Eva Underground

In 1978, a high school senior is forced by her widowed father to move from their comfortable Chicago suburb to help with an underground education movement in communist Poland.

Berchtesgaden, Germany, is a beautiful place, set among the gentle meadow-clad hills rising to the sheer heights of bare Alpine peaks. It is here where an elderly woman arrives and recollects her past—and her peripheral role in a chapter of world history. She walks along a beaten path, which has come into being because so many tourists have ventured this way . . . to see something that exists only in her memory. In the summer of 1944, twenty-year-old Marlene is thrilled when her older, more glamorous cousin, Eva Braun, Adolph Hitler’s mistress, invites her to come to the Fuhrer’s Bavarian mountain retreat. Against her father’s wishes, Marlene accepts, and immediately sets forth to Berghof. There, while Hitler is away desperately trying to turn the tides of war, Marlene finds herself in a strange paradise, a world of opulence and imminent danger, of freedom and surveillance. The two women sneak off and skinny-dip in a nearby-lake, watch films in the Fuhrer’s private cinema, and flirt with the SS officers at the dinner table—one of whom will become Marlene’s first lover. Initially delighted by Eva’s attentions, Marlene later tries to understand the elusive connection between her cousin and the man she loves. In quiet defiance, she begins to commit her own acts of subversion, which include listening to BBC radio broadcasts, forbidden by the Fuhrer. But a clandestine mission of mercy will force her to question her allegiance to both her cousin and her country—and to face the chilling reality that exists outside her sheltered world. Based on the true experiences of Eva Braun’s cousin, Gertrude Weisker, who has shared her memories with Sibylle Knauss after more than fifty years of silence, Eva’s Cousin is a novel that illuminates the banality of the domestic face of evil. It casts a special light on the profound questions of innocence and complicity that still haunt much of the world today.

This volume deals specifically with escape and evasion in the Netherlands, Belgium and France, an operation in which the author himself was directly involved, and discusses the role which these lines of escape played in the lives of airmen who were forced to bail out over enemy territory. He describes the ever-present risks the often nameless patriots faced, such as the danger of exposure and the threat of traitorous infiltration. Specific lines are traced geographically and their main participants discussed. Special emphasis is placed on the role of women in this resistance operation. Throughout the book, the reader benefits not only from the author's own personal recollections but also from his later on-location research. The final chapter concludes with statistical information directly related to this little known aspect of World War II. Appendices include lists of the airmen helped by the resistance movement.

People around the world know the tragic story of Anne Frank, the teenage girl who lost her life in a concentration camp during the Holocaust. But most people don't know about Eva Schloss, Anne’s playmate and posthumous stepsister. Though Eva, like Anne, was imprisoned in Auschwitz at the age of 15, her story did not end there. Together with her mother, Eva endured daily degradation and countless miseries at the hands of the Nazis. She was freed in 1945, but it would be decades before Eva was able to share her survivor’s tale with the world. Concluding with new discussion questions and a revealing interview with Eva, this moving memoir recounts—without bitterness or hatred—the horrors of war, the love between mother and daughter, and the strength and determination that helped a family overcome danger and tragedy.

"A kick-butt ride from start to finish." --Monsters and Critics To save her father, Hollywood stuntwoman and vampire hunter Dawn Madison must enter the vampire Underground, where she will encounter an unthinkable betrayal.

This is the first comprehensive, multidisciplinary, and multilingual bibliography on "Women and Gender in East Central Europe and the Balkans (Vol. 1)" and "The Lands of the Former Soviet Union (Vol. 2)" over the past millennium. The coverage encompasses the relevant territories of the Russian, Hapsburg, and Ottoman empires, Germany and Greece, and the Jewish and Roma diasporas. Topics range from legal status and marital customs to economic participation and gender roles, plus unparalleled documentation of women writers and artists, and autobiographical works of all kinds. The volumes include approximately 30,000 bibliographic entries on works published through the end of 2000, as well as web sites and unpublished dissertations. Many of the individual entries are annotated with brief descriptions of major works and the tables of contents for collections and anthologies. The entries are cross-referenced and each volume includes indexes.

“It was a self-portrait with me standing in front of a wall-size mirror and staring at my reflection. I had a confused face because what I could see in the mirror was not what was actually around me. It depicted a basement on which I was standing. The mirror made me feel that a whole lot of other things existed around me. I could not see them though. But I had an explanation for them. It could only mean one thing: that they existed as a part of a different dimensional world!”

Holocaust movies have become an important segment of world cinema and the de-facto Holocaust education for many. One quarter of all American-produced Holocaust-related feature films have won or been nominated for at least one Oscar. In fact, from 1945 through 1991, half of all American Holocaust features were nominated. Yet most Holocaust movies have fallen through the cracks and few have been commercially successful. This book explores these trends--and many others--with a comprehensive guide to hundreds of films and made-for-television movies. From Anne Frank to Schindler's List to Jojo Rabbit, more than 400 films are examined from a range of perspectives--historical, chronological, thematic, sociological, geographical and individual. The filmmakers are contextualized, including Charlie Chaplin, Sidney Lumet, Steven Spielberg, Quentin Tarantino and Roman Polanski. Recommendations and reviews of the 50 best Holocaust films are included, along with an educational guide, a detailed listing of all films covered and a four-part index-glossary.