricket, or snail were afraid of her. And this is what Eva called making a fairy-tale for herself.

Eva Picardi has been one of the most influential Italian analytic philosophers of her generation. She taught for forty years at the University of Bologna, raising three generations of students. This collection of selected writings honors her work, confirming Picardi's status as one of the most important Frege scholars of her generation and a leading authority on the philosophy of Donald Davidson. Bringing together Picardi's contributions to the history of analytic philosophy, it includes her papers on major 20th-century figures such as Wittgenstein, Quine, Davidson, Rorty, and Brandom. She examines their work in comparison with the philosopher Michael Dummett's, illuminating contrasts between American Neo-pragmatism and Continental philosophy. By considering key contributions made by Gadamer and Adorno and contrasting them with Davidson and Rorty's proposals, Picardi is able to bridge the Analytic and Continental divide. Featuring an introduction by Annalisa Coliva and new translations of previously unpublished papers, this collection emphasizes the significance of Picardi's work for a new generation of readers.