Everglades Patrol

As law enforcement officer and game manager for the Florida Game and Fresh Water Fish Commission, Lt. Tom Shirley was the law in one of the last true frontiers in the nation--the Florida Everglades. In Everglades Patrol, Shirley shares the stories from his beat--an ecosystem larger than the state of Rhode Island. His vivid narrative includes dangerous tales of hunting down rogue gladesmen and gators and airboat chases through the wetlands in search of illegal hunters and moonshiners. During his thirty-year career (1955-1985), Shirley saw the Glades go from frontier wilderness to "ruination" at the hands of the Army Corps of Engineers. He watched as dikes cut off the water flow and controlled floods submerged islands that had supported man and animals for 3,000 years, killing much of the wildlife he was sworn to protect.

From cops who are paragons of virtue, to cops who are as bad as the bad guys...from surly loners, to upbeat partners...from detectives who pursue painstaking investigation, to loose cannons who just want to kick down the door, the heroes and anti-heroes of TV police dramas are part of who we are. They enter our living rooms and tell us tall tales about the social contract that exists between the citizen and the police. Love them or loathe them--according to the ratings, we love them--they serve a function. They've entertained, informed and sometimes infuriated audiences for more than 60 years. This book examines Dragnet, Highway Patrol, Naked City, The Untouchables, The F.B.I., Columbo, Hawaii Five-O, Kojak, Starsky & Hutch, Hill Street Blues, Cagney & Lacey, Miami Vice, Law & Order, Homicide: Life on the Street, NYPD Blue, CSI, The Shield, The Wire, and Justified. It's time to take another look at the "perps," the "vics" and the boys and girls in blue, and ask how their representation intersects with questions of class, gender, sexuality, and "race." What is their socio-cultural agenda? What is their relation to genre and televisuality? And why is it that when a TV cop gives a witness his card and says, "call me," that witness always ends up on a slab?

Life in the Glades came easy, greeting Bayler like a welcome friend, and it felt good to return to the life he loved, trapping and fishing in it’s tributaries and waterways. His dreams of coming home and starting his family had come to a full realization. But he could not have foreseen a threat stemming from the city, pushing its way into his world. Now he must decide between His devotion to God, his strong sense of right and wrong, and his promise to Netty of protecting his family’s safety. He pressed his knife into its sheath, and headed out to his truck.

A New York Times Bestseller Oh, Florida! That name. That combination of sounds. Three simple syllables, and yet packing so many mixed messages. To some people, it’s a paradise. To others, it’s a punch line. As Oh, Florida! shows, it’s both of these and, more important, it’s a Petri dish, producing trends that end up influencing the rest of the country. Without Florida there would be no NASCAR, no Bettie Page pinups, no Glenn Beck radio rants, no USA Today, no “Stand Your Ground,” . . . you get the idea. To outsiders, Florida seems baffling. It’s a state where the voters went for Barack Obama twice, yet elected a Tea Party candidate as governor. Florida is touted as a carefree paradise, yet it’s also known for its perils-alligators, sinkholes, pythons, hurricanes, and sharks, to name a few. It attracts 90 million visitors a year, some drawn by its impressive natural beauty, others bewitched by its manmade fantasies. Oh, Florida! explores those contradictions and shows how they fit together to make this the most interesting state. It is the first book to explore the reasons why Florida is so wild and weird-and why that’s okay. Florida couldn’t be Florida without that sense of the unpredictable, unexpected, and unusual lurking behind every palm tree. But there is far more to Florida than its sideshow freakiness. Oh, Florida! explains how Florida secretly, subtly influences all the other states in the Union, both for good and for ill.